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Jack Goes Boating (2010)

Based on Philip Seymour Hoffman's transparent, penetrating performance, this movie will hold up in the future as well as it does now. But I think it will disappear for many years because it doesn't pull off anything sensational. And that's its strength. It's not a subtle movie, and in many ways it's a little too obvious pulling on heartstrings. But maybe that's okay turf for an interpersonal drama.

The tale of two couples who are friends and who are having various hopes and troubles together as both friends a lovers is an old one, but it must be the best of material in some ways because it's the best of material in life, love and friendship. Keeping it focused on two pairs of people is not just movie-making convenience (though it is that, too), but it's the truth of life sometimes, too.

This isn't an edgy story, and in some ways it's so mundane it would seem to totter into boredom. But Hoffman, as Jack, is too sympathetic and convincing to let the movie get away from him. He's a great actor, we all know that, and he's showing he's a good, if not inventive or brilliant, director as well. If there is a conventional structure--set up, hints at conflict, conflict, resolution--there is a restraint and economy to make it all make sense. A strong movie.

And it's impressive now if you're in the right mood, and will be impressive in thirty years, too, if we can keep track of it somehow. I think it is already slowly disappearing from view, so give it a good look.

'JACK GOES BOATING': Three and a Half Stars (Out of Five)

Philip Seymour Hoffman makes his directorial debut directing this film adaptation of the 2007 New York play he starred in. He and two of the three other lead stage actors (John Ortiz and Daphne Rubin-Vega) have returned to reprise their roles in the film, with actress Amy Ryan filling out the ensemble cast (replacing Beth Cole). Hoffman replaces Peter Dubois as director and makes a very impressive film making splash. Actor Robert Glaudini wrote the screenplay, adapting his play.

Hoffman plays Jack, a socially awkward but very sweet limo driver who's never had much if any experience with women or been in a relationship. Ortiz plays his co-worker and best friend Clyde and Rubin-Vega plays Clyde's long time girlfriend Lucy. The two set Jack up on a blind date with Lucy's new co-worker Connie (Ryan), a quirky and offbeat character that immediately takes a liking to Jack. It turns out as we soon find out that Clyde and Lucy have been having serious relationship problems for some time and take it upon themselves to devote a great deal of time to helping their best friend Jack with his new found love instead of working on their own.

The film is very slow paced, and seems aimless at times, and the story is almost non existent. It is a great character study though and the acting is all outstanding. Hoffman is of course amazing and Ryan is equally as wonderful. Ortiz and Rubin-Vega are more than adequate as well. The movie is obviously an actor's movie, being that it comes from a play that seems obvious, but Hoffman's directing adds a very powerful and unique touch as well. I really liked his character too and found him pretty relatable. The film shows a very strong and striking resemblance to one of my all time favorite films 'PUNCH DRUNK LOVE' (which Hoffman also co-starred in) but it's not nearly as well thought out and effective. Despite it's flaws it's still a memorable and unique film and worth the watch.

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Seymour-Hoffman's directorial debut is a well-rounded little film about being positive no matter the circumstances; the possibility of a solution at the end of the tunnel and the value of perseverance.

Jack Goes Boating relates the tale of four people whose stories are wound together. The premise is simple: one couple throwing a blind date for the other two parties. From this seemingly basic starting point, the characters undergo transformations, all of which are sprinkled with life-lessons and positive philosophy, all the more poignant for its stark backdrop of lower-middle class life. In this sense, there is a feel of La Vita è Bella about it, although admittedly Jack Goes Boating is not quite in the same league as the former.

Phillip Seymour-Hoffman pulls off some typically sensational acting, as does Amy Ryan, with a complicated emotional role which she executes very well indeed.

All in all, a high-class film, totally worth watching, but not something that leaves you with the feeling it ought to have won Best Picture.

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After being set up on a blind date by his friends, Jack (Hoffman) promises to take Connie (Ryan) boating. Jack then begins to do everything he can to prove how much he like Connie. There are movies that come out that are 99% special effects and 1% acting, some are good but no matter who plays the parts it doesn't affect the movie. This one is the opposite. The story itself is one that has been done 1,000 times. A married couple sets up two awkward people and they start to fall in love while the original couple is splitting up. I know we've all seen that over and over, but the acting in this one makes it seem fresh and new. The story itself is very slow moving and basic, but the acting of all 4 main actors are what keeps you watching the movie. This is the definition of a character driven movie, the acting in the scene where Jack burns dinner is worth watching the movie for by itself. The movie is probably a C- but when the acting is taken into account it raises the level of the film. I say B-.

I was fortunate enough to see this movie a few days early in eastern Manhattan. Of course I had to deal with a frustrating (talkative) audience but I not only saw a great little film, I got to see the whole cast do a little q&A session with Peter Travers afterward.

We know the plot. An awkward man meets an awkward girl both surrounded by a couple who has a lot of problems with their marriage but don't mind bottling it in at the moment. Jack (Hoffman) is very lovable. You feel for him and he wins your hearts from his first swimming lesson with his best friend Clyde (John Ortiz). Clyde's wife Lucy(Daphne Rubin-Vega) introduces Jack to her co-worker and friend Connie (amy Ryan). Jack and Connie actually hit it off right off the bat. Connie enjoyed telling ridiculous stories such as her father being in a coma (trust me, there is a lot more to that story - had the audience roaring) but means well and wants to pursue a relationship very slowly with Jack. Jack so gentle that he'll wait till the summer to go on their first date if needed for the relationship.

This cast was very good. For those who like them Oscars, Hoffman should get an acting nomination. Though is uncomfortable behavior might get a but repetitive, you still can't keep your eyes off of him. Him and Ryan shined with excellent chemistry. The supporting cast were also great.

The direction of the film was remarkable. Hoffman is a natural but also brought some new ideas. One scene was so beautiful. Jack and Clyde were sitting in the car. Clyde started to get things off his chest in such a emotional way. Something that would secretly hurt Jack. A plow comes by and pushes dirt on the windshield. After Clyde is about done ranting, Jack hits the windshield wipers. It clears the snow but little drops of water still move down the windshield. Because the camera is shot from the back, the windshield was almost a reflection of both of the character's faces as if they were tearing up. So many great shots. I love when Hoffman is underwater and I love his little dream sequences.

I really enjoyed the film. a great study of characters. Hoffman said he'd love to direct another film if given another great cast. 7.5/10.