Sound of Noise

Sound of Noise actually manages the very rare feat of laying out a unique spin on the detective/police procedural format. Oh the elements are there, there's a cop, there's a band of "terrorists" who are always two steps ahead, there's a personal connection between the acts of the terrorists and the detective's home life, there's a very neat cat and mouse game between the detective and the leader of the terrorists (who happens to be a blond woman) but of course the fact that the band of terrorists are all frustrated musicians and that the act of terror they're spreading is musical based (they get together at various locations and "play" any object that's around--staging these very performance art like set pieces in areas and pretty much annoying the heck out of everyone who happens to be around) This movie is definitely far more original then any other cop movie is these days. (well any that i can think of as of the time i'm writing this at least) Of course none of that originality wouldn't mean anything if the pacing of the movie weren't tight, or if the lead character's personal life weren't also interesting, or if the suspense of what the detective is actually going to do once he captures this band of terrorists (or even if he wants to capture them given his personal background) I have to give a lot of credit to this movie for being pretty original in that even with a well worn format i still had little idea where the movie was ultimately going to go--and if the last ten or twenty minutes don't exactly play out the way you'd like them to--that's pretty OK because quite honestly i'm not sure i could've come up with a better ending either. (and really the more i think about it the more i quite like the ending--it very much matches the tone and events of what came before and what we've come to know about the 2 leading characters throughout the movie) Will this movie hold up on repeat viewing? i'd like to think so--even if the frustrated musical terrorists ultimately become annoying---i really really really quite enjoyed the detective's back story and how his back story plays into his need to capture this band of terrorists. Its actually kind of a cute love story in a way, a bizarre one, but definitely a cute one. About that background of the cop tho---when you read the following sentence--you're reaction to it should indicate whether you'd be charmed or annoyed by this film. The lead detective happens to not especially care for music because he comes from a family of well known music lovers--his brother is a conductor for the local symphony while he himself is rather tone deaf and clueless about what makes good music--so of course it should fall to him to stop this musical band of terrorists from spreading their own brand of "music" around town. I'm telling you right now--if that bit of whimsy makes you wanna hit your computer screen then this movie is definitely not for you--but then again what are you doing looking at these user comments here in the first place if not to check this one out a little bit???

Give credit to Sound of Noise: despite dealing with such lofty themes such as the nature of music and its performance, it never becomes unnecessarily arty or academic. Instead, the movie has loads of quirky humour and an energetic plot, driven by a group of drummers-become-art-terrorists and their plan of turning everyday urban soundscapes into avant-garde percussion pieces. Bengt Nilsson does a nice performance as Amadeus Warnebring, a manic, tone-deaf and music-hating offspring of a family of classical pianists and conductors. The drummers are presented pretty much as caricatures of progressive musicians, but as such they're spot-on and funny. Even though the film-makers' sympathies are clearly on the side of the drummers, they're not above making gentle fun of avant-garde's excesses, and they're also surprisingly understanding of Warnebring's desire to live in a world of silence, with no music. The plot of the movie is slight, with some key elements left unexplained, but its fast-paced and constantly entertaining execution makes up for that. At the heart of Sound of Noise are the percussion pieces performed by the drummers, and they do not disappoint. The four performances seen in the film are awe-inspiring in their mise-en-scène, sound design and editing. For those scenes alone, Sound of Noise would be worth a view; as a whole, it's a quirky but easily-digested piece of pop art.

Amadeus Warnebring is a police detective. He is tone-deaf from birth despite coming from a family of extraordinary musicians. As such, he has a complicated and distasteful relationship with music. Sanna and Magnus lead a group of underground musicians looking for new sounds. They break into a hospital and play a famous patient. Amadeus is brought in to investigate the "terrorists".

This is much more fun on the page. The musical capers have a certain energy but they do get tired by the end. The deadpan humor is not the funniest but I see what they're trying for. It has great originality and the percussive fun of the Blue Man Group. Full marks for the idea if not for the execution.

When The Sound of Noise ended, I wasn't entirely sure what to think about it. Here is a film so bizarre, with a plot so daffy that it becomes one of those films that you either embrace or reject. It took me quite some time to figure out where I stand with it, and as of now I'm on the embracing side with a few minor reservations.

This is a caper film, but not of the Michael Mann variety. This is something that might make have added Bansky to its thank you's during the closing credits. It involves an unfortunate soul named Amadeus Warnebring, who was born into a family of musical legends. Unfortunately, he was born tone deaf. With that, he grew up and became a detective.

Amadeus seems to be very good at this job, but seems trumped in his current task of tracking down the identities of a terrorist group who have been committing random acts of public disruption. They don't blow things up or hurt anyone, no, they play music at inappropriate places. As the movie opens, the ringleader is being chased through town in a van by the cops while her boyfriend sits in the back and plays the drums in time to a metronome. They act as a sort of Bonnie and Clyde of auditory disruption. What they are doing doesn't seem to make any sense, but what they accomplish is some kind of weird genius.

The crooks get away, and Amadeus is on their trail. We meet the couple, Sanna and Magnus as they work to pull together a masterpiece of musical distraction. They hire four expert drummers, all with differing styles, and determine what objects make the perfect percussive sounds. Their plan is to break into four major institutions, a hospital, a bank, an opera house and high-tension towers and play their music on objects that might be considered non-musical. Each crime will represent a different movement in their composition.

The music isn't especially good, but the audacity with which they commit their dastardly deeds is kind of fun. Attempting to find a purpose behind this might be as futile as trying to understand why clouds look like everyday objects. In the pattern of poetry, it might be said "because it's there." The film has an inevitable sense of humor from which it never recedes. A film this bizarre wouldn't work if it allowed any measure of seriousness to seep in. The scene set in a hospital is the most curious, a the terrorist use the belly of a fat man as one of their instruments and the sound of the oxygen tanks for the tones. The scene at the high-tension towers is the most memorable, with the city's power grid blinking on and off like a bizarre Christmas light display. It is a sight to behold.

If there is a weakness, I'm afraid that it is that this film runs on a bit longer than it should. It is based on a 2001 short film called "Music for One Apartment and Six Drummers" which ran this premise just about as far as it possibly could. This film, at an hour and forty-two minutes, runs its course probably about a half hour longer than it should. Yet, while I complain about the length, I won't complain about the content. I will only say that while it is a good film, not a great one, it succeeded in giving me an experience that I can't say I've ever had before. That's a good thing.

This movie is pure joy, musically and cinematically. Just the idea of having six drummers as terrorists, using everyday objects as instruments is so brilliant it doesn't even matter how good or bad the movie is. Fortunately this movie does great at both having an original idea, great characters and beautiful cinematography. The musical numbers is of course awesome, but also the plot line involving the policeman Warnebring is brilliant. You really feel for the character, even if he starts of as the bad guy(kind of), and you also root for him sometimes, even though he tries to stop the musicians. This is an amazing movie experience that I can recommend for everyone who has a heart(cheesy,but true), and can enjoy great cinema.