Royal Affair

I had the great fortune to be invited to attend the World Premiere at the Berlin Film Festival earlier this evening of this wonderful film -and opportunities like that don't come often.

A Royal Affair is Oscar level material in many respects. The screenplay, directing and photography are all superb but the performance of Mikkel Følsgaard as Christian VII of Denmark was perfection. It is so difficult to act a madman acting as if he were sane and I cannot believe any actor taking an Oscar this year could have put up a better performance. Mikkel got the loudest cheer from the audience and he thoroughly deserved it.

The plot revolves around the machinations of power behind the throne of a simpleton monarch. Christian may be King but he simply wants to play like a child. He is married and fathers a son quite brutally but he loves his dog more than his family. And so a German Doctor is called to treat him. Christian befriends his physician and leaves more and more power in the hands of this foreign commoner. And then the Doctor falls in love with the Queen....

It's all true and I won't tell more than that. Just go and see it as soon as you can. It puts Hollywood and Bollywood both straight into the dust bin. Classic drama, brilliant script and a piece of thespian-ism that puts Olivier to task. Just brilliant.

Historically relevant, A Royal Affair shows its true period-drama nature in the very intelligent and detailed storyline, steadfast and conspicuous acting, and, most of all, sumptuous and glorious interiors, which actually enhance the visual experience significantly. The film expressively reminds the world once again about the illicit affair between Caroline Mathilde (Alicia Vikander), the beautiful Queen of Denmark, and the enlightened, German-born physician named Johann Struensee (Mads Mikkelsen). In all its courtly essence, A Royal Affair presents this 18th century tale with utmost thoroughness, adding huge amounts of tension to its naturalistic substance with every following minute. While it's mostly recognized for the meaningful romantic overtone, this film presents much more than that, even though the star-crossed lovers prove to have the biggest impact on the unexpected turn of events.

It starts very similarly to Sofia Coppola's Marie Antoinette, with a young princess bound to marry a king she doesn't even know, through the old-fashioned way of a royal transaction. Right after the Queen finally sets her lovely eyes on the mysterious husband-to-be one thing is certain – there is something wrong with his majestic appearance. Christian VII (Mikkel Boe Følsgaard) giggles nervously, and is more interested in greeting his own dog than the woman, with whom he will probably (but not likely) spend the rest of his palace life. Right after the both absolutely awkward and truly humorous announcement of King's nightly visit in his wife's bedroom, and Caroline's anxiously awaited pregnancy, it becomes perfectly clear that the pair won't present itself in the expected, regal way. Those two characters don't even intend to give the appearance of being fully in love with each other. The king wanders angrily around the luxurious chambers making fun of everyone, not knowing that he ostentatiously presents all of his biggest weaknesses. At the same time, the Queen spends most of her time with the newborn baby. When Christian proclaims his forthcoming trip around Europe nobody realizes that big and sudden changes are about to happen. During the journey King's mental illness becomes worse. He needs a private doctor and he needs him quick. This is the moment when Johan Struensee first shows his handsome face. Apart from his unquestionable medical abilities, he proves to be a great admirer of the Enlightenment movement's greatest thinkers and their innovative works, and that's what makes him an ideal partner for the King. After returning to the country, their companionship grows stronger every day. Unfortunately, so does Johan's affection towards Queen's awe-inspiring persona. After a while, it becomes awfully obvious that they won't be able to suppress their deepest urges and a risky romance will soon take place, one that might actually begin a new era in the history of Denmark. Scheming behind the back of the wig-wearing, ignorant council, Caroline and Struensee use the gullible King for the sake of a greater good – they create many new and reformative laws, and using Christian's powerful, yet unstable hand they end up improving the whole land and its citizens' life, rushing Denmark towards the desired Enlightenment.

As history so often shows, when there is the optimistic, hard-working side there must also be the pessimistic, mischievous one. In A Royal Affair, it takes the form of an ominous, recalcitrant aristocrat named Ove Høegh-Guldberg (David Dencik). Conspiring along with Christian's stepmother Juliane Marie (Trine Dyrholm) he comes up with a perfect plan to get rid of the unwanted German and, at the same time, bring back Denmark's old 'glory'. Revealing the shocking truth about Queen being pregnant with Struensee he wreaks havoc among the society. The return of the Dark Ages is upon Denmark, and no one is able to stop this devastating process, as the King gave in to Ove's strong and convincing character, and, ultimately, to his own illness. Johann and Caroline are banished from the Kingdom, just to see that, sadly, their thorough plan wasn't actually meant to help anyone.

With its splendidly high entertainment value, A Royal Affair turns out to be a history lesson for everyone. Considerable attention to details in plot and in art design brings out the true substance of the film. The costumes are pitch-perfect, the music flows adequately to the events, and the ongoing transition in the atmosphere intensifies the reception of the whole. A Royal Affair possesses a great energy, which shows its true strength in all the performances. Without offending anyone from the amazing cast, it's important to note that Mads Mikkelsen gave the most award-worthy performance, showing the straightforwardly persuasive impassiveness that may really convince his fans and anti-fans alike. Therefore, those irrefutable acting skills, combined with a well-written script and steady direction, make A Royal Affair one of the most memorable Danish movies of the last decade.

A fantastic film about a country whose history is seldom portrayed, A Royal Affair is a historical drama set in the latter half of the 18th century in Denmark. An English girl is sent off to marry the Danish king, only to find out that he's not fully sane. In her loneliness she falls for the king's doctor, and they find they share not only amorous feelings for one another, but a passion for Enlightenment ideas and political reforms.

There are a few caricatures in this movie that keep me from giving it a higher score: the reactionary forces are pure, unalloyed evil; the reformers are probably far more liberal in thinking than would have been possible in that era; and the preaching against established religion is a bit thick. But otherwise, this is a gem of a movie with outstanding performances in all three key roles, particularly the doctor who is portrayed with an incredible intensity and realism. Also noteworthy is the king who is not quite sane yet not totally loony either; the acting here is frighteningly good and utterly convincing. Last but not least, the queen excels in showing real pathos and long-suffering endurance trapped in her destiny, and then comes alive beautifully in her relationship with the doctor.

As icing on the cake, costumes are sumptuous, period settings flawless, and the music is era-appropriate and delightfully arcane. Original music is also quite good, though most of the time one is so engrossed in the story that the music just vanishes. Movie is almost all in Danish with English subtitles, and I felt the size/font choice for the titles was too big, too pushy, you never quite forget that you're reading titles.

This is a tale of exploration of the darker side of the human experience: what does it mean to be sane, how can a divinely ordained monarch be deprived of his wits, to what lengths will a person go to promote his/her progeny into power, are the "unwashed masses" really grateful to those who try to emancipate them? This movie (and its three main characters) will haunt you for many days.

You could dismiss this film as a Danish history lesson but it is more than that. It is a love story with an improbable background in a rather gloomy setting, the Danish Court of the late 18th century. Mad (or at least seriously disturbed) King Christian VII (Mikkel Folsgaard - superbe) marries 16 year old English princess Caroline (Alicia Vikander) who happens to be George III's sister). He prefers the company of his dog and mistress to her. It is not surprising that Caroline falls for Johann Struensee (Mads Mikkelsen) who becomes the king's personal physician on the strength of his knowledge of Shakespeare (especially Hamlet). The king is, as they say, easily led, and for a year or so Sturensee, despite being German, has a fine time as de facto ruler enacting liberal measures such as the abolition of serfdom and the repeal of censorship laws, not to mention free smallpox inoculations. But the forces of reaction led by the king's stepmother gather. It was surprising to learn that 18th century Denmark was such a backward society.

Mads Mikkelsen gives a nuanced performance – 'quiet intensity' in fact, and Alicia Vikander is equally intense. They are a serious couple imbued with the ideals of the 18th century Enlightenment but their passion is physical as well as intellectual. Unfortunately their ideals are a little advanced for Denmark of the 1770s despite support from writers such as Voltaire. The local book-burners led by Hoegh-Guldberg (David Dencik) are not swayed by argument of course.

The production is full of atmosphere. The castles are suitably gloomy and there's plenty of medieval squalor beyond the castle gate. Much of the action takes place in winter which adds to the chilly atmosphere. The aristocracy are suitably heartless and the peasants downtrodden. The king provides some zany (if not quite authentic) moments, appointing his Great Dane to his council and ordering Struensee to make Caroline a "fun queen".

This is quite a long movie at 140 minutes yet is enthralling from start to finish. Even though you can guess the ending you are swept along by the story and the performances. You can see why the audiences at Cannes loved it.

On the surface, this movie is exactly what the title says, you have an unhappily married queen who has an affair under the king's nose with someone in the King's court. However, the interesting aspect of this story is the context. It is the second half of the 18th century, liberal ideals of people like Rousseau and Voltaire spread across Europe, and threatens to break down the old Feudalistic regime.

The movie is not a documentary on the ruling of Christian the VII, and should not be regarded as such. After seeing it, I went to read about Christian the VII, and found that many details of the era and his regime were omitted in favor of not making a long tiresome movie. Instead the movie focuses on the relationships between the king, the queen and the physician and to their attempt to change the face of Denmark.

These three characters are played beautifully.

Mikkel Boe Følsgaard as King Christian is just superb and fun to watch, as a mad king he is always there even when not the focus of the camera.

Mads Mikkelsen as the physician acts for the most part as a calm yet stern person, however, when he does display emotions it has greater impact, and in my view portraits inner-struggle more effectively.

Alicia Vikander as the queen plays her two role quite well, whether it is the passion and stress that go with having a secret affair, or the audacity and charm that goes with fulfilling her royal duties.

Finally, in my view, the movie is another bell ring to remind us that even Denmark, 300 years ago was a country consumed by religion and fear, and that there are always those who believe in such a way of life.