Harry Brown
- 2009
- 12 avec avertissement
- 1h 43min
NOTE IMDb
7,2/10
93 k
MA NOTE
Un ancien militaire âgé et veuf cherche à venger le meurtre de son meilleur ami en faisant justice lui-même.Un ancien militaire âgé et veuf cherche à venger le meurtre de son meilleur ami en faisant justice lui-même.Un ancien militaire âgé et veuf cherche à venger le meurtre de son meilleur ami en faisant justice lui-même.
- Récompenses
- 1 victoire et 4 nominations au total
Charlie Creed-Miles
- D.I. Hicock
- (as Charlie Creed Miles)
Plan B
- Noel Winters
- (as Ben Drew)
Marvin Campbell
- Stunt Neighbour
- (as Marvin Stewart-Campbell)
Radoslaw Kaim
- Doctor
- (as Rad Kaim)
Avis à la une
I recently reacquainted myself with Harry Brown which I hadn't seen for 7 or 8 years, to find that the past decade has been kind to it. It seems even better now, than when I first saw it and thought it was pretty good then. Harry Brown represents a fine debut feature film from director Daniel Barber and it is surprising to find he has only directed one other production since.
The story follows Harry Brown, a widowed, Royal Marines veteran who had served and seen plenty of action in Northern Ireland, living on a London housing estate plagued by youth crime. After a violent gang murders his friend, Harry decides to take justice into his own hands.
The story outwardly would seem to follow any number of revenge thriller templates, perhaps most obviously Death Wish. But Harry Brown is one of the most grounded depictions of conflicted vigilantism that I've seen. The set-ups are realistic and the outcomes believable, though undoubtedly exaggerated at times for dramatic emphasis. And make no mistake, this is a suspenseful, dark, but thrilling film, that carries both an emotional and physical punch.
In the title role Sir Michael Caine is sublime and completely in his element as the aged ex-warrior who is seemingly forced into actions that he thought he'd probably left behind decades previous. Imagine a rehabilitated, very senior, Jack Carter, who'd survived the events we saw in Get Carter. That sums up our Harry, who crosses paths with Set. Insp. Alice Frampton, who oozes genuine sympathy and condolences for his losses, but later suspects him of taking the law literally into his own hands. Emily Mortimer is excellent, as the talented detective, genuinely trying to make a difference in some of the worst of London's slum areas. One of the great strengths of the film are the dual storylines of both the protagonist and the police officer who feels a need to keep looking over his shoulder. There are also great turns from Game of Thrones alumni, Liam Cunningham, Iain Glen and David Bradley. Mention must also be made of Ben Drew, better known apparently as a rap singer called Plan B. He manages to personify an inherited evil in his role as gang leader Noel Winters.
Despite not really being an action movie, Harry Brown does feature a couple of quite electrifying set pieces; one involving a visit to a sordid drug den and another being the climactic aftermath to a riot in the housing estate central to the story. As mentioned above, there have been other films like this before, but none quite as believable. Daniel Barber has created a debut film that is maybe not for everyone, but is gripping from start to finish.
The story follows Harry Brown, a widowed, Royal Marines veteran who had served and seen plenty of action in Northern Ireland, living on a London housing estate plagued by youth crime. After a violent gang murders his friend, Harry decides to take justice into his own hands.
The story outwardly would seem to follow any number of revenge thriller templates, perhaps most obviously Death Wish. But Harry Brown is one of the most grounded depictions of conflicted vigilantism that I've seen. The set-ups are realistic and the outcomes believable, though undoubtedly exaggerated at times for dramatic emphasis. And make no mistake, this is a suspenseful, dark, but thrilling film, that carries both an emotional and physical punch.
In the title role Sir Michael Caine is sublime and completely in his element as the aged ex-warrior who is seemingly forced into actions that he thought he'd probably left behind decades previous. Imagine a rehabilitated, very senior, Jack Carter, who'd survived the events we saw in Get Carter. That sums up our Harry, who crosses paths with Set. Insp. Alice Frampton, who oozes genuine sympathy and condolences for his losses, but later suspects him of taking the law literally into his own hands. Emily Mortimer is excellent, as the talented detective, genuinely trying to make a difference in some of the worst of London's slum areas. One of the great strengths of the film are the dual storylines of both the protagonist and the police officer who feels a need to keep looking over his shoulder. There are also great turns from Game of Thrones alumni, Liam Cunningham, Iain Glen and David Bradley. Mention must also be made of Ben Drew, better known apparently as a rap singer called Plan B. He manages to personify an inherited evil in his role as gang leader Noel Winters.
Despite not really being an action movie, Harry Brown does feature a couple of quite electrifying set pieces; one involving a visit to a sordid drug den and another being the climactic aftermath to a riot in the housing estate central to the story. As mentioned above, there have been other films like this before, but none quite as believable. Daniel Barber has created a debut film that is maybe not for everyone, but is gripping from start to finish.
This is the known story of a man become into vigilante . An elderly ex-serviceman and widower , Harry Brown , (Michael Caine) looks to avenge his best friend (David Bradley)'s murder by doling out his own form of justice . As a retired man turned vigilante and taking the law into his own hands as judge , jury and executioner. As every man has a breaking point . Harry turns the one-man vigilante when his friend is attacked , beaten and then stabbed to death in an underground passage carried out by furious band formed by some ominous punks . Then he stalks the slums of London and takes the law into his own hands, searching vengeance on crooks, hoodlums, druggies , muggers, pimps , making the neighborhood safer and bumping off delinquents and street scum . Meanwhile , police officers D.I. Alice Frampton (Emily Mortimer) and D.S. Terry Hicock (Charlie Creed-Miles) are investigating the deeds and Police Superintendent Childs (Iain Glen) orders a major arrest operation believing the recent violence is related to a gang war. The late-night raids on the neighbourhood result in a massive riot .
This interesting picture has suspense , emotion , intrigue , thrills and lots of violence . It's certainly thrilling , though the morality may be questionable , even in this time, as the spectators were clearly on the Harry Brown's side . Michael Caine with his usual top-notch acting displays efficiently his weapon such as ¨Harry the Dirty¨ and killing mercilessly nasties . Michael Caine saw a lot of himself in the character of Harry Brown, e.g. they're both combat veterans , as Harry is a Marine who served in Northern Ireland, Caine served in the British Army during the Korean war , and Caine lived in the same area that Brown does , it was things like these that drew him to the film . Secondary cast is frankly excellent such as Emily Mortimer , Charlie Creed-Miles , David Bradley , Iain Glen , Sean Harris, Ben Drew and special mention to Liam Cunningham as Sid Rourke . This is Daniel Barber's nice feature debut , he's now shooting ¨The keeping room¨ with Hailee Steinfeld , Sam Worthington and Brit Marling .
This exciting and above average film belong to ¨Vigilante genre¨ whose main representations are ¨Charles Bronson's Death Wish¨ , successful crime thriller that created the Vigilante genre with Bronson as the main star such as ¨Death wish II¨ ¨Death wish III¨ , ¨Death Wish 4 : The crackdown¨and ¨Death Wish: The face of death¨ and , of course , ¨Clint Eastwood's Dirty Harry¨ movies , such as ¨The enforcers¨, ¨Sudden impact¨ and ¨The dead pool¨ . Furthermore , other notorious movies on the ¨Revenger¨ genre that achieved their splendor in the eighties are the followings : ¨Exterminator¨ I and II with Robert Ginty ; ¨Vigilante¨ by William Lusting with Robert Foster , Fred Williamson ; ¨Walking the edge¨ by Norbert Meisel with Robert Foster and Nancy Kwan ; ¨Dark Angel¨ with Betty Russell ; ¨Steele Justice¨ with Martin Kove ¨; ¨The Punisher¨ with Dolph Lundgren , ¨Joe Don Baker's Walking tall¨ saga ; ¨Lorenzo Lamas's Snake eater¨ saga , ¨Arnold's Raw Deal¨ , ¨Stallone's Cobra¨ and many others .
This interesting picture has suspense , emotion , intrigue , thrills and lots of violence . It's certainly thrilling , though the morality may be questionable , even in this time, as the spectators were clearly on the Harry Brown's side . Michael Caine with his usual top-notch acting displays efficiently his weapon such as ¨Harry the Dirty¨ and killing mercilessly nasties . Michael Caine saw a lot of himself in the character of Harry Brown, e.g. they're both combat veterans , as Harry is a Marine who served in Northern Ireland, Caine served in the British Army during the Korean war , and Caine lived in the same area that Brown does , it was things like these that drew him to the film . Secondary cast is frankly excellent such as Emily Mortimer , Charlie Creed-Miles , David Bradley , Iain Glen , Sean Harris, Ben Drew and special mention to Liam Cunningham as Sid Rourke . This is Daniel Barber's nice feature debut , he's now shooting ¨The keeping room¨ with Hailee Steinfeld , Sam Worthington and Brit Marling .
This exciting and above average film belong to ¨Vigilante genre¨ whose main representations are ¨Charles Bronson's Death Wish¨ , successful crime thriller that created the Vigilante genre with Bronson as the main star such as ¨Death wish II¨ ¨Death wish III¨ , ¨Death Wish 4 : The crackdown¨and ¨Death Wish: The face of death¨ and , of course , ¨Clint Eastwood's Dirty Harry¨ movies , such as ¨The enforcers¨, ¨Sudden impact¨ and ¨The dead pool¨ . Furthermore , other notorious movies on the ¨Revenger¨ genre that achieved their splendor in the eighties are the followings : ¨Exterminator¨ I and II with Robert Ginty ; ¨Vigilante¨ by William Lusting with Robert Foster , Fred Williamson ; ¨Walking the edge¨ by Norbert Meisel with Robert Foster and Nancy Kwan ; ¨Dark Angel¨ with Betty Russell ; ¨Steele Justice¨ with Martin Kove ¨; ¨The Punisher¨ with Dolph Lundgren , ¨Joe Don Baker's Walking tall¨ saga ; ¨Lorenzo Lamas's Snake eater¨ saga , ¨Arnold's Raw Deal¨ , ¨Stallone's Cobra¨ and many others .
Despite Emily Mortimer's ever vapid presence, in no way suited to be convincing as a cop. Michael Caine is masterful as always, film gives him an opportunity to show off his incredible range credibly, from fragile pathos and sorrow to hard unrelenting man in the field you do not want to cross. It's hard to take any satisfaction though in the hunting down and brutalising of miserable wretches at the bottom of the have not pile. Well directed scripted and edited. Love seeing Michael Caine always, he's so damned good nuance by nuance it's spooky.
Watched this at a London preview screening
This is an enjoyable, and often tense vigilante film. But don't look for a radical plot line or unpredictable twists because this is simply a straight forward and predictable Death Wish style vigilante story. I'll give absolutely no credit to the screenplay writer for that.
But full marks to the director for turning up the high tensions to make this still an exciting film. Having lived in a council estate myself, I know how frightening some youngsters are and can be more terrifying than the recent flurry of zombie films.
However, this is Michael Caine's show and is a fine addition to the recent surge of old tough guys fighting back movies such as Gran Torino. Caine was brilliant as usual. He makes the most of a pitifully typical script. That is of a widower seeking violent vengeance on the youths who killed his friend. He played it subtle and his vigilante transition was done just right. He isn't turned into some unrealistic slick killing machine or a Rambo. He has typical elderly obstacles such as breathing problems, slow reflexes and old bones but some of his military skills give him a chance. There is a also a sub plot involving a female detective on his trail but it so underwritten, I just didn't care.
The actors playing the youths were very very convincing and help to root for our pensioner hero even more. So it is satisfying to see our legendary cockney actor clean up some really nasty bad guys.
This is an enjoyable, and often tense vigilante film. But don't look for a radical plot line or unpredictable twists because this is simply a straight forward and predictable Death Wish style vigilante story. I'll give absolutely no credit to the screenplay writer for that.
But full marks to the director for turning up the high tensions to make this still an exciting film. Having lived in a council estate myself, I know how frightening some youngsters are and can be more terrifying than the recent flurry of zombie films.
However, this is Michael Caine's show and is a fine addition to the recent surge of old tough guys fighting back movies such as Gran Torino. Caine was brilliant as usual. He makes the most of a pitifully typical script. That is of a widower seeking violent vengeance on the youths who killed his friend. He played it subtle and his vigilante transition was done just right. He isn't turned into some unrealistic slick killing machine or a Rambo. He has typical elderly obstacles such as breathing problems, slow reflexes and old bones but some of his military skills give him a chance. There is a also a sub plot involving a female detective on his trail but it so underwritten, I just didn't care.
The actors playing the youths were very very convincing and help to root for our pensioner hero even more. So it is satisfying to see our legendary cockney actor clean up some really nasty bad guys.
Daniel Barber, so far I have never heard of this director which is normal, this is his first major flick. And what a great movie this is. it's a revenge flick but as real and brutal as it can get. It's funny that I as a horror geek was recommended Harry Brown. But I didn't regret it watching it and I must even say that I got goosebumps by some scene's. And people who know me do know that I can take the goriest pieces without a problem. But again, it is really the reality and the brutality that makes the movie and of course Sir Michael Caine. Admit it, he always has something macabre over him but he's now in his 70's (°1933)and still can deliver the creeps. His acting is surely an Oscar worthy. But also worth mentioning is Sean Harris. he really is believable, in fact all hoodies are believable and of course the language used and the dialect gives it also its reality. This is an all points an excellent movie. Not in Rambo or Arnie style with a lot of shooting but just a straight in your face flick, big thumbs up to the director, Sir Caine and the whole bunch involved.
Le saviez-vous
- AnecdotesSir Michael Caine saw a lot of himself in the character of Harry Brown, they're both combat veterans (Harry is a Marine who served in Northern Ireland, Caine served in the British Army during the Korean war), and Caine lived in the same area that Brown does. It was things like these that drew him to this movie.
- GaffesAt the canal, D.I. Frampton says to D.S. Hickock that she smelled cordite on Harry Brown's coat, implying him having fired a gun. Cordite is obsolete: it's no longer produced. This is a forgivable mistake though, because although cordite production ended in the 1960s, the term is still used generically in the UK for gun powders.
- Citations
Frampton: It's not Northern Ireland Harry.
Harry Brown: No it's not. Those people were fighting for something; for a cause. To them out there, this is just entertainment.
- Versions alternativesAvailable in two different versions. Runtimes are: "1h 43m (103 min)" and "1h 37m (97 min) (Toronto International) (Canada)".
- ConnexionsFeatured in Late Show with David Letterman: Courtney Love/Michael Caine/Hole (2010)
- Bandes originalesI Love London (Delta Heavy Remix)
Performed by Crystal Fighters
Written by Gilbert Vierich, Sebastian Pringle, Graham Dickson
Produced by Crystal Fighters
Remixed by Delta Heavy
Published by Copyright Control
(p) 2009 Crystal Fighters exclusively licensed to Kitsune
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- How long is Harry Brown?Alimenté par Alexa
Détails
Box-office
- Budget
- 7 300 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 818 681 $US
- Week-end de sortie aux États-Unis et au Canada
- 173 353 $US
- 2 mai 2010
- Montant brut mondial
- 10 371 451 $US
- Durée1 heure 43 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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