Un avatar moderne de Vishnu, un dieu hindou, qui est censé être descendu sur terre pour protéger le monde des forces du mal.Un avatar moderne de Vishnu, un dieu hindou, qui est censé être descendu sur terre pour protéger le monde des forces du mal.Un avatar moderne de Vishnu, un dieu hindou, qui est censé être descendu sur terre pour protéger le monde des forces du mal.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 14 nominations au total
Keerthy Suresh
- Bujji
- (voix)
Avis à la une
This is just a replica of Star wars movie... The supream leader will look you like emperor palpatine. Most of the technology and scene and army build up are already there in Star Wars Series.. So if you have watched lots of Hollywood movies you will not feel that you are watching this kind of movie first time.
Good side is that Kalki is the first movie in Indian cinema which have this level of VFX which can completely give a better competition to any Hollywood science fiction movies.
Story line of this movie could be much better but and it's taken 3 hour but only very few things we have experienced in the story.
Good side is that Kalki is the first movie in Indian cinema which have this level of VFX which can completely give a better competition to any Hollywood science fiction movies.
Story line of this movie could be much better but and it's taken 3 hour but only very few things we have experienced in the story.
Majestic at scale, grandeur in VFX, and great blend of sci-fi & mythology taken at an eye popping level. Proud moment indeed for Indian cinema that stands tall as a mega mountain.
Director Nag Aswin takes us through three different "never seen" worlds. First half is a bit drag with comedy elements and build up. Editing could have been better.
Second half elevates to "PEAKS" with spectacular action sequences, strong story and crisp screenplay. Pre-interval and climax is a hair riser, and giving audience plenty of goosebumps.
Prabhas is at his usual coolness and delivers. Deepika Padukone emotes well and binds to her character. Kamal's getup and dialogue delivery will stun you. There are plenty of surprises in terms of star cast.
Sir Amitabh Bachchan outweighs every other character and is the heart of the whole movie. His stature, voice, caring attitude & protective nature, and breathtaking action scenes will be remembered by all ages.
Terrific BGM & technical aspects, and deeper mythological connection with a strong plot in second half will make audience go gaga.
True cinematic triumph, and there will be a giant sea swell in the box office!
Director Nag Aswin takes us through three different "never seen" worlds. First half is a bit drag with comedy elements and build up. Editing could have been better.
Second half elevates to "PEAKS" with spectacular action sequences, strong story and crisp screenplay. Pre-interval and climax is a hair riser, and giving audience plenty of goosebumps.
Prabhas is at his usual coolness and delivers. Deepika Padukone emotes well and binds to her character. Kamal's getup and dialogue delivery will stun you. There are plenty of surprises in terms of star cast.
Sir Amitabh Bachchan outweighs every other character and is the heart of the whole movie. His stature, voice, caring attitude & protective nature, and breathtaking action scenes will be remembered by all ages.
Terrific BGM & technical aspects, and deeper mythological connection with a strong plot in second half will make audience go gaga.
True cinematic triumph, and there will be a giant sea swell in the box office!
I don't understand the obsession with hero entry and why people are not against it if you have a good story then just stick with why do you need the star to be bigger than the story first hour of story is skippable completely , rest vfx was top notch even the ending was very good but this obsession with hero needs to stop also the director did not invent the character Kalki nor any references that they took from Mahabharata so please be respectful because its a part of our history not something that you can mock or not make it serious just because you want the hero entry or want films to have some useless and unfunny comedy.
Buckle up for a roller-coaster ride through cinematic chaos! The story idea is an absolute gem, brimming with potential, and the characters are nothing short of a casting director's dream-each one brimming with pizzazz and personality. But alas, their development seems to have been left in the microwave a bit too long, coming out half-baked.
The screenplay? It's flatter than a week-old soda. Though, I must admit, it does have its fizz in a few key moments, like the interval and the climax.
Dialogues? Let's just say they won't be winning any literary awards.
Now, onto the comedy-it's the kind that instead of tickling your funny bone, it goes straight for the jugular, and not in a good way. The world-building feels like it was put together with duct tape and imagination, lacking the immersive magic we hoped for.
But let's talk about the legendary Amitabh Bachchan, who is stellar as always.
Prabhas gives it his all, bless his heart.
Kamal Hassan makes a brief yet dazzling appearance, hinting at more brilliance in the next instalment.
Saswata Chatterjee? He brings his A-game, no doubt about it.
Deepika Padukone looks fine and delivers a decent performance, and her Telugu dubbing is better than that in the trailer.
Disha Patani is scorching enough to set the screen on fire in her limited screen time.
The rest of the cast, including Pashupati, Shobhana and Rajendra Prasad put in decent efforts. However, the film is sprinkled with cameos like confetti at a surprise party-most of which are more of a head-scratcher than a treat.
The action scenes? They're as disappointing as a soggy French fry.
Cinematography is serviceable, background music hits the right notes, but the songs miss the mark.
Production values are respectable, but direction sails somewhere in the middling seas of mediocrity.
Some VFX are eye-poppingly good, though.
Overall, it's a mixed bag of delights and letdowns-a cinematic hotpot where the ingredients are only half-cooked. Enjoy it for what it is, but don't be surprised if you leave the theater feeling a little unsatisfied.
The screenplay? It's flatter than a week-old soda. Though, I must admit, it does have its fizz in a few key moments, like the interval and the climax.
Dialogues? Let's just say they won't be winning any literary awards.
Now, onto the comedy-it's the kind that instead of tickling your funny bone, it goes straight for the jugular, and not in a good way. The world-building feels like it was put together with duct tape and imagination, lacking the immersive magic we hoped for.
But let's talk about the legendary Amitabh Bachchan, who is stellar as always.
Prabhas gives it his all, bless his heart.
Kamal Hassan makes a brief yet dazzling appearance, hinting at more brilliance in the next instalment.
Saswata Chatterjee? He brings his A-game, no doubt about it.
Deepika Padukone looks fine and delivers a decent performance, and her Telugu dubbing is better than that in the trailer.
Disha Patani is scorching enough to set the screen on fire in her limited screen time.
The rest of the cast, including Pashupati, Shobhana and Rajendra Prasad put in decent efforts. However, the film is sprinkled with cameos like confetti at a surprise party-most of which are more of a head-scratcher than a treat.
The action scenes? They're as disappointing as a soggy French fry.
Cinematography is serviceable, background music hits the right notes, but the songs miss the mark.
Production values are respectable, but direction sails somewhere in the middling seas of mediocrity.
Some VFX are eye-poppingly good, though.
Overall, it's a mixed bag of delights and letdowns-a cinematic hotpot where the ingredients are only half-cooked. Enjoy it for what it is, but don't be surprised if you leave the theater feeling a little unsatisfied.
I just watched Kalki and it's hard to express my disappointment.
First off, the movie is riddled with unnecessary comedic dialogues that feel completely out of place, especially given the supposedly intense theme. Prabhas, who is usually a powerhouse, sadly comes across as a CLOWNISH character here.
His performance is awkward and forced, making it difficult to take the film seriously. Kyra's character adds little value, with most of her screen time dedicated to pointless talks that drag the narrative down. The entire movie feels like it's overdoing everything-be it the action sequences, emotional moments, or the supposed "comedy," which is jarringly out of sync with the rest of the movie.
Kamal Haasan, despite being a legendary actor, has almost no role or screen presence. It feels like they used his name just to draw audiences, with no real contribution from him on-screen.
Additionally, the set-up blatantly borrows from Mad Max: Fury Road (2015) but fails miserably to capture the essence of the original. In the end, Kalki is a poorly executed, overhyped mess.
This one is a hard pass.
First off, the movie is riddled with unnecessary comedic dialogues that feel completely out of place, especially given the supposedly intense theme. Prabhas, who is usually a powerhouse, sadly comes across as a CLOWNISH character here.
His performance is awkward and forced, making it difficult to take the film seriously. Kyra's character adds little value, with most of her screen time dedicated to pointless talks that drag the narrative down. The entire movie feels like it's overdoing everything-be it the action sequences, emotional moments, or the supposed "comedy," which is jarringly out of sync with the rest of the movie.
Kamal Haasan, despite being a legendary actor, has almost no role or screen presence. It feels like they used his name just to draw audiences, with no real contribution from him on-screen.
Additionally, the set-up blatantly borrows from Mad Max: Fury Road (2015) but fails miserably to capture the essence of the original. In the end, Kalki is a poorly executed, overhyped mess.
This one is a hard pass.
'Kalki 2898 AD' Director Nag Ashwin: On the Scene
'Kalki 2898 AD' Director Nag Ashwin: On the Scene
Kalki 2898 AD director Nag Ashwin takes us through the journey of making his film with an ensemble star cast. From his personal favorite cameos to the biggest challenges on set, he shares it all!
Le saviez-vous
- AnecdotesFuturistic vehicles shown in the film were not based on CGI effects.But created by Mahindra And Mahindra Company with technical support provided by Anand Mahindra.
- GaffesLord Krishna is shown wearing the sacred thread the wrong way around.
- Versions alternativesThe OTT version has been trimmed by about 6 minutes from its original 3 hours and 1 minute runtime, now clocking in at 2 hours and 55 minutes. Following were the changes:
- Prabhas' extensive introduction scene was trimmed to streamline the experience.A segment where an elderly woman and a villain refer to Prabhas as Kappa (frog) has been removed, along with related scenes.
- The fight that follows his introduction, featuring Prabhas against two heavy men, was shortened.
- The 'Ta Takkara' song saw some beach scenes trimmed, and the entire sequence with Prabhas in a maroon outfit after being expelled by Colony security was deleted.
- The interval scene, where Deepika Padukone strides through a fiery tunnel, now includes new lyrics to the Theme of Kalki, and the interval card has been completely removed.
- Minor tweaks were also made to the dubbing for a smoother viewing experience.
- ConnexionsSpin-off B & B: Bujji and Bhairava (2024)
- Bandes originalesBhairava Anthem (Telugu)
Music by Santhosh Narayanan
Lyrics by Ramjogayya Sastry
Vocals by Deepak Blue & Diljit Dosanjh
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Détails
Box-office
- Budget
- 6 000 000 000 ₹ (estimé)
- Montant brut aux États-Unis et au Canada
- 18 289 575 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 668 275 $US
- 30 juin 2024
- Montant brut mondial
- 125 857 438 $US
- Durée
- 3h(180 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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