Cyrano

Beautifully filmed period piece and retelling of the classic play with some changes. Dinkledge gives a heart-wrenching performance as Cyrano (obviously his stature is substituted for the big nose), supported by a mostly decent cast. Lots of reviews here bemoan the musical aspect of the film and I will agree I didn't expect it to be one. However, I thought the music and lyrics were fantastic, with such raw emotion pouring out (I dare anyone not to get a lump in their throat at the soldiers singing their farewell letters song). I give this film a 8/10 for its music, risk taking and emotional gravitas.

This movie is an adaptation from the stage musical, which itself was an adaptation of the 1897 original stories based on a the real person, Cyrano de Bergerac, who was a French poet and duelist from the 17th Century.

In the other productions of Cyrano (including Steve Martin's 1987 'Roxanne') he was depicted with an unusually large nose, that was why he was considered not handsome. In this one Cyrano is a very small person, yet fierce and an expert with the sword.

This production is a musical but without trained singers. Yet each one, including Dinklage, delivers adequate and believable vocals. I know some criticize the movie for that but to me it all makes it more realistic.

So there isn't much new about the way this movie depicts the Cyrano story, but it is a fine production and enjoyable especially for those who aren't highly familiar with the story, of an intelligent but unattractive poet and swordsman who loves Roxanne so much he will even help the man she admires win her affections.

I can't say enough about the performance Dinklage gives. I was already a fan from a number of other roles but he is just wonderful in this role.

My wife and I watched it at home on BluRay from our public library. That is, until she fell asleep halfway through and went to bed. Not the movie's fault, she was tired. :-)

Peter Dinklage, awesome actor, as for singing....all I could compare it to, is Pierce Brosnan in Mama Mia.

I feel a bit of a fraud seeing this, as I'm not a fan of musicals, and I wasn't aware that this was a musical, until the first number. For me, the music was poor, and actually detracted from the film.

Visually, amazing, the sets and costumes were the best element, it looked phenomenal.

Acting, very good, it is Dinklage who impressed me the most.

If you're expecting something along the lines of Les miserables, I fear you may be a little disappointed.

I'm glad I went to see it, it's not a film I'd want to watch again. 6/10.

Watching Peter Dinklage in this performance is like walking into a decent play and he captivates me to make me stay longer til the end. Seeing his talents and personal struggles is just a treat to watch. So I say if Dinklage gets nominated I hope he wins making history as the first dwarf to win an Oscar. Technically he'll be the second dwarf actor to be nominated for an Oscar since Michael Dunn of Ship of Fools (1965) but let's hope the academy actually chooses well but I won't hold my breath bc the academy has a tendency to miss great performances or choose the wrong winners. Let's hope I say and praise Dinklage for his performance.

Rostand's play is a durable one, even if it does seem implausible.... but in drawing the character of Cyrano de Bergerac, was accurate. De Bergerac was a French officer with an enormous nose, who wrote excellent poetry, dramas, and even a novel about a trip to the moon. I don't know how accurate the story of his duelling ten people in one night was, but no one ever called him a liar on it while he lived.

In casting Peter Dinklage as Cyrano -- without the nose -- director Joe Wright has expanded the character's touchy honor to all the physical slurs people undergo; that's not a bad idea. Dinklage is a problematic choice, given that someone his size would not have been enlisted in the French Army in this period. Once, however, you accept this, his expressive features reveal everything about the character. Haley Bennett as Roxanne is enchanting, and Kelvin Harrison Jr. As Christian is a kindly if slow-witted young fellow: a perfect tenor for Grand Opera.

I'm not fond of the music for the songs, which seem to be largely recitative, and only one song had first-class lyrics: "Where I Fall". Nonetheless, Wright and his cameraman, Seamus McGarvey, understand that the songs in a musical are about what's going on inside the performers' heads, and use a highly mobile camera to obliterate the space. In between those, they find a lot of beautiful scenes to shoot, looking like ancien regime paintings. It's not the best take I've seen; that would be the one with Gérard Depardieu. But this is a very good one too.