World's Greatest Dad

World's Greatest Dad (2009)

*** (out of 4)

One of the blackest of all black comedies features Robin Williams as Lance, a failed teacher, failed boyfriend and failed father to an obnoxious pervert (Daryl Sabara) who masturbates too much, is hated by everyone and who has no real purpose in life. After a tragedy and a lie the father must then come to terms with something that I won't ruin here. When people think of Goldthwait, 99% of them are going to think of the crazy guy from the POLICE ACADEMY films and only 1% are going to know him as a filmmaker. SHAKES THE CLOWN has gained a cult following over the years and there's no doubt that this film will eventually be looked at as not a great movie but one that after watching you'll want to stand up and applaud the filmmakers for delivering something completely original and different. It's hard to really describe this movie because it's best that you go into it without knowing all of the details and how we get to the events in the second half. I'm sure you could show this movie to a hundred people and each one of them would walk away feeling the movie was about something different. I think the film certainly shines the spotlight on parenthood, teen suicide and how we worship celebs and how those celebs even become famous. The movie has so many layers that people are going to take different things away from it but I really respected the comedy of the first half and then the drama of the second. The first half of the movie is full of vulgar situations as the loser son offends one person after another and the viewer can't help but hate him. There's never an attempt to make us like him and that's usually not a good thing in a comedy if you hate the leading man. We're not even given a reason to like the father played by Williams, although I'm sure one could feel sorry for him because of how big of a loser he is to everyone around him. If you do find yourself caring for him then that might change after the events in the second half of the movie. Everyone was informed about Williams and his full frontal nudity but more people should really look at his terrific performance. I guess raw might be a simple word but the entire Williams persona is cleaned away and we're seeing a performance from him that we haven't seen before. I've always felt that he was a better dramatic actor than a comedic one but he handles both sides extremely well here. Sabara is just as great as the perverted son and Alexie Gilmore is wonderful as Williams' girlfriend. The film hits on all sorts of rather taboo subjects but for the most part is looks them directly in the face and doesn't back down. I'm sure the subject matter might be too much for certain film fans but I think those looking for a rather brave and original piece of film-making is going to at least respect what we get here even if they find themselves feeling uncomfortable.

Suburbia has transformed from an innocent place with friendly neighbors to a world full of miserable, sometimes disturbed people, dreams deferred, and earth-shattering secrets. From this year's Sundance Film Festival we have Bobcat Goldthwait's dark comedy World's Greatest Dad, we delve once again into the unknown of Any Town, USA.

This film mainly takes place in a school setting, but the themes and conflicts that arise coincide with those found in other films about suburbia. Robin Williams stars as struggling writer Lance Clayton. He lives with his son Kyle (Daryl Sabara), a porn obsessed, perverted teenager who attends the private school Lance teaches a not-so-popular poetry elective. There is tough love between the two. It's a typical teenager vs. the parent relationship only the censors have been turned off.

Lance is dating another teacher on staff, Claire (Alexie Gillmore), who he suspects isn't totally committed to their relationship. Life isn't getting any easier for Lance who struggles to reach his students or find a publisher for his work. When things couldn't get any worse, Lance suffers a blow few could recover from. From tragedy comes opportunity and it is up to Lance to decide what is the right thing to do.

It would be wrong of me to give away the tragedy, but it is something that does occur in Any Town, USA. In fact it happened not too long ago just a town over from me. It's the first time I can think of it being used in a film, or at least of this magnitude. There are several times during the film that I felt uncomfortable, but not to the point of disgust. There are some pretty heavy issues handled here and I think it is tasteful.

Williams does a fine job, especially in the second half of the film. For a comedian I can imagine it being difficult to change emotionally like that, but Williams has proved time after time in films like Good Will Hunting, One Hour Photo, and Insomniac that he can play just about any role thrown at him. He has a presence that is very real and powerful.

I was surprised by Sabara's performance as Kyle. I had only seen him in Spy Kids so I really didn't know what to expect. He seemed to have a clear idea of who Kyle was and what is motives are.

Goldthwait, who also wrote the screenplay, tackles a lot of issues both for adults and teenagers. At first I thought the film was going to end up like last years Towelhead, a hodgepodge of issues and conflicts that are each could have been their own film, but here we have an even dosage of each, culminating to a great finale and realization by William's character.

The film isn't perfect. One thing I don't like films to do is talk about other films. I feel like it is only a way for the writer to show off his movie knowledge and personal views about certain movies, although one segment involving zombie movies is relevant to the story. Occasionally it can be beneficial. Some of the scenes were a bit overdone with cheesy, overused dialogue, and some of the deliveries felt like they were just saying their lines and not really connecting with them.

Overall I was impressed. Goldthwait is not a big time filmmaker but this is certainly a step in the right direction (he has acted in several films and worked on other projects behind the camera). Williams gives one of his better performances as of late, but he doesn't steal the show. I thought the story was good enough to stand on its own, which is a very good thing. I hope this film doesn't get completely overlooked this year. You should try to see this one if you can.

I don't understand how this can be called a comedy. This is a depressing movie with a depressing begining, a depressing middle and a depressing ending.

This movie is a portrait of a pathetic loser, who fails at his passion, at raising his son and at the only good thing in his life, the relationship to his beautiful teacher collegue. There is no irony, no playfulness, no dark humor, just misery. It's about as funny as watching a car crash. How this is supposed to be funny? I don't know.

As a drama it works pretty well though. If it would have been advertised as that, i might have liked it. The saving grace for me was the great performances, especially the always amazing Robin Williams.

A very great (maybe even underrated?) performance by Robin Williams. We are used seeing him all over the place going all "Flubber" on us (not only in that specific movie, but in general). But if you expect him to be like that in this movie, you will be very disappointed. Of course same goes for the comedy/humor in the movie. It's obvious, but it's not laugh out loud moments you'll encounter.

It is more a social study, where a man tries to do the right thing. Emphasis on "tries" in this case. The dialogue is really good and all the performances are on the spot. I liked the social commentary that underlies the whole movie, but it might not be your cup of tea.

This movie worked very well as a dark comedy. It followed no set boundaries and goes its own way. The results are incredibly dark, sometimes being almost twisted. There are some scenes where the viewer doesn't know whether to laugh or feel sad. Robin Williams delivers his best performance in a while as Lance Clayton, a struggling writer striving for success and hell-bent on not dying alone. I personally found it rather impressive that it was both written and directed by Bobcat Goldthwait because I'm personally not too big of a fan of his stand-up and this was a far departure from it. However, the one thing that I saw as holding the movie back was its climax, which I believed took the right route, but could have been more powerful or had a bit more of a sting to it. Overall, this movie, like Observe and Report released earlier in 2009, won't be for everyone, but it works very well in its own way.