Chloé, 18 ans, disparue

Just bad acting all around . They should've rehearsed first. Let's not talk about the background music through every scene , I couldn't even hear what they were saying Most of the time. I only kept watching to see how it would end. Wouldn't watch again . 2/10 and that's a generous rating.

First of all, the music is WAY too much and WAY too LOUD. LMN continues to amp up the score of every film they air, but this one is a perfect example of how a movie can be OVER scored. It's almost unwatchable. Producers- are you reading??

Dialogue (as bad as it is here) is going to convey narrative and emotion, not the never ending music. That should be used as a bare minimum supporter, always.

Framing, camera work, direction- everything was less than the acceptable standard on this network.

And the acting-unfortunate. It's a far cry LMNs stand out thrillers. This was simply amateur.

Rather predictable LMN movie with a particularly good performance by Laurie Fortier.

After seeing this movie, I have the following thoughts:

1. Keep away from abusive spouses.

2. Leave your best friend's kid alone.

3. Take some sedatives if you are tense - don't act out.

Have a couple of drinks and enjoy the movie.

Good movie. Bit weird in beginning kid disappeared but they never said how they her back. I was a little confused Love the song at the end. Anyone know what it is.

I couldn't disagree more with the earlier reviewer. I found "Saving My Daughter" to be a tightly knit, fast-moving thriller, well worth seeing, competently directed by Michael Feifer and with a complex script by Michael Perronne that gave even the villains understandable motives for their actions. The film's energy flags a bit after the big revelation two-thirds of the way through, but the plot resolution is effective and believable, and Alicia Hayes Willis as Joanna gives us a powerful performance as a revenge-driven woman. This is Lifetime firing on all cylinders and turning in an exciting and fully believable movie - a real surprise coming from as ordinarily a mediocre filmmaker as Michael Feifer.