Shank

Shank tells the story of a closeted gang member Cal (Wayne Virgo) who is deeply in love with his best friend Jonno (Tom Bott). When Cal stops a senseless beating of college student Olivier (Marc Laurent), Jonno and his girlfriend Nessa (Alice Payne) seek retribution for what they perceive as Cal's betrayal. Their anger grows and tragic consequences ensue when they discover Cal's secret.

Shank is set in a world not usually explored in gay cinema and as a coming out story there is a lot to be admired here. Unfortunately certain aspects of this film never work and that should have been apparent to the film makers early on.

Virgo and Laurent are young, attractive and naked for most of the film but have no chemistry together. At times the audience roared with laughter at Laurent's soppy glances, terrible timing and absurd delivery. Despite what another reviewer has said, this did not "break the tension". These moments simply drew sharp attention to the amateurish mistakes made by the director and the problems with the script.

Marc Laurent's performance as Olivier was dreadful. He might be a passable actor in his native French, but he lacked the experience and talent to give a nuanced performance in English. He simply couldn't convey the necessary combination of vulnerability and strength that would make him desirable to Cal and the audience. I didn't believe that the street tough would go for someone like Olivier.

In contrast, the sexual tension between Cal and Jonno was electric. Tom Bott was completely believable as the sexy and dangerous Jonno. Bott's performance was flawless, subtly portraying a range of complex conflicting emotions.

Alice Payne turned in a promising performance as Nessa, and Wayne Virgo in the lead managed to hold the film together.

Near the end of the film a series of events occur that simply didn't seem plausible in the grander scope of the movie. We are asked to believe that a well-educated adult would act in a manner that contradicts common sense. His decisions are made doubly confusing with the final (contrived) revelation. There are no realistic consequences to the any of the character's actions. We are also subjected to some heavy handed imagery and a few film school clichés.

If you're into queer cinema you will likely find something to enjoy in this first effort from director Simon Pearce. However, I think most audiences, gay or straight, won't find the movie nearly as compelling as it should have been.

So this film Shank…. I was round at a friends house one night and I must stress he his gay, now he knows that I'm not but I'm also very much into my films. With a huge smile on his face he hands me a DVD and told me not to ask any questions but just watch it and review it so here I am doing just that....

For the first few scenes of this film it comes across as very graphic, I won't say exactly how graphic but let's just say in terms of films that have concentrated on subjects such as the one portrayed it's the most graphic I've seen. It's clearly stated in the summery and plot synopsis that it's about a lad that after a chance meeting hits off a relationship but not just that this film has such a strong message on the kinds of things young gay couples or teenagers who think they are gay go through when it comes to telling family members and friends.

Yes this film is also very graphic in terms of violence, in fact the finale of this film was very graphic, in some ways I wish I could have turned it off but I continued watching for the fact that the story of fear, changes and the intense storyline makes you want to watch it through till the end but trust me when you do finally make it to the end there is one last twist which will leave an impact in different ways on different people. If you're gay, straight or even bi try and get a copy of this film, even if your friends take the mick out of you for doing so then once you've watched it convince them to watch it and trust me they'll see that this film is much more than just a film about a lad figuring out that he's gay, it's something much different.

I am so glad I finally got around to watching this title. It is by far the most original film with a gay central character that I have seen in a long while and I have seen plenty. Usually I tend to migrate towards foreign language films exploring gay subjects because their cultural take on gay life is oftentimes quite specific and original.

I did not expect such originality from a British film and I can't understand how I missed it.

To the naysayers on here I despair - it takes a brave person to write so convincingly and powerfully on a subject not explored before. The depiction of personal hatred and societal hatred was palpable and real. The making of revealed the myriad sources from which the idea had been researched and the significance of this tour de force really hit home.

OK some of the acting is not quite on a par with more experience actors but the genuine grit and conviction in the performances made up for these excusable inadequacies.

10 out of 10 quite simply British at it's best.

I could go on but I realise I am gushing - but I have to try and counter so much negative nonsense on here. Buy it, don't rent it and don't steal it off an illegal site (like a certain person I know did) - these film makers deserve to get every penny for their effort in the vain hope they make something as good again....

SHANK is an important debut film for director Simon Pearce (apparently only 21 years old) and writers Darren Flaxstone and Christian Martin. The story has the courage to be honest enough to view gang behavior and the cross section of needs that gang membership provides to young lads in search of their true identity: first comes identification through 'belonging' to like lost souls, and second comes the breakthrough of self discovery. The fact that this rather terrifying tale is based on fact as lived by the writers adds to the punch the film carries.

Cal (Wayne Virgo) is the vulnerable lead lad, a member of a Bristol gang led by a rather despicable female Nessa (Alice Payne) who finds pleasure in 'filming' the gang's bashing of victims. Cal takes on this trait by seeking out victims for release of his same sex energy, using drugs to render his victims cooperative, films his conquests using a cellphone camera, and then beats the victims bloody: an early scene illustrates this behavior with a teacher named Scott (Gary Summers) who while recovering shares the incident with an off screen therapist, gradually unfolding the fact that Scott's partner was abused by this same gang. While Cal displays this pugilistic behavior in secret, in the presence of his gang his physical attraction to fellow gang member Jonno (Tom Bott, in an impressive film debut) surfaces - an attraction that appears to be reciprocal were it not for the forbidden arena of same sex love. The gang attacks a young French exchange student Olivier (Marc Lambert), but Cal cannot tolerate the abuse of this obviously innocent gay lad and follows him, offering him a ride home, and eventually merging into accepting his sexual identity with the kindness of Olivier's open heart. Once the gang discovers Cal's desertion, the stalking begins and Jonno awakens to his own needs for Cal - much to the chagrin of the coarse Nessa. There is a final confrontation between Cal and Olivier and the gang, and Jonno exacts his revenge and devastation in a brutal attack. The manner in which the characters resolve their needs and find themselves is the ending of the film.

The young cast is excellent and the varying chemistries among them is credible. The film is a British Indie and would be more impressive if the dialog was not so covered with extraneous sound and by the use of Bristol accents which are all but unintelligible. Virgo, Laurent and especially Bott make strong impressions for a debut outing. This team will likely be heard from in additional films.

Grady Harp

As a gay man I can understand why other gay men have found this film difficult to watch. It is disturbing.

It depicts a very real story that looks at a young gay gang member hiding from his fellow hoodlums his sexuality whilst engaging in dangerous and at time's very unsafe sexual practices without their knowledge.

Only a chance encounter (and subsequent love affair) with a victim of the gangs abusive streak arrests his spiral and descent into the hell of the ultimately bored undereducated unemployed subculture that does hang out on Britain's street corners intimidating all those who appear to have more to their lives than they do! This betrayal turns the tables and lives change - forever.

Whilst I agree that some of the acting is clunky and requiring more schooling - it is all very valiant in effort. I haven't marked the film down for this as the direction, script and editing and urban soundtrack (balanced with some lovely score) keep you hooked to the last. The first frame of the film is carried with you to the last reveal and this satisfies the viewer considerably.

This is a brave film, unique when set against the volume of gay films that are being released that have nothing new to say and tread well worn clichéd paths. I genuinely applaud it. It's unique interwoven story deserves at least a 9 out of 10 on its own.

It might not be comfortable viewing for many but it packs a punch that resonates for a long time afterwards - a mark of a good film. Quite rightly it reminds us that despite more liberal legislation of late gay life is still uncertain, insecure and gay men are still very vulnerable from fearful attitudes.