Ajouter une intrigue dans votre langueAn ex-gambler is lured back into the game by a veteran insurance-fraud investigator.An ex-gambler is lured back into the game by a veteran insurance-fraud investigator.An ex-gambler is lured back into the game by a veteran insurance-fraud investigator.
- Récompenses
- 1 nomination au total
Aviva Baumann
- Pennie
- (as Aviva)
Jim Giesler
- Barker
- (as Jimmy 'Gee' Geisler)
Avis à la une
I was really excited about this movie. When I saw the trailer for this movie, I felt like it couldn't be out on DVD soon enough. As soon as this was out on Redbox I rented it. Lucky for me I had a promo code and got this movie for free. You can just see how low the budget on this movie would have been.
It had it funny moments which were REALLY funny, but they were few and far apart. When you snag actors like Steve Buscemi, Romany Malco, Sarah Silverman and Peter Dinklage, you ensure they have a script to match their caliber. This script was mediocre and the story had no drive or punch. I expected a bit more off the ending, but to me it was an anticlimax.
My suggestion is to rent this movie if you really like the leads. Steve Buscemi and Romany Malco have done a great job acting. If you are expecting a classy suave movie set in Las Vegas, look elsewhere.
It had it funny moments which were REALLY funny, but they were few and far apart. When you snag actors like Steve Buscemi, Romany Malco, Sarah Silverman and Peter Dinklage, you ensure they have a script to match their caliber. This script was mediocre and the story had no drive or punch. I expected a bit more off the ending, but to me it was an anticlimax.
My suggestion is to rent this movie if you really like the leads. Steve Buscemi and Romany Malco have done a great job acting. If you are expecting a classy suave movie set in Las Vegas, look elsewhere.
I've seen a lot of interpretations on Dante's Inferno: the guy enters hell. From here to saying any movie about someone's falling is an interpretation is a stretch. And I know the writer and the director thought they were being smart doing a modern adaptation from a story no one really cares about and basically replacing everything, but I was the one watching, and I didn't find it smart, interesting or even good.
Steve Buscemi is one of my favorite actors, and he did play the part well, but the plot was simply a boring, useless, close to horizontal, descent into a hell that few people could have related to. The funny parts were not funny, the smart parts were obtuse, the action parts not existent. Oh, wait a minute... it was MY descent into hell, when I realize I've just wasted an hour and a half of my life for no good reason. I see now... really smart.
Bottom line: Sorry, Mr. Buscemi, sorry sexy Sarah Silverman, the film just sucked for me.
Steve Buscemi is one of my favorite actors, and he did play the part well, but the plot was simply a boring, useless, close to horizontal, descent into a hell that few people could have related to. The funny parts were not funny, the smart parts were obtuse, the action parts not existent. Oh, wait a minute... it was MY descent into hell, when I realize I've just wasted an hour and a half of my life for no good reason. I see now... really smart.
Bottom line: Sorry, Mr. Buscemi, sorry sexy Sarah Silverman, the film just sucked for me.
John (Steve Buscemi), a recovering gambler, is sent back to Las Vegas by his employer to research insurance fraud. Along the way he must face junkyard thugs, a crippled stripper and try to maintain a relationship with his less-than-stable girlfriend (Sarah Silverman).
This story is somehow based on the writings of Dante Aligheri. I don't see it. I freely admit by knowledge of "Inferno" and "Paradiso" is not on the level it could be, but this had to be a very loose interpretation to say the least. However, regardless of the source material, the finished product is a gem that sadly did not get the full attention it deserved. This should have been a major theatrical release and success rather than a film festival darling.
Sure, it has that "independent" feel to it, like a darker "Garden State"... but if people like Wes Anderson can make it big off of the indie film feeling, why not this film? Steve Buscemi has a huge cult following, as does Sarah Silverman. Buscemi was what attracted me to this film -- he has never failed to disappoint me in any of his roles from "Big Lebowski" to "Ghost World" to "Reservoir Dogs". One of the biggest flaws another indie film, "Floundering", made was using Buscemi too little.
The directing is tight, the story is tight... the word "tight" is really the way to describe this film. The pace keeps steady, with never a dull moment despite not really being anything close to an action film. John is a perfect everyman inserted into odd situations (did I mention the nudists?) so we can both sympathize with him, yet enjoy that he has quirks we wouldn't, and weaknesses we do not. It is as though watching our best friend on an adventure.
If you missed this one on the festival circuit (and let's be frank, most of us do not have the luxury of attending them), please do yourself a favor and rent this film, or perhaps even purchase it. I think it's the kind of film that will have a strong word-of-mouth fan base, and it would be in your best interest to discover it before all your friends have first. So many films slip under the radar... don't let "Saint John of Las Vegas" be one of them.
This story is somehow based on the writings of Dante Aligheri. I don't see it. I freely admit by knowledge of "Inferno" and "Paradiso" is not on the level it could be, but this had to be a very loose interpretation to say the least. However, regardless of the source material, the finished product is a gem that sadly did not get the full attention it deserved. This should have been a major theatrical release and success rather than a film festival darling.
Sure, it has that "independent" feel to it, like a darker "Garden State"... but if people like Wes Anderson can make it big off of the indie film feeling, why not this film? Steve Buscemi has a huge cult following, as does Sarah Silverman. Buscemi was what attracted me to this film -- he has never failed to disappoint me in any of his roles from "Big Lebowski" to "Ghost World" to "Reservoir Dogs". One of the biggest flaws another indie film, "Floundering", made was using Buscemi too little.
The directing is tight, the story is tight... the word "tight" is really the way to describe this film. The pace keeps steady, with never a dull moment despite not really being anything close to an action film. John is a perfect everyman inserted into odd situations (did I mention the nudists?) so we can both sympathize with him, yet enjoy that he has quirks we wouldn't, and weaknesses we do not. It is as though watching our best friend on an adventure.
If you missed this one on the festival circuit (and let's be frank, most of us do not have the luxury of attending them), please do yourself a favor and rent this film, or perhaps even purchase it. I think it's the kind of film that will have a strong word-of-mouth fan base, and it would be in your best interest to discover it before all your friends have first. So many films slip under the radar... don't let "Saint John of Las Vegas" be one of them.
Saw this on Netflix Streaming recently. It's a small film about one man's addiction to gambling and his job as an insurance adjuster. It's not an earth shaking topic. Steve Buscemi's not saving the world or even the United States. However, I love Steve Buscemi. He's an actor's actor. I have never seen him in a performance I didn't like. OK maybe one-:). It's not often he's the main character. I only wish I could pull this one (hee hee) as well as he did in this movie. the movie. And the same goes for Peter Dinkle. I would have rewritten his role slightly to give him a bigger role.I found the inside details about how the insurance adjuster business works rather interesting. And Sarah Silverman is ravishing! And as for people who say this is not funny. I found it humorous enough. It's not slapstick but rather people are portrayed more or less realistically unlike TV sitcoms but it still allows you to see their character flaws in a humorous light. If you don't mind self-deceiving characters (is that a word?) and not many things getting blown up or people getting killed then this is your movie.
IndieVest shot themselves in the foot by putting this dud out as their first release. With their membership based business model of anyone funding a film, Saint John Of Las Vegas killed that platform after opening theatrically without so much as a whimper.
This is an unwatchable, amateurish disaster overloaded with quirk and just limps from one disconnected non sequitur to the next. How this pile of nonsense attracted Spike Lee, Stanley Tucci and Steve Buscemi as producers is more bewildering than the final product. This is an awful picture, that had the support of people that should have known better.
This is an unwatchable, amateurish disaster overloaded with quirk and just limps from one disconnected non sequitur to the next. How this pile of nonsense attracted Spike Lee, Stanley Tucci and Steve Buscemi as producers is more bewildering than the final product. This is an awful picture, that had the support of people that should have known better.
Le saviez-vous
- GaffesAt approximately 30:10 when John (Buscemi)is speaking to the gas station cashier, the envelope with the $1000 in it disappears and reappears.
- Crédits fousAfter the end credits, the cast members appear individually taking a bow.
- ConnexionsFeatured in The Rotten Tomatoes Show: The Road/Ninja Assassin/Old Dogs (2009)
- Bandes originalesDIDN'T I
Written by William Daron Pulliam and John Tanner
Performed by Darondo
Courtesy of Luv N' Haight / Ubiquity Records
By Arrangement with Sugaroo
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- How long is Saint John of Las Vegas?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Святой Джон из Лас-Вегаса
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 800 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 102 645 $US
- Week-end de sortie aux États-Unis et au Canada
- 21 666 $US
- 31 janv. 2010
- Montant brut mondial
- 111 731 $US
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By what name was Saint John of Las Vegas (2009) officially released in India in English?
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