The Bridge

I thought that maybe, just maybe, this would be different. Why, could you ask, why would this be different?

I projected credibility and honesty into the main character, because he played a similar role - dedicated to get his job done - as he did in Battlestar Galactica.

Now we are approaching the halfway mark for the series, and I am sorry to say... You've lost me. I will not follow the series anymore.

The reason? What began as an interesting story about a cop becoming head of the union of copes, not in uniform, not legally a cop, but still in soul and dedicated to both helping his many colleagues and do occasional police work... There is a lack of realism in the series. He doesn't grovel to anyone. This is realistic in any world. I have no faith in a union boss having ultimate say over anything - even if this is portrayed as very tough deals with his commissioner, to who he also loses once in a while. He is simply too strong, played, portrayed too strong. I would say it's a miscast.

I am fed up with the police world, talking about anybody as if they are citizens or scum, no in-between, or hero or coward... grow some hair on your chests, scriptwriters and watch some The Wire. But you had to accept the job that demanded action. Bang Bang, people dead, heroes here, witnesses her, victims here, and scumbag stupid motherfracker here. It is tedious, we want people. Feeling, not bleeding. No, I want - I want cost, consequences, real consequences, everything that interacts with a job like the one a policeman has. Like the one the criminal has. People.

The Bridge tries. It tries to be The WIre, and CSI and Heroes without superpowers at the same time. Strong man leading the flock. Strong man can admit his mistake Strong man has unbridled libido. It hints at feeling and human interaction, but is constantly interrupted by strategic talks, where the support actors feed the main character. ABit tiresome tiresome tiresome.

It's not even BG. It deserves new writers, or it deserves to die. It is beginning to stink of mediocrity. That is waste of bandwidth. And support.

Yes it's time for another cop show review, before we get into all the technicalities let me say that this show reminds me very much of the lighter side of "the shield".

So we have the main cop Frank Leo and he seems to be the voice of the cop community, now while most other shows focused on cleaning up the streets and then secondly on what goes wrong this show seems to focus on the exact opposite. That's right he's trying to clean up the police department from the ground floor all the way to the top, and of course we have our usual dirty cop clichés' like chiefs taking bribes, and your real estate schemes but mostly its just Frank doing his thing helping out his fellow street cops from getting in too deep when they do things a little beyond protocol and then get buried by the higher ups for only about a third of what they actually did.

Is this show fun, yup it's fun, entertaining, and there's some nice emotion/acting involved. It's off to a pretty decent start so far lets see if they can keep the momentum rolling.

8 out of 10.

I liked the shield, life and like castle and burn notice. But the bridge is just so, so bad. The writing is uninspired as is the acting. Are series like this paid for by the police in order to try to make us believe they are here to help us? This must be a gov't sponsored series with lots of grants and freebies, otherwise no one would buy into it. The Stacy Keach series, Mike Hammer, look like Shakespeare. I've watched four episodes and find it strange that it can get sponsors. Every character is uni-dimensional, every plot, hackneyed.

It is a pity when good shows, like Life, are canceled and we are forced fed this tripe. What a waste of film.

I will start by saying some of my favorite shows are Damages, Dexter, The Good Wife and Lie To Me, but this one is now my favorite of them all. The writers are incredible and the acting superb. I can't understand how a network like CBS would put a show first run on a Saturday night one of the worst nights for TV. I'm sure had it been on during the week in prime time the results would have been much different. Hopefully they will come to their senses and give it another shot or maybe some other network will pick it up.

The only real problem with the show is they go by too quickly. There is never any dead time between scenes. The director has done a fantastic job keeping continuity. The main thing you need to understand is that this is not a reality show but fiction. Some people will say this is the way things really are or should be while others will be totally disgusted by the portrayal of how big city police might be.

At any rate I am sure if you get a chance to watch it you won't be sorry.

I only watched 20 minutes of the episode on Saturday, July 17 (with high hopes after reading the reviews), but I was totally turned off. I love police dramas, but this particular episode seemed very unrealistic, and depressing, without any redeeming positive qualities. I did like the premise of telling the stories from a union rep perspective, but I did not believe that in a matter of moments 2 gorgeous woman (one a lawyer and one a cop) were coming on to this guy. I didn't see the appeal. I also did not think putting a cop who everyone liked (but who accidentally killed his wife), into the general prison population without any real protection, was lame. This same (ex-) cop also was totally unfit, looked soft and out of shape, and did not project any kind of power or strength in his appearance. Good police dramas need a sense of humor (no matter how macabre or ironic the humor is) and also at least one strong, assertive and interesting character who rises above the minor characters in his/her wisdom, charm, charisma, or skill level. A good program also must have excellent ensemble acting, with meaningful interaction between the principal characters. This poor show lacks both meaningful dramatic power, and charisma of any kind in my opinion. my opinion.