À New York, une simple erreur d'identité transforme la tentative d'un couple marié qui cherche glamour et romantisme en quelque chose d'encore plus excitant et de dangereux.À New York, une simple erreur d'identité transforme la tentative d'un couple marié qui cherche glamour et romantisme en quelque chose d'encore plus excitant et de dangereux.À New York, une simple erreur d'identité transforme la tentative d'un couple marié qui cherche glamour et romantisme en quelque chose d'encore plus excitant et de dangereux.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 8 nominations au total
- Charlotte Foster
- (as Savannah Argenti)
Avis à la une
So yeah, basic premise, married couple looking for a little change (their friends are splitting up), go out to 'The City' (NYC of course) and to a very nice restaurant. In a move that could come out of a Seinfeld episode, they can't get a reservation so Carrel overhears a waitress calling for someone else for a reservation and he decides they should take it since they're no-shows. The "Tripplehorns", as it turns out, have some shady dealings with some bad dues with guns, and so the Fosters, our confused heroes, go on the run in the city. Whenever the movie focuses on the core plot of all of this, it's by the numbers stuff, save for a climax that ratchets up the absurdity of everyone involved (including good actors playing decent-to-mediocre baddies like William Fichtner and Ray Liotta).
It's when Fey and Carrel are allowed to play loose with the script that it strikes the iron. Their timing is impeccable, and they have chemistry together, which is crucial. And when they come across some other supporting characters, like Mark Wahlberg's (VERY) shirtless ex-military guy with all of his high-tech equipment, or the "real" Tripplehorns played by James Franco and Mila Kunis, there's further hilarity that ensues from the interactions and precise timing. That's all you need sometimes in a comedy that's based in formula, is two character to at least semi care about (and, perhaps more wisely than a Hollywood rom-com can be given credit for, it has painfully normal characters here, nothing too complicated), and who are funny in semi-funny situations. Even a ridiculous car chase where the Fosters hit a cab and the two are connected bumper to bumper through the streets is funny just because of the acting. Given the right mood and timing they could read a census report and get a few chuckles from the pauses and inflections.
So, if you're looking for something masterfully done, look elsewhere. If you just want to see two stars who are funny be funny almost despite some of the limitations in the script, Date Night deserves a chance. At the least you get to see the two show off their "skills" in a strip-club scene, and, did I mention Mark Whalberg doesn't have on a shirt?
Don't get me wrong, I don't mean to complain about the plot. Its a standard comic flick and not some thriller. I don't expect a revolutionary story but I do expect a few good laughs from the movie which it definitely failed to give me. It mostly comprised of 10yr old kids' level jokes and a whole lot of overacting. But to be fair, I must mention the acting was terrible on almost everyone's part and not just the main star cast.
Maybe its just because of so many movies following the average-person-goes-super path, that this seems so boring and unworthy of spending 2hrs on, but the fact is that people expect more of such a great cast. From corny 1 liners to repeated jokes (Mark Wahlberg's shirt uhhh....), if the things were not overdone so much, the movie may not have been this bad. But nevertheless, I guess I went for this movie with way too much expectations due to the cast. Watch it if you love the leads and have time to kill for some so-so jokes. Don't expect too much & you may just come out without a frown on your face.....
By taking two of the funniest comedians today and putting them in a movie tailor-made for them is somewhat like a blessing. "Date Night" is a romantic comedy, with a slight detour into the action thriller genre. But it still has many laughs, big hearty ones, especially from both Carell and Fey. You see, both of them play a bored married couple who decides to liven up their love life by going into a posh (and extremely snobbish/overbooked) restaurant in the Big Apple. So the loving husband, desperate to work things out, claims (or rather, steals) an unoccupied reservation so that their night together would be romantic and luxurious. Big mistake, as they are mistaken for someone else, which leads to a night of danger, intrigue and excitement.
The best thing about the movie are both Carell and Fey and how well both play each other off. Both have excellent chemistry and have memorable moments and lines. Steve Carell is perfect as the dead-pan husband Phil, while Tina Fey as Claire looks gorgeous and deliver her own brand of jazzy humor. A fine example of their chemistry together is a scene where both of them ad-libs many couples in the film. Great stuff. To quote an early Australian reviewer; "The two surprisingly "deliver the emotional reality of a couple even under comedic demands". I loved them in the movie and I hope they do more comedies together.
There are jokes throughout the movie, both physical and in dialog. A fine example of the physical humor in the film: a car chase that is intense as it is ridiculously funny; and what is arguably the most hilarious strip/pole- dance I've seen in any movie. That scene had me laughing so much, I now have to take cough syrup. There's some memorable lines here too: "You stole our reservation? What kind of people are you?"; "He turned the gun sideways. It's a killshot!" among others. To see these two comedians going through all this in a plot so hilariously Hitchcockian (the plot kinda reminds me of "North By Northwest") is a hoot.
Balancing the comedians out are some fine supporting actors; in fact you could call the cast an ensemble cast of sorts. Besides Carell and Fey, you've got Mark Wahlberg who looks hunky shirtless, to Phil's dismay; Oscar-nominee Taraji P. Henson as a detective trying to put the pieces together; Mila Kunis and James Franco in nearly scene-stealing scenes as a wild couple who enjoy their love life despite their rowdiness; Common and Jimmi Simpson as the two pursuers; William Fichtner in a hilarious yet sleazy performance; and a villainous role for (surprise) Ray Liotta.
In technical aspects, Shawn Levy's direction is brisk and fast-paced, and the cinematography and camera work, as always by Dean Semler, is nothing short of great. The editing is fluid and doesn't ruin the smooth flow of the movie. The script, though with some flaws, is still pretty well written. Yes I agree the movie is illogical and clichéd at some points but then again it's a light-hearted comedy at it's core and for that purpose it got the job done tremendously. Plus at only 90 minutes it's pretty much short and straightforward with it's pace, so that you get what you want. Comedic entertainment at it's finest.
So overall, this is a great romantic comedy to take both your friends and/or your other too. It's a very funny and enjoyable movie to watch. It's a jolly good time at the movies, and I'm glad I saw it. Hey, maybe I'll see it again if I had the chance. This one's a winner.
Overall rating: 7.5/10 (Very good, worth your time and money)
"Date Night" is a movie about a couple, named the Fosters, who are running in the biggest rut of their life. They want to spark it up, and decide that one night they will change up the routine.
Date Night has many of the traits I enjoy in a comedy with a good balance of laughs and sentimental value.
The diner scene is adorable and Felt rather realistic. I could feel the relationship the Fosters were experiencing, if that's a proper way to decribe that. Kudos, to the writers for masterfully writing some emotional dialog.
Overall, Date Night is a very enjoyable film.
Aside from the surprising cameos in this show, there aren't much surprises. This is one of those movies where there's a couple that's been in a somewhat fixed circle of boredom in their lives. Heck, even their regular date nights have been very predictable.
Steve and Tina are the Fosters; upon finding out that one of their closest couple friends are splitting up, they try to spice things up by having a date in the city. In a case of mistaken identity, their would-be date night winds up an action-filled, sometimes funny evening. Except for a few scenes, this movie isn't anything innovative; but it's still nice to see Steve and Tina play likable characters.
The producers of this flick know what they have in these two actors, and the movie is enough to give their comedic and acting chops (nothing like Steve's nice acting ability in Dan in Real Life) a little flexing. With this knowledge, I still recommend this movie to those who want to enjoy a little break from the action-3D-filled movies out there now. A little date with your significant other watching this movie would be good.
Le saviez-vous
- AnecdotesThe erotic dance between Steve Carell and Tina Fey was improvised, but to make them feel awkward in character, director Shawn Levy shouted obscenities to them while behind the camera.
- GaffesDuring the scene in Times Square you can see a background extra take a photo of the actors and film crew, followed by a crew member who walks towards them to usher them away.
- Citations
Phil Foster: I say, we sit back and relax and enjoy a spread of their finest fruits of the sea.
[opens menu]
Phil Foster: Or, I will just suck on a napkin. Holy mama, look at these prices.
Claire Foster: [scroffs] If we are gonna pay this much for crab, it better sing and dance and introduce us to the Little Mermaid!
- Crédits fousThere are outtakes at the beginning and the end of the end credits.
- ConnexionsFeatured in The Rotten Tomatoes Show: 2012/The Messenger/Fantastic Mr. Fox (2009)
- Bandes originalesBlitzkrieg Bop
Written by Joey Ramone, Johnny Ramone, Dee Dee Ramone and Tommy Ramone
Performed by Ramones (as The Ramones)
Courtesy of Sire Records
By Arrangement with Warner Music Group Film & TV Licensing
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Una noche fuera de serie
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 55 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 98 711 404 $US
- Week-end de sortie aux États-Unis et au Canada
- 25 207 599 $US
- 11 avr. 2010
- Montant brut mondial
- 152 263 880 $US