Saint John of Las Vegas

I was really excited about this movie. When I saw the trailer for this movie, I felt like it couldn't be out on DVD soon enough. As soon as this was out on Redbox I rented it. Lucky for me I had a promo code and got this movie for free. You can just see how low the budget on this movie would have been.

It had it funny moments which were REALLY funny, but they were few and far apart. When you snag actors like Steve Buscemi, Romany Malco, Sarah Silverman and Peter Dinklage, you ensure they have a script to match their caliber. This script was mediocre and the story had no drive or punch. I expected a bit more off the ending, but to me it was an anticlimax.

My suggestion is to rent this movie if you really like the leads. Steve Buscemi and Romany Malco have done a great job acting. If you are expecting a classy suave movie set in Las Vegas, look elsewhere.

Saw this on Netflix Streaming recently. It's a small film about one man's addiction to gambling and his job as an insurance adjuster. It's not an earth shaking topic. Steve Buscemi's not saving the world or even the United States. However, I love Steve Buscemi. He's an actor's actor. I have never seen him in a performance I didn't like. OK maybe one-:). It's not often he's the main character. I only wish I could pull this one (hee hee) as well as he did in this movie. the movie. And the same goes for Peter Dinkle. I would have rewritten his role slightly to give him a bigger role.I found the inside details about how the insurance adjuster business works rather interesting. And Sarah Silverman is ravishing! And as for people who say this is not funny. I found it humorous enough. It's not slapstick but rather people are portrayed more or less realistically unlike TV sitcoms but it still allows you to see their character flaws in a humorous light. If you don't mind self-deceiving characters (is that a word?) and not many things getting blown up or people getting killed then this is your movie.

IndieVest shot themselves in the foot by putting this dud out as their first release. With their membership based business model of anyone funding a film, Saint John Of Las Vegas killed that platform after opening theatrically without so much as a whimper.

This is an unwatchable, amateurish disaster overloaded with quirk and just limps from one disconnected non sequitur to the next. How this pile of nonsense attracted Spike Lee, Stanley Tucci and Steve Buscemi as producers is more bewildering than the final product. This is an awful picture, that had the support of people that should have known better.

This movie is making the festival rounds right now, but unlike a lot of over-hyped festival fodder,it is genuinely a good movie, which I suspect will soon become more widely available. It reminded me somewhat of the Coen brother's film "O Brother Where Art Thou?"--not in that it is in any way unoriginal--but it has a similarly surreal, absurdist sense of humor, and like the Coen brother's film, it is a modern adaptation of a classic work of literature, in this case "Dante's Inferno".

The great Steve Buscemi plays "John Alegheri" (as in Dante Alegheri), a reformed compulsive gambler with a comfortable, if mundane, life living in a tract home and working for an insurance agency. But after he asks his diminutive boss (Peter Dinklage) for a raise, he suddenly finds himself promoted to fraud and, along with a partner named "Virgil" (Romany Malco), is sent on a fraud investigation, which proves to be a metaphoric descent into hell--and in particular, his own personal version of hell since the investigation takes place in and around Las Vegas, a city where he had some unpleasant personal history.

He and "Virgil's" various bizarre encounters on their journey include a sexy stripper in a wheelchair (Emamanuelle Chriqui) still trying to perform lap dances, a group of heavily armed right-wing survivalists (including "O Brother's" Tim Blake Nelson) who also happen to be nudists, and in the most surreal scene, a tow-truck driver who has second job as a circus performer and as the result of a bizarre accident is stuck in a lawn chair in a flame-retardant suit that periodically catches on fire (and, hilariously, what he really wants is a cigarette). There's a some nice twists at the end and the character reaches a final personal epiphany while buying scratch tickets at a convenience store on the outskirts of the dreaded Vegas.

Sarah Silverman plays a co-worker who he starts an affair with after a quickie in the woman's bathroom before he leaves on his journey. It's an unusual role for Silverman, not only in that it exploits her considerable sex appeal, but also in that while it is a comedy role, it is one very different from her usual foul-mouthed stand-up persona. Buscemi, on the other hand, doesn't stretch himself too much, but he doesn't really have to either--he's great at roles like this. The director was actually first-timer and this is particularly impressive as a debut effort (I suppose could complain that the only full-frontal nudity is provided, not by Emanuelle Chriqui or Silverman, but by Tim Blake Nelson!--but I won't). This was entertaining from start to finish. I'd really recommend it.

Steve Buscemi holds this one together, the other main characters are impossible to identify with - either because they don't say much or they are mysterious and mean. There are a lot of bizarre situations that are thrown in which don't really further the storyline but show off a type of artistic creativeness. They definitely had a lot of good ideas here, and perhaps the movie would have been more interesting if they simply abandoned the tired story line and went from one hypnotic scenario to the next (Like Fear and Loathing). But the main story (the story about the insurance fraud) progresses in the background without momentum and when it is finally resolved it feels anticlimactic. But there is another story here, perhaps more important - the one concerning Steve Buscemis past. This could have been developed into a compelling and meaningful drama but it is only used to further the comedy (and to tack on the Confucious ending) There are a few laughs along the way here and a good deal of cute/quirky ideas. Could have been improved with a bit of storyline editing beforehand.