Ajouter une intrigue dans votre langueA chilling vision of the house of Saddam. The world of Hussein comes to life through the eyes of the man who was given a choice; either be the double for Saddam's sadistic son, or die.A chilling vision of the house of Saddam. The world of Hussein comes to life through the eyes of the man who was given a choice; either be the double for Saddam's sadistic son, or die.A chilling vision of the house of Saddam. The world of Hussein comes to life through the eyes of the man who was given a choice; either be the double for Saddam's sadistic son, or die.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 nominations au total
- Ali
- (as Mimoun Oaissa)
- School Girl
- (as Amrita Acaria)
- Amer
- (as Sarah Lee Zammit)
Avis à la une
Some seem to find fault with this film because it reminds them of Scarface. I don't get that at all. Perhaps they mean that at times it is operatic, over the top, but it is, after all, a biopic about a crazy man, and to me anyway, the parts of the film that deal with the double offset the high drama perfectly. Highly recommended!
The film starts off with Uday hiring a doppleganger of himself (Latif), to pass off as him publicly. Latif, hasn't really a choice, and is portrayed as having some morals, Uday is portrayed as a millionaire playboy, who is a murdering brute who gets off on violence, sodomy and rape. His only redeeming quality is his penchant for 80s British synth pop (?).
The film becomes increasingly outlandish. If it were a true story, then this could have been quite fascinating. I learnt nothing, and by the end had tuned out. It reminded me of the last king of Scotland, which I didn't enjoy either.
I thought it were unnecessary for Cooper to play both the leads. It felt unbelievable as both characters appeared unrealistically identical.
I knew nothing of the back story of Uday, a quick glance at Wikipedia describes him as quite the devil. That much the film gets right. There's some artistic license used at the end of the movie.
The actual truth and reality behind the film is washes aside for repetitive Hollywood storytelling which ends up making NO SENSE in several parts and is a true waste of time.
This film was recommended to me several years ago, now I have a week off work I decided to watch it. Since it finished I now longer have said friend on Facebook. You're deleted for your terrible taste you turd.
The depiction of Uday's psychotic character throughout the movie seems very real and does not spare or cheat the viewers any disturbing torture/abuse scenes. Some people might dislike this, some maybe even enjoy it.
That being said I liked the overall acting, both main and lesser characters did a good job. And on a side note: i found the movie sets and props were quite awesome.
btw: I can still remember the news of Uday's and Qusai's deaths back in 2003, but that meant little to me at that time. At least now i know.
8.5/10 Stars****
Le saviez-vous
- AnecdotesThere is a reference to The Godfather in one of the first scenes where Latif is impersonating Uday. He acts as a double when entering and leaving an important meeting. When he leaves and is shot at by a young boy an orange cart is shown prominently with oranges falling. Oranges were present whenever death occurred or was about to in The Godfather and there was an orange cart featured when Don Corleone was shot at it.
- GaffesIn a lot of car scenes the driver is on the right side, but in Iraq the driver seat is on the left.
- Citations
Munem: Please be clear about this, Latif. Uday has chosen you. You belong to him. You have about five minutes to think about this. Before a car pulls up outside your house in Al-Adhamiya and your family, everyone one of them - your father, your mother, your sisters and brothers; is thrown into Abu Ghraib. God willing, they will die quickly. I've said too much. You have about two minutes left.
- ConnexionsFeatured in Breakfast: Épisode datant du 10 août 2011 (2011)
- Bandes originalesYou Spin Me Round (Like A Record)
Written by Pete Burns (as Peter Jozzepi Burns), Steve Coy(as Stephen Coy), Mike Percy (as Michael David Percy), Tim Lever (as Timothy John Lever)
Performed by Dead or Alive
Courtesy of Sony Music Entertainment UK Ltd
Published by Burning Music Ltd (PRS), Westbury Music Ltd
All rights on behalf of Burning Music Ltd
Administered by Warner/Chappell Ltd
All Rights Reserved
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Détails
Box-office
- Budget
- 19 100 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 361 512 $US
- Week-end de sortie aux États-Unis et au Canada
- 96 414 $US
- 31 juil. 2011
- Montant brut mondial
- 5 728 213 $US
- Durée1 heure 49 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1