Dans un futur pas si lointain, le Danemark est confronté à une évacuation totale en raison de la montée des eaux. Alors que la nation se prépare à quitter son foyer, Laura, une lycéenne, doi... Tout lireDans un futur pas si lointain, le Danemark est confronté à une évacuation totale en raison de la montée des eaux. Alors que la nation se prépare à quitter son foyer, Laura, une lycéenne, doit choisir entre ses parents divorcés et le garçonDans un futur pas si lointain, le Danemark est confronté à une évacuation totale en raison de la montée des eaux. Alors que la nation se prépare à quitter son foyer, Laura, une lycéenne, doit choisir entre ses parents divorcés et le garçon
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In Thomas Vinterberg's Families Like Ours (Familier som vores), characters face impossible decisions in what could have been an over-the-top apocalyptic sci-fi series. Instead, within the environmental framework of disaster, Vinterberg stays focused on the human cost. It's ironic to see some reviewers question how certain characters could be so stupid or myopic in their decision making, but the series shows how difficult it is for people faced with impossible choices, particularly emotional ones, to think clearly when they're losing everything else.
The series is blessed with some excellent Danish actors--but it's the two young leads (Amaryllis April August and Albert Rudbeck Lindhardt) who pull us in and keep us connected. It isn't that the other actors aren't excellent (Nikolaj Lie Kaas and Paprika Steen always reliable)--but the stories of Laura and Elias are simply more riveting--and extreme. The series also pushes at the notion that becoming a refugee can only happen to "others," illustrating what happens when even well-off Danes become unwanted migrants. The human dilemma is simply human, at all costs, even if you start out on better financial footing.
It's very hard to watch some of this series, especially some of the violence, but it's necessary to see what can happen to anyone. Determination alone doesn't ensure anything in a world like this--though it helps. Sometimes faith and acceptance bring some stability, as with Fanny (Steen), and at others it brings disaster anyway. We move toward an unclear resolution, the most we can hope for in this fictive world.
The series is blessed with some excellent Danish actors--but it's the two young leads (Amaryllis April August and Albert Rudbeck Lindhardt) who pull us in and keep us connected. It isn't that the other actors aren't excellent (Nikolaj Lie Kaas and Paprika Steen always reliable)--but the stories of Laura and Elias are simply more riveting--and extreme. The series also pushes at the notion that becoming a refugee can only happen to "others," illustrating what happens when even well-off Danes become unwanted migrants. The human dilemma is simply human, at all costs, even if you start out on better financial footing.
It's very hard to watch some of this series, especially some of the violence, but it's necessary to see what can happen to anyone. Determination alone doesn't ensure anything in a world like this--though it helps. Sometimes faith and acceptance bring some stability, as with Fanny (Steen), and at others it brings disaster anyway. We move toward an unclear resolution, the most we can hope for in this fictive world.
10Palle2
I've seen quite a few negative reviews here - but don't let that stop you watching this well-produced and well-acted series about how an environmental crisis turns life upside down for a middle-class Copenhagen family. It does require a certain suspension of belief in that such a crisis would hopefully be managed more sustainably than it is in this drama. But you never know, and anyway, it's fiction not a documentary.
The actors were incredible and the script was well-written. What I thought was most valuable was the way the series created a strong engagement for the characters, who in many ways were the same as the series' target group - an average middle class family. Once that engagement was in place we were led through a series of increasingly uncomfortable situations, where some poorly-considered decisions made things go from bad to worse. If you're a parent you will be able to identify with the painful sense of concern that arises when children are forced into dangerous situations.
We don't really want to know about environmental crises, or about the hell that refugees face, so it's easier to just dismiss the series, than to experience those uncomfortable feelings. Watch this series with an open mind and you will be rewarded with a thought-provoking and meaningful experience.
The actors were incredible and the script was well-written. What I thought was most valuable was the way the series created a strong engagement for the characters, who in many ways were the same as the series' target group - an average middle class family. Once that engagement was in place we were led through a series of increasingly uncomfortable situations, where some poorly-considered decisions made things go from bad to worse. If you're a parent you will be able to identify with the painful sense of concern that arises when children are forced into dangerous situations.
We don't really want to know about environmental crises, or about the hell that refugees face, so it's easier to just dismiss the series, than to experience those uncomfortable feelings. Watch this series with an open mind and you will be rewarded with a thought-provoking and meaningful experience.
There was the Kierkegaard quote on the leap of faith but this series remained stuck in the aesthetic phase fair and square. Upper middle class families tumble down the wheel of fortune to expose how bad we are with refugees and how awful the Poles are. At the same time the protagonists lack a realistic sense of self-preservation and resilience, in other words: quite dumb. In its attempt to be a morality play its ethics and lack of humanism are very problamatic. So quote Kierkegaard as much as you like: on the surface, okayish for a few hours of entertainment but deeply flawed in its political messaging and dramatic depth, zero fathoms deep.
A country where everyone live in big houses or mansions, drives Mercedes or Audis and every adult is either an architect, diplomat, psychiatrist or entrepenour. Seemingly there is no working class or poor in Denmark.
'Families Like Ours' tries to show what happens to those "ordinary" danes, and how they act and react, facing a shutdown because of rising sea levels.
The build-up is really slow. First example of "something is not right here" is when the architect notices that the water level in his toilet has risen (I kid you not). Then there's the usual "nobody panic" message from the primeminister on television (causing everyone to panic more or less of course). Immediately after we're off to a whole string of sequences and episodes of every man (or woman or family) for themselves. But they are not fighting for survival because the threat isn't imminent. It's more a capitalist nightmare of "who will lose most of their money" before time runs out? And who will stick together? Each chasing their own version of safety, Most behaving unbelievably selfish.
The acting is okay (Vinterberg knows how to direct his cast), but the script could use a lot more fine-tuning. Trying to pick up how teens in Denmark speak, they just inserted words like "sick" here and there in their dialouge for example. There are also servere pacing issues throughout and I really think this would have been a better show if it was made as a two-hour movie instead. Actually some episodes are actually kind of boring.
Maybe if they pick it up in US? Their adaption could be called "Families like ours in 90210"
'Families Like Ours' tries to show what happens to those "ordinary" danes, and how they act and react, facing a shutdown because of rising sea levels.
The build-up is really slow. First example of "something is not right here" is when the architect notices that the water level in his toilet has risen (I kid you not). Then there's the usual "nobody panic" message from the primeminister on television (causing everyone to panic more or less of course). Immediately after we're off to a whole string of sequences and episodes of every man (or woman or family) for themselves. But they are not fighting for survival because the threat isn't imminent. It's more a capitalist nightmare of "who will lose most of their money" before time runs out? And who will stick together? Each chasing their own version of safety, Most behaving unbelievably selfish.
The acting is okay (Vinterberg knows how to direct his cast), but the script could use a lot more fine-tuning. Trying to pick up how teens in Denmark speak, they just inserted words like "sick" here and there in their dialouge for example. There are also servere pacing issues throughout and I really think this would have been a better show if it was made as a two-hour movie instead. Actually some episodes are actually kind of boring.
Maybe if they pick it up in US? Their adaption could be called "Families like ours in 90210"
The idea is good here. Showcase what it means to be a refugee, by making the Danes go through what is happening to many in war ridden countries. Acting is fine as well.
However it just becomes too forced. There are situations where main characters makes such stupid decisions that it became unbelieveable and nearly unbearable to watch. Add to this that it is incredibly slow at times, especialy the last few episodes are just dragged out. It could have been maybe 4 episodes instead.
I would still recommend Danes to watch it as a learning exercise of how it is to be a refugee. The empathy refugees deserve is for sure missing in todays society.
However it just becomes too forced. There are situations where main characters makes such stupid decisions that it became unbelieveable and nearly unbearable to watch. Add to this that it is incredibly slow at times, especialy the last few episodes are just dragged out. It could have been maybe 4 episodes instead.
I would still recommend Danes to watch it as a learning exercise of how it is to be a refugee. The empathy refugees deserve is for sure missing in todays society.
Le saviez-vous
- AnecdotesThe use of Allegri's "Miserere", normally only sung on Ash Wednesday, throughout the series whenever there is a scene in Church is particularly poignant.
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- En familj som vår
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By what name was Families Like Ours (2024) officially released in India in English?
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