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Transfer

  • 2010
  • 1h 33min
NOTE IMDb
6,7/10
874
MA NOTE
Transfer (2010)
A transfer of personality, developed in Germany, makes it possible for Hermann and Anna to start a new life in young and healthy bodies.
Lire trailer1:47
1 Video
1 photo
DrameScience-fiction

Ajouter une intrigue dans votre langueIn a futuristic society where the wealthy get to live forever by swapping bodies with refugees, an elderly couple explores this opportunity with harsh consequences.In a futuristic society where the wealthy get to live forever by swapping bodies with refugees, an elderly couple explores this opportunity with harsh consequences.In a futuristic society where the wealthy get to live forever by swapping bodies with refugees, an elderly couple explores this opportunity with harsh consequences.

  • Réalisation
    • Damir Lukacevic
  • Scénario
    • Elia Barceló
    • Gabi Blauert
    • Damir Lukacevic
  • Casting principal
    • B.J. Britt
    • Regine Nehy
    • Hans-Michael Rehberg
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    874
    MA NOTE
    • Réalisation
      • Damir Lukacevic
    • Scénario
      • Elia Barceló
      • Gabi Blauert
      • Damir Lukacevic
    • Casting principal
      • B.J. Britt
      • Regine Nehy
      • Hans-Michael Rehberg
    • 12avis d'utilisateurs
    • 16avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 4 nominations au total

    Vidéos1

    Transfer
    Trailer 1:47
    Transfer

    Photos

    Rôles principaux24

    Modifier
    B.J. Britt
    B.J. Britt
    • Apolain…
    Regine Nehy
    Regine Nehy
    • Sarah…
    Hans-Michael Rehberg
    Hans-Michael Rehberg
    • Hermann Goldbeck
    Ingrid Andree
    Ingrid Andree
    • Anna Goldbeck
    Ulrich Voß
    • Otto
    Mehmet Kurtulus
    Mehmet Kurtulus
    • Laurin
    Jeanette Hain
    Jeanette Hain
    • Dr. Menzel
    Stefan Lisewski
    Stefan Lisewski
    • Dr. Menzel Sr.
    Zana Marjanovic
    Zana Marjanovic
    • Dr. Menzel's Assistant
    Michael Klammer
    Michael Klammer
    • Doctor
    Eric P. Caspar
    • Werner
    Antje Geerk
    Antje Geerk
    • Sonja
    Yemyo Klame
    • Boy on Ferry
    Attila Borlan
    • Security Quim
    Klaus Lerm
    • Tennis Player
    Judith Abucheri Knost
    • Apolain's Mother
    Kirthi Ramesh
    • Indian Model
    Christian B.
    • Transferred
    • Réalisation
      • Damir Lukacevic
    • Scénario
      • Elia Barceló
      • Gabi Blauert
      • Damir Lukacevic
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs12

    6,7874
    1
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    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    9maliapac

    One of the best SF movies in recent years!

    Thank you Netflix. Damir Lukacevic is for me surprisingly unknown director and writer of the film (and I'm coming from Croatia).

    "Transfer" is a great movie with a wonderful story with wonderful social criticism, black and white racism, corporation exploitation, cultural differences and exploitation of the poor people. Storyline is the main quality of this movie, direction is surprisingly good; only acting performances could be better. Nevertheless, comparison with "Gattaca", "Blade Runner" or SF canon "Dune" is inevitable. Is it morally OK to transfer one's consciousness, and can we talk then about preservation of humanity or its final perversion? Do we have the right to play with nature in such way?

    "Transfer" is one of the best SF movies I watched in recent years. Hopefully, Hollywood filmmakers will learn from this masterful piece of storytelling.
    7escalation746

    A worthy effort spoiled by cold resolution

    Transfer (2010, Germany) is destined to be one of those obscurities that shows up in the discount DVD pile... assuming they have DVDs in the future. The premise is simple: a rich old German couple have their minds transferred into gorgeous young black bodies so they can continue their life and love. The wrinkle is that the original occupants are not purged, but awaken each night for four hours to live their own lives in the midst of their German host lives. Is this a prison or an opportunity?

    Excellent acting (and cool futuristic architecture - go Berlin!) is what carries this film. We truly believe the older couple are deeply in love, can understand their decisions, and their misgivings. As we get to know the couple from Africa (Sarah from Ethiopia, Apolain from Mali) we understand their motivations and frustrations. The clever aspect is having four characters play out their drama in only two bodies.

    Unfortunately the film is too slow for the content. There are too many scenes that do little to advance the narrative. The resolution seems obvious and rather perfunctory. And it has a cold brutality that doesn't fit with the warm vibes the four principal actors have conjured. (Though Jeanette Hain is icy blue and otherworldly.)

    I found the soundtrack rather repetitive and sometimes inappropriate. I kept getting the feeling Transfer was trying too hard to be Gattaca (right down to the unnecessary music recital scene). There are also problems with the ADR that makes me wonder if dialogue wasn't changed in post.

    Though Transfer is an intelligent film in a world of rubbish SF, it could have been so much more. I will generously give it a 7, since such efforts should be encouraged.
    6Quebec_Dragon

    Not everything is black and white

    This is a low-budget German movie with English subtitles. It was dubbed in French but not in English for some reason. In an undisclosed future time, very rich old people can transfer their minds to new healthy bodies. It turns out that the best candidates are black people. It's apparently a voluntary process since the company gives money to the poor black volunteers, which will be sent to their families. Also, the bodies get back their original minds for 4 hours each night. We follow an old white couple, very much in love, going through this process. At first we see their adaption to their new younger black bodies, including rich white society, with interludes as their bodies regain their own minds at night. The focus shifts more on the younger "minds" as it goes along.

    This is not a flashy movie with special effects by any means. This world resembles very much our own except the slightly more futuristic company. Even the transfer process is extremely minimalistic and not really shown. It's not a comedy, and it keeps a serious tone throughout despite opportunities for silly mischief when the old people get "young". It's more of an intimate social drama designed to make you think. It tackles racism, capitalism, medical ethics and what a soul is, but in mostly subtle ways. I thought the acting was fine (with the exception of the blond guy at night), but not outstanding. The main black actor was probably the stand-out because of his charismatic presence. I found the story interesting, I didn't know what was going to happen, but it didn't really grab me emotionally as melodrama was tightly restrained. To be honest, the movie felt a bit cold and definitely not like a typical American movie. I almost forgot to mention the original classical music soundtrack that was surprisingly good and sometimes added much-needed emotion. I liked watching Transfer, it's worth watching if you're into slow-placed intellectual sci-fi (with no effects), but I would not buy it. On my DVD, there were no special features.

    Rating: 6.5 out of 10 (good)
    9DigitalNemesis

    SciFi With Feeling

    This movie played at the Vancouver International Film Festival and was a welcome gem to the many films submitted. There are always a few movies that get some attention at these festivals but Transfer definitely stands out as a true representation of a science fiction film that makes you think. This picture deals with the issue of people using clones / avatars / humanoids as a product in a capitalistic world where everything can be bought in the near future. Also the director tackles the idea that surrounds buying people that are another race and how the lives they left behind deal with the new black neighbours walking in their clothes at the country club every day. The characters in this movie are excellently portrayed and have a lot of feeling put into their actions around the situation of talking over a new host, and get complicated quickly. Damir talked about his film after the screening and wants people to think about the idea of the soul being tied to the physical body. Also examined the concept of being able to purchase every thing including new bodies after ours expire. This film is a must for SciFi enthusiasts. It is a polished independent picture that was made with minimal money feels like it has the heart of Gattaca and something written by Philip K. Dick.
    10kplessers

    must-see

    Saw this movie at the bifff (Brussels International Fantastic Film festival). This is truly an exceptional movie and a must see for anyone who likes sci-fi with brains. It is about an old couple that joins a program to transfer their brain to the young body of some third world people. It is about racism, how money makes the world turn and imagines a modern version of slavery. You get to see everyone's point of view : the rich German couple, the people that are around them, as well as the view from the people selling their body for money for their family The actors do a very good job in their dual role (before and after the transfer)

    I really loved the soundtrack, hope that it will be on sale someday.

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      First motion picture for Ingrid Andree since Tár úr steini (1995). Since then she had performed on stage almost exclusively.

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    Détails

    Modifier
    • Date de sortie
      • 22 septembre 2011 (Allemagne)
    • Pays d’origine
      • Allemagne
    • Langues
      • Allemand
      • Français
      • Anglais
    • Aussi connu sous le nom de
      • Обмен
    • Lieux de tournage
      • Berlin, Allemagne
    • Sociétés de production
      • Schiwago Film
      • ARTE
      • Das kleine Fernsehspiel (ZDF)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 200 000 € (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 33min(93 min)
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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