Les contes du vaisseau noir

It was a while after I watched Watchmen that I got around to getting this companion film – essentially put together from the reading of the comic of the same name within the comic of Watchmen. Not being a massive defender of the comic, I am not petty about it nor do I wish to debate for hours about how the film works without it, how the changes in the film affect this film, how you must be an idiot if you think this, or how you must be an idiot if you don't think that – and so on. No, instead I came to the short film knowing its parallels with the main story/film and yet also keen to see how it works as a film full stop.

The answer is that it works very well because it produces a really gaudy depiction of the story with a much clearer link to the mental journey of Ozymandias and/or Rorschach – again I cannot be bothered to debate it on the message boards, for my money it works for both. The film is really well animated but not to the point that it is stylised to the point where it doesn't feel real. Instead, the gore and horror is made to feel very real and very horrible – not "owh gross" horrible in the way teen slasher films are, but it is really quite tangible how awful events are from start to finish. The story is quite simple but, because the horror is so well captured, it doesn't really matter if you watch this with Watchmen in mind or not – although of course it is meant for you to do so as well. The delivery is generally strong as well thanks mainly to the impressive delivery from Butler as the captain in narration. His haunted and nuanced voice is a great fit with the graphics – in particular the captain showing on his face what we are hearing.

It is ironic because, while I thought that the full film of Watchmen struggled because of how it stuck to the events in the book to the detriment of the heart of the book, the Black Freighter appears to have captured both. I'll let others argue it out but for me it was best to strip this out of the film and, while it works well in the comic spread out over the telling of the main story, it works equally as well here as a companion short film.

I regard this more as something stand alone than something that accompanies The Watchmen. It is the perfect example of an animated short. The entire plot is chilling from start to end especially with Butlers sterling performance as the Sea Captain. The animation i was quite surprised how much i actually liked it as i did not expect a great deal of detail- but it looks extremely effective. I can only hope in the directors cut of Watchmen that it makes an appearance between the film as it did in the graphic novel. Though it is unfair to constantly relate this back to the film as it is its own work and has its own merits.

For me it is exactly what i wanted it to be, a haunting exploration of the inner mind.

Anybody who's familiar with the Watchmen graphic novel will recognize the significance of the Tales of the Black Freighter. This was originally the comic-within-the-comic, having nothing much to do with the events of Watchmen, but offering a stark thematic parallel.

This animated feature translates that segment of the comic to accompany the Watchmen film (and if you watch the film's Ultimate Cut, this cartoon will be spliced into the main feature). On its own, the cartoon is short, bleak, and pretty gnarly. It runs pretty fast and it tells a heck of a story.

Following the Watchmen comic closely, this feature tells a very dark and violent story full of hideously ironic twists. The story is simple, but highly effective. It offers the bare minimum characterizations, but it digs deeply into the main character's psyche and madness to dig up strong themes of humanity's savagery; themes that are effectively echoed in the Watchmen film.

This feature uses pretty decent animation quality: movements are a little stiff and cheap, but it looks sharp, clean, and well-rendered. Voice-acting is not bad, and the writing is good. Designs for the characters and settings are good, and some scenes show good imagination. Music is alright.

Recommended for anybody interested in the Watchmen film.

4/5 (Entertainment: Good | Story: Good | Film: Good)

A sea captain (Gerard Butler, 300 and RockNRolla) is the single person to survive a slaughter upon his ship by savage pirates aboard a black freighter, this 25 and a half minute animated adaptation of the secondary story in the Watchmen comic mini-series tells the macabre, heart-wrenching tail of his journey back to the Davidstown before the pirates can arrive there to pillage his homeland. While using a somewhat minimalistic animated stylization, the story as well as the visualizations work triumphantly and one can't help but be drawn into both. Not so much a companion piece to "Watchman" (although the case for that has been made ad nuaseum) as much as a brilliantly conceived piece that can indeed stand on it's own.

My Grade: A

DVD Extras:Under the Hood (a 37 and a half minute faux news interview with Hollis Mason about his book) a 225 minute featurette on the making-of; the first chapter of the Watchman motion comic, a first look at "Green Lantern: First Flight"; a prerequisite ad from Blu-Ray; and trailers for "Terminator: Salvation", "Watchmen" & the video game adaptations of Terminator & Watchmen

As someone who takes delight generally in the DC animations I was hugely impressed by Tales of the Black Freighter. There are a couple of instances where the action is a tad lacking in flow but even that's occasional. The animation is very detailed and atmospheric, with well-done character designs. The music is appropriately haunting and never overdone, while the writing is intelligent and thought-provoking. Most of the action is very well-choreographed and paced and the story is dark in tone, very compelling and quite suspenseful and even chilling. The characters are engaging, not stock and with a sense of conflict that gives them some dimension. Gerard Butler's voice work is superb, a perfect balance of gruff and sympathetic.

Overall, a simply great DC animation short, that more than stands up on its own. 9/10 Bethany Cox