Sex and the City 2
- 2010
- Tous publics
- 2h 26min
Tout en luttant contre les pressions de la vie, de l'amour et du travail à Manhattan, Carrie, Miranda et Charlotte rejoignent Samantha pour un voyage à Abu Dhabi (Emirats arabes unis), où l'... Tout lireTout en luttant contre les pressions de la vie, de l'amour et du travail à Manhattan, Carrie, Miranda et Charlotte rejoignent Samantha pour un voyage à Abu Dhabi (Emirats arabes unis), où l'ex de Samantha tourne un nouveau film.Tout en luttant contre les pressions de la vie, de l'amour et du travail à Manhattan, Carrie, Miranda et Charlotte rejoignent Samantha pour un voyage à Abu Dhabi (Emirats arabes unis), où l'ex de Samantha tourne un nouveau film.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 9 victoires et 9 nominations au total
Avis à la une
Initially, everyone seemed to be in good form – a bit of a cheer when Mr. Big came on screen; gasps and giggles in response to the first few jokes .then uncomfortable silence. My sister squirmed in the seat beside me through the horrible 'I am woman' song. Having visited the Middle East myself (and enjoyed the cultural experience and friendly people; albeit with a different outlook on life) I was pretty appalled at the blatant lack of propriety exercised by the four.
I have to admit when the movie ended, all the women around me turned to each other and said it was 'great' – I don't think we were ready to admit that it was possibly the biggest disappointment ever. My sister and I had planned to talk about the outfits and scenarios after we completely avoided the topic. We had all looked forward to this movie – we couldn't admit to ourselves (never mind anyone else) that it was awful.
To say I loved the original show is an understatement. As I enter my late twenties/early thirties, the reruns are even more relevant. The characters in the show discussed sexuality in a fresh, exciting way. They were women you could look up to – intelligent, confident, self-assured. They bear zero resemblance to the four self-indulgent, disrespectful, two dimensional creatures I had to watch.
I doubt any fan will take my advice and not go – I would have ignored it myself. The movie seems to symbolise everything that has gone wrong lately – by blindly pursuing materialism we lose what's really important. This movie spells that out – and leaves you feeling ashamed for having loved them so much in the first place. Having said that, I watched an episode in the series a night later and realised that, actually, I'm not an idiot – they used to discuss interesting, relevant issues – just in fabulous clothes.
As an aside, I spent an hour with my sister getting all dressed up to go, two hours chatting to her before we watched the horror show and four hours after dancing our socks off. Maybe the fact that was the best part means I have my priorities right after all.
To begin with, the film has a miserable run time. Two hours and thirty minutes may work for a superhero film or LOTR prequel, but who the hell thought it would work for a Comedy about four women? The first film had the almost the same run time, though it was entertaining and it was fun to see the characters do what they did in the second film like struggle with wedding plans and try on dresses. This is jam packed with racist, stereotypical jokes about homosexuals, Jewish people, and Middle Eastern people as well. I'm sure if Prince of Persia didn't steal the subtitle, The Sands of Time, it would belong as the subtitle of SATC2.
The plot is all four women are struggling with their marriages. Carrie (Parker) wants more "sparkle" with her man "Big", Charlotte (Davis) has trouble keeping her two children under control and frets the nanny (Eve) is getting too close to her husband, Miranda (Nixon) is stressed with work and not there for her kid when she needs to be, and Samantha (Cattrall) is still sleeping with the whole town. All knowing their stressed, Samantha books a vacation for the girls to fly in n extreme first class condition to the Middle East where jokes take the route for stereotypical, and the lackluster level plummets straight into the ground.
Its sad to see a once brilliant series take the route of crap, but if it were to keep going on and maintain the same jokes as seen in this, it's better off dead. I said before the first movie was just as long, but interesting to see the characters get into fun mischief and have fun, intelligent talks. In this sequel, an intelligent and interesting talk is hard to come by. Every talk is followed by some bad joke or stupid sexual comment, no talk is perfect in this film.
Overall, the film is mediocre and just a bore. There are some humorous scenes by Carrie and Big, but with a big name like Sex and the City, it should've been extraordinary and have been on many critics "Best of the year" list. Instead it makes the "Worst of the year" list and probably will earn the title "The worst film of the year" by most critics. Wouldn't surprise me if the cameo by Miley Cyrus is nominated for a Razzie Award. Lord knows the film will be too.
Starring: Sarah Jessica Parker, Kim Cattrall, Kristin Davis, Cynthia Nixon, Alice Eve, Chris Noth, John Corbett, David Eigenberg, Evan Handler, Miley Cyrus, Penelope Cruz, Jason Lewis, Lynn Cohen, and Liza Minnelli.
I loved the series, seen every show at least 6-7 times. I thought the first movie was a little disappointing, not very much depth, just wallowing and moping for most of it.
The new movie is just an exercise in self indulgence and complaining about problems that aren't really problems. Charlotte complaining about how hard it is to be her when she has a nanny AND a housekeeper. Miranda complaining that her boss doesn't like her. Carrie complaining that Big puts a TV in the bedroom. Samantha complaining about her hormones. I just kept thinking "are you kidding me?? This passes for dialogue??". That's all in the first 8 minutes and it's just downhill from there. I'm just disgusted.
Best part of the movie? The preview for the new Rachel McAdams film that came on right before it.
My understanding of the show was that, while it did have the wealthy and free of the NYC fashion world as its main characters, it did keep itself connected to reality for the majority of viewers so that, while some of it was big city fantasy, it did still have a realism and wit in regards friendships and relationships that viewers could relate to. There is none of that in this film, instead the characters (themselves living in comfort and wealth) are granted access to a world of extreme luxury that takes them far from reality and makes them pretty unlikeable and patronising for the majority of the time. In terms of plot there is not a lot going on. Each character has their own little thread and mostly they amount to very little since the majority of the time is spent with them enjoying their luxury. There are some smaller moments of potential (Miranda and Charlotte being honest about motherhood with one another) that are good but they are lost in the luxury and the long run time as our characters just run from one glamorous location to another.
Anything that is close to a plot is handled badly whether it be a device or a relationship theme. The loss of Carrie's passport is "put out there" in the middle of the film only to be resolved within seconds and used for a terribly pointless conclusion. Her relationship quandary (about not seeing her husband a few days a week) is nonsense (since she has issues with it the day before jetting off for weeks) and is also discussed in the most patronising way, with Carrie drawing from the example of her private butler having joy in only seeing his wife once a month (missing that he can only do this because he has to work all the time, serving people like Carrie, as opposed to it being a relationship choice). The thing about the nanny goes nowhere and is resolved with a piece of throwaway titillation (excuse the pun) that is as vapid as the character.
Although the majority of viewers will not be offended by it, it has to be said that SaTC2 is an incredibly insensitive film considering where it was made. In principle I have no issue with the "these women are just like us" message but when it is made in as clunky and unrealistic manner as it is in this film then it is hard not to scoff at it. Likewise the constant suggestion that the women of the Middle East are oppressed is badly done and only made worse by having Western "liberation" "celebrated" by having Samantha wearing a revealing outfit, simulate sexual intercourse in a crowd of men heading to morning prayers – I'm really not sure what part of that scene was not designed to cause religious offense.
The cast go with it but outside of the brief moments some of them get to be characters (eg discussing motherhood) none of them do anything of note. Much has been said of Parker's looks that is unfair and irrelevant to the film – her job as an actress is not to physically appeal to the viewer. However, it is hard to overlook this aspect when the film spends so much time troweling her in makeup to the point where she looks ridiculous. Her narration musings are so superficial that her delivery only sounds the same. Cattrall tries to be the Samantha she always was but it doesn't work and the material misses the chance to do anything smart or progressive with her; she is also hurt by having the lions' share of the culturally and religiously insensitive material and having to sell it as her being "right". Davis and Nixon have even less to do than these two, which is a shame because they both come over as the more natural and realistic of the four. The male cast are again mostly plot devices, although I thought that Noth's Big was a better character than normal – although maybe I just felt sorry for his situation here? SaTC2 doesn't have the decency to be a car-crash of a film, the sort of thing that you watch aghast, but nor is it any good whatsoever. It is gaudy, superficial, overlong, offensive, and full of missed potential and bad ideas. Removed from the City of the title and placed into a world of extreme opulence the film also pushes the fantasy so far that it prevents any meaningful connection for the casual viewer (which the show used to be able to do). I doubt that even fans of the show will be happy with this film.
The previous review says it all - but I still feel it necessary to add my two cents.
I, too, was a huge fan of the series...if only because the characters were interesting, and it was so refreshing to listen to realistic female characters discuss taboo topics such as sex.
I forced myself to watch the first movie. That was bad. This one...even worse. The characters have become utterly superficial, materialistic (in a way that's practically nauseating given the current state of the economy) - and completely 2 dimensional. The writing - cartoony and juvenile. Honestly, Carrie's the worst - the way the character acted in the film, I would personally have recommended that Mr. Big file for divorce. (Complaining because he wants to stay home and watch movies together, then forcing him to leave a party--that she dragged him to--early because he had a conversation with another woman?) Jeez.
As for Samantha - that character's gone completely over the top - sex crazed in a way that went way past racy and into plain vulgar.
Combine that with the incongruity of throwing the characters into a completely unrealistic situation (heading to Abu Dahbi?), and then disrespect that they show to Arab culture....well, this movie COULD NOT have been worse. Thank goodness that there's no way they'll make STC3. At least, I really, really hope not. How this ever could have been green lighted for production is totally beyond my comprehension.
Le saviez-vous
- AnecdotesThe dress Carrie wears to dinner when Mr. Big picks her up from her old apartment is the same one she wore when apologizing to Natasha, Mr. Big's ex-wife, for her and Mr. Big's affair in What Goes Around Comes Around (2000).
- GaffesMiranda says that the Arabic word for "yes" is "haanji." It's actually "aiwa" or "na'am"; "haanji" is the Punjabi word for "yes."
- Citations
Samantha Jones: There ought to be a law against hiring a nanny who looks like that.
Carrie Bradshaw: Yeah, the Jude Law.
- Crédits fousThe New Line, HBO and Village Roadshow logos and the film title are studded with rhinestones.
- ConnexionsFeatured in Trailer Failure: Sex and the City 2, Frozen (2010)
- Bandes originalesSex And The City
Written by Douglas J. Cuomo (as Douglas Cuomo)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Chuyện Ấy Là Chuyện Nhỏ 2
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 100 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 95 347 692 $US
- Week-end de sortie aux États-Unis et au Canada
- 31 001 870 $US
- 30 mai 2010
- Montant brut mondial
- 290 745 055 $US
- Durée2 heures 26 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1