Sound of Noise

Viewed at the Festival du Film, Cannes 2010

Now that you've read the plot summary... Okay, a group of drummers terrorise a city with their daring musical 'raids' while a tone deaf, music hating, detective tries to track them down... The Sound of Noise is the kind of dark comedic madness only the Scandinavians do so well: percussionists as musical terrorists laying down the beat for an entire city.

This is a conceit built around the musicians themselves, taking several of their set-piece numbers and weaving them into a narrative structure. In this sense, seen as a film with the classic three act structure, story and character development etc., Sound of Noise is less successful. But as a showcase for amazing musical ability and sheer imagination, this film cannot be beaten.

This movie is pure joy, musically and cinematically. Just the idea of having six drummers as terrorists, using everyday objects as instruments is so brilliant it doesn't even matter how good or bad the movie is. Fortunately this movie does great at both having an original idea, great characters and beautiful cinematography. The musical numbers is of course awesome, but also the plot line involving the policeman Warnebring is brilliant. You really feel for the character, even if he starts of as the bad guy(kind of), and you also root for him sometimes, even though he tries to stop the musicians. This is an amazing movie experience that I can recommend for everyone who has a heart(cheesy,but true), and can enjoy great cinema.

My husband and I saw this tonight at the Seattle International Film Festival and we can't wait to be able to share it with our friends. The story is simple but endlessly creative: a group of musicians attempt to bring music to a city while a police officer attempts to get some much-needed peace and quiet.

We enjoyed the touches of whimsy and magic and were increasingly impressed by each successive musical experiment. The dialogue, the visual cues, and, yes, the music itself kept us riveted to the screen. The movie was received well by the audience, who rewarded it with hearty laughter in many places and a long round of applause at the end.

This film can be appreciated by everyone, from the highly musical (myself) to the tone-deaf (my husband)!

Give credit to Sound of Noise: despite dealing with such lofty themes such as the nature of music and its performance, it never becomes unnecessarily arty or academic. Instead, the movie has loads of quirky humour and an energetic plot, driven by a group of drummers-become-art-terrorists and their plan of turning everyday urban soundscapes into avant-garde percussion pieces. Bengt Nilsson does a nice performance as Amadeus Warnebring, a manic, tone-deaf and music-hating offspring of a family of classical pianists and conductors. The drummers are presented pretty much as caricatures of progressive musicians, but as such they're spot-on and funny. Even though the film-makers' sympathies are clearly on the side of the drummers, they're not above making gentle fun of avant-garde's excesses, and they're also surprisingly understanding of Warnebring's desire to live in a world of silence, with no music. The plot of the movie is slight, with some key elements left unexplained, but its fast-paced and constantly entertaining execution makes up for that. At the heart of Sound of Noise are the percussion pieces performed by the drummers, and they do not disappoint. The four performances seen in the film are awe-inspiring in their mise-en-scène, sound design and editing. For those scenes alone, Sound of Noise would be worth a view; as a whole, it's a quirky but easily-digested piece of pop art.

Sound of Noise (2010)

An absurdist, zany, intense, unpredictable film. Rather amazing, really, if you can let go of an ordinary sense of plot and progression.

At the center is a group of drummers who agree to perform a series of pieces by a cutting edge composer all around the city. But their instruments become found objects, heavy machinery, office items, hospital equipment (and hospital patient), so that their performances are intrusive, dangerous, illegal, and wonderfully outrageous.

And funny. Sometimes you laugh aloud, sometimes you just are amused and amazed.

In opposition to this group is a detective who grew up in a family of musicians but who is tone deaf. And he as a special ability to track the musical perps in their crimes--which you'll see.

Kudos should also go to the filmmakers themselves, who make this craziness very fluid and beautiful. Contemporary Stockholm is shown as complex and beautiful and modern and not a Swedish Ikea stereotype.

Finally there is a kind of interpersonal plot that is sort of fun and thin and helps hold the various performance pieces together. Maybe anything more intense on this score would have watered down the absurdist heights of the best of it, but this subplot does have a feel-good pops quality that the rest of the movie avoids. And it's the rest of the movie--mainly the "music" as it happens before your eyes--that is what counts. Great stuff!