Pippa

Pippa is an action drama historical war directed by raj menon.

The performances are good. Ishaan khattar, priyanshu painyuli, mrunal thakur are the three main leads and all three of them are diligent in their work. The rest of the cast is good.

One of the strongest qualities of the film is its cinematography and action sequences. The action sequences are very well choreographed and shot. They give a sense of high technical understanding of such scenes. The cinematography comprises many different landscapes. The camerawoman priya seth captures the war-torn lands of bangladesh in a very raw sense.

The screenplay is very engaging and tautly written. The events are very charismatic but not the characters. The characters are not well established to make us feel empathy. The film has a serious buildup problem. The buildup to the actuon scenes are not proper and hence you will feel distracted between the long drawn sequences. The music and sound design is pretty average, not something you resonate with AR rahman. 'Kara oi louho kopat' has been experimented very casually, very needless. I also don't like how the film tries to show bangladeshis as victims only and not fierce individuals and revolutionaries.

"Pippa," stands out as a refreshingly understated entry in a genre typically known for its boisterous patriotism, especially within Bollywood. The film, anchored on the life story of Balram Singh Mehta, delves into the crucial role of the amphibious battle tank-aptly named 'Pippa' (a Punjabi word for a tin can that floats)-in the pivotal battles of 1971. Unlike many of its counterparts, "Pippa" eschews the usual jingoism, opting instead for a more nuanced approach to storytelling.

The narrative, admittedly slow to ignite, eventually finds its footing, drawing the audience into the thick of the action. Ishaan Khatter, portraying the main protagonist Balram Singh Mehta, delivers a remarkably measured performance, striking a balance between intensity and restraint. His portrayal underscores the character's evolution through the tribulations of war, a journey of maturation and transformation that is both compelling and convincing.

Supporting performances add depth to the narrative, with Mrunal Thakur and Soni Razdan offering strong turns as Mehta's sister and mother, respectively. Priyanshu Painyuli, initially rigid in his role as Balram's strict brother Ram, eventually finds his groove, contributing to the film's emotional depth.

Visually, "Pippa" impresses with some stunning tank sequences, showcasing a commendable level of technical prowess. The film's real auditory triumph, however, lies in its music and background score by the legendary A. R. Rahman, whose compositions elevate the film's mood and energy, keeping the "josh" (spirit) high.

A notable surprise is the performance of Kamal Sadanah, who steps into the shoes of the legendary Sam Manekshaw with a finesse that belies his time away from the spotlight. His portrayal adds a layer of authenticity and gravitas to the film.

However, "Pippa" is not without its imperfections. The script shows signs of looseness, particularly in the initial segments, and the VFX, crucial for a war movie, occasionally falls short of expectations, detracting from the film's overall impact.

In conclusion, while "Pippa" may have benefited from a grander release on the big screen, it remains a worthy watch. It tells a story that needed to be told, doing so with a subtlety and sensitivity that sets it apart from typical Bollywood war dramas. Its few flaws aside, "Pippa" is a commendable effort that contributes meaningfully to the Indian war film genre.

The story based on the book " The Burning Chaffees" by Brigadier Balram Mehta has been put forth as film Script brilliantly by Raja menon and his team...With Arr onboard what could be the best thing one can get...

Pippa is one of the brilliantly made films on wars that stand out due to its spontaneous events and not build ups.

It gives a view of a part of the 1971 Indo Pak war that liberated Bangladesh. It shows patriotism and valour in a beautiful way...

The cast has done a great job - especially Ishaan khattar shoulders the entire film. He has put out huge efforts starting from dancing to action sequences.( The starting dance number is excellent)...

While our Mozart of Madras brings out the soul of every martyrs with his brilliant composition and bgm are the core asset of the movie...

Overall the film brings out the morality of Bangladesh crisis stating that " Refuge is a faceless crowd" so give it a try you won't be disappointed...

I think budget of the movie is limited to production of movie are very average.in writing movie lack the depth.u will feel that story is in hurry and leader role should be goven to priyanshu Painyuli rather than overacting ki dukaan Ishan khattar.whenever Priyanshu aka Ram Mehta come at screen he will let u feel that serious war movie is going on but when Ishaan khattar use to come on screen he literally destroyed the whole movie by his overacting. Mrinal thakur is okish in yhis movie bcz she don't have much to do, but whenever Ram Mehta and Soni Razdan come to screen then u will feel the movie n top notch acting.i think this movie is written in hurry without deep work,with less production cost at many places u willfeel like some kindy of fauji serial is running of the screen. They can do far far better than this.so i will give it 5 /10 ⭐

This movie deserved to be released in theatres. Every actor did their job perfectly. Cinematic experience was very good. Makers succeed in showing us the raw visuals. This movies is 10 times better than so called movies like Pathaan and Jawaan. This movie should have earned well. Ishaan impresses in his acting. Should have a special mention of Priyanshu Penyuli. He acted very well. Music is also very good. When there is AR Rahman, you cannot coplain. Mrunal Thakur felt little shaggy in her acting. She was not flawless. Actor who played Sam Manekshaw impressed in his short run. That's all. Overall its a must watch.