Une jeune fille envoyée vivre avec son père et sa nouvelle petite amie pense qu'elle a libéré des créatures d'une fosse aux cendres scellée dans le sous-sol de sa nouvelle maison.Une jeune fille envoyée vivre avec son père et sa nouvelle petite amie pense qu'elle a libéré des créatures d'une fosse aux cendres scellée dans le sous-sol de sa nouvelle maison.Une jeune fille envoyée vivre avec son père et sa nouvelle petite amie pense qu'elle a libéré des créatures d'une fosse aux cendres scellée dans le sous-sol de sa nouvelle maison.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 4 nominations au total
- Housekeeper
- (as Edwina Ritchard)
- Caterer
- (as Emelia Burns)
Avis à la une
Guillermo del Toro's new collaborative effort with first-time director Troy Nixey is, simply put, horror done right. There's a lot here that can be found in any horror movie that comes out now, but this one succeeds for relying on tone and setting rather than blood and guts. The acting from all three leads is surprisingly good, and Nixey shines as well behind the camera.
However, at the heart of the film is a ballsy story co-written by del Toro that really keeps the film stable. Don't Be Afraid of the Dark is originally based on a 1973 British TV movie that has been hailed as one of the scariest movies ever made. The remake features a new main character: Sally, a child, played by Bailee Madison. Sally moves into a new Gothic mansion with her father (Guy Pearce) and a new stepmother (Katie Holmes). There, she discovers a ventilation system where she hears breathy voices calling to play with her. At first, the voices are friendly. Then, they're vicious and violent.
The violence of the movie is one of the reasons why this movie succeeds so nicely. The first scene is grisly and is, without a doubt, the reason why Don't Be Afraid of the Dark earned its R-rating rather than its intended PG-13. There isn't constant violence. In fact, there isn't even that much of it. Most of it is bloodless, but all of it is enough to make us squeamish and afraid.
Another area in which the movie excels in that respect is its design. The mansion that Nixey and del Toro chose is gorgeous. The intense lighting, which Nixey noted as "inspired by Rembrandt" in the Q&A following the film, is moody and adds to the heavy tone of the movie. The house is just creepy on its own, but it becomes creepier thanks to the creature design. Unlike what the trailer tells you, the creatures are pretty tiny. What creeped me out about them was the loud, shrill screeches they let out. It'll give you chills. Keep a keen ear and listen for del Toro, as he voices a few of the creatures.
Don't Be Afraid of the Dark is a very fun and very creepy horror movie experience. Though not without its flaws, it has a strong story stabilized by good characters and a surprisingly dark ending, and it's got some good acting too. It's hard not to be absorbed in the mesmerizing light pools of the mansion, and it's even harder not to be entertained. As usual in del Toro films, darkness and unseen monsters reign, and as usual, it's pretty damn unnerving.
But one thing I hate in these kind of movies is people behaving stupidly.
There were opportunities to grab a weapon of some kind, but the characters wandered around with just flashlights. There were multiple opportunities for the adults to crush the creatures, but the only one who did so was the 8 year old girl.
The young girl was not likable - she brought on the crisis by discovering the basement, and for no good reason, opening up the sealed exit for the creatures.
Le saviez-vous
- AnecdotesThe runes carved into the stone over the furnace that the creatures live down spells out "Be Afraid" in Elder Futhark.
- GaffesKim ends up tangled in the ropes of the fairies and dragged down into the basement. This tragedy is a loose end. No police report is filed, no other characters are shown to react to this and the aftermath of this event is never built up on. This is because the creatures must take one life to replenish their numbers each time they come out. In the original movie, Kim is their target, to make her one of their own. The taking of Kim at the end of the movie and her speaking later on with the creatures implies that she was turned into one of them and is no longer human. This is idea is further encouraged by one of the creatures who seems to hold a resemblance to Blackwell who was also taken along with his son.
- Citations
[last lines]
Creatures: They will find us. We must fight.
Kim: No. We will go deeper, and we will wait. They will forget, and others will come.
Creatures: When will they come?
Kim: Soon, soon.
Creatures: Yes.
Kim: We have all the time in the world.
Creatures: Yes.
Kim: All the time in the world.
Creatures: All the time in the world.
- ConnexionsFeatured in The Nostalgia Critic: The Care Bears Adventure in Wonderland (2011)
- Bandes originalesWhen You and I Were Young, Maggie
Written and Performed by John McCormack
Courtesy of Bluebird/Novus/RCA Victor
By arrangement with Sony Music Entertainment
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- No temas a la oscuridad
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 24 046 682 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 525 728 $US
- 28 août 2011
- Montant brut mondial
- 38 269 529 $US
- Durée
- 1h 39min(99 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1