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7,4/10
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MA NOTE
Ce docu-série retrace l'histoire des plus célèbres jeux vidéo et donne la parole aux visionnaires qui ont donné naissance à ces univers et à leurs personnages.Ce docu-série retrace l'histoire des plus célèbres jeux vidéo et donne la parole aux visionnaires qui ont donné naissance à ces univers et à leurs personnages.Ce docu-série retrace l'histoire des plus célèbres jeux vidéo et donne la parole aux visionnaires qui ont donné naissance à ces univers et à leurs personnages.
- Récompenses
- 2 nominations au total
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There is so many monumental things that happened in video game history and you spend half an episode on a game called Gay Blade that nobody had ever heard, nobody played, the code is gone... how is this relevant to video game history. Putting Myamoto and this guy in the same realm of changing history is a freaking joke. I don't need to be explained how the gay scene was in San Francisco in the 80's how is this relevant to a video game documentary.
Lying about the fact that this black men invented and came up with the idea of a game cartrige is incredibly dishonest.
Did we really need like 4 long interviews with ex video game champions.
When they were actually talking about the video game revolutions and genius ideas, it was very entertaining. But there are so many stuff in there included only for diversity sake and just fit weird in the pacing.
Lying about the fact that this black men invented and came up with the idea of a game cartrige is incredibly dishonest.
Did we really need like 4 long interviews with ex video game champions.
When they were actually talking about the video game revolutions and genius ideas, it was very entertaining. But there are so many stuff in there included only for diversity sake and just fit weird in the pacing.
An entertaining series that creates feel good feelings connected to nostalgia and childhood memories.
What let this series down in a big way, was the need to create a narrative that didn't really exist. Focusing on current hot topics such as LGBT, womans rights and race. Whilst important issues in many ways they had no relevance on this platform (pun intended). Celebrating these areas as reasons to why we have the games we have today. When in actuality it always boiled down to what sells. Sadly that is still the case. The creaters of this show are using political agendas to sell their product.
If you can ignore the political statements and accept them for what they are, over indulgent memories. Then what your left with is actually quite entertaining and worth a watch.
What let this series down in a big way, was the need to create a narrative that didn't really exist. Focusing on current hot topics such as LGBT, womans rights and race. Whilst important issues in many ways they had no relevance on this platform (pun intended). Celebrating these areas as reasons to why we have the games we have today. When in actuality it always boiled down to what sells. Sadly that is still the case. The creaters of this show are using political agendas to sell their product.
If you can ignore the political statements and accept them for what they are, over indulgent memories. Then what your left with is actually quite entertaining and worth a watch.
I'll get the obvious out of the way right up top here: calling "High Score" a "history of video games" is a massive blunder. In no way, shape, or form does this doc attempt any sort of comprehensive look at the game industry. That being said, the simple access to key figures of that very industry makes this an interesting watch for gaming fans/historians.
Somewhat ironically, the biggest hallmark of "High Score" is also, in part, its biggest weakness. It gets access to some of the key figures to ever shape the gaming industry, whether that be Nolan Bushnell (early history), Tom Kalinske (Sega), John Romero (Doom), or Ken & Roberta Williams (adventure gaming). Those names were all enormous movers-and-shakers in the business, and provide first-hand accounts of the behind-the-scenes action.
The problem, however, is that "High Score" takes that access and tries to shape the video game narrative around it. In short, the doc makes the case that this is all the history one needs to know, which is a bit ludicrous. It would have been much better to structure/promote this doc as a series of interviews with industry luminaries and leave it at that.
Each episode here also features an aspect of competitive gaming, which often comes off as a bit odd. Not bad or boring, per se, but just a little strange as to why that angle was pursued so hard in the face of other much more interesting conversations to be had.
Overall, I enjoyed "High Score" just enough to keep watching--no more, no less. Had it been structured differently, it could have been a lot better. But even as-is, the one-on-one interviews with such high-profile figures give it a certain amount of cache.
Somewhat ironically, the biggest hallmark of "High Score" is also, in part, its biggest weakness. It gets access to some of the key figures to ever shape the gaming industry, whether that be Nolan Bushnell (early history), Tom Kalinske (Sega), John Romero (Doom), or Ken & Roberta Williams (adventure gaming). Those names were all enormous movers-and-shakers in the business, and provide first-hand accounts of the behind-the-scenes action.
The problem, however, is that "High Score" takes that access and tries to shape the video game narrative around it. In short, the doc makes the case that this is all the history one needs to know, which is a bit ludicrous. It would have been much better to structure/promote this doc as a series of interviews with industry luminaries and leave it at that.
Each episode here also features an aspect of competitive gaming, which often comes off as a bit odd. Not bad or boring, per se, but just a little strange as to why that angle was pursued so hard in the face of other much more interesting conversations to be had.
Overall, I enjoyed "High Score" just enough to keep watching--no more, no less. Had it been structured differently, it could have been a lot better. But even as-is, the one-on-one interviews with such high-profile figures give it a certain amount of cache.
Enjoyable series, though totally absent is Amstrad, Spectrum and Commodore for some reason and they played a major role in games long before Nintendo and Sega.
Le saviez-vous
- AnecdotesThe series is narrated by Charles Martinet, who is the voice actor for Mario.
- ConnexionsReferenced in Film Junk Podcast: Episode 764: Bacurau (2020)
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- How many seasons does High Score have?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- High Score
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 45min
- Couleur
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