Dark House

Solid sound design with good use of surround. The picture looked boring. Very unimaginative story, totally unbelievable and a bit of a mess. Barely acceptable horror film lacking anything engaging. The problem is that they don't understand why people like dark house rides so when they make a film of it they get it wrong.

The filmmakers here have fun with their "Ghost in the Machine" type premise of an evil spirit infecting technology and using it to slaughter their victims, all in very macabre (and digitally created) ways. That's the good thing: they're clearly having a good time, giving their movie a fair bit of energy and pace and going to town with the visual effects and splatter. There's also some dark comedy thrown into this mix, and a surprise or two (there are some jump scares in this that actually work, and that's because they're NOT expected). In the end, one is likely to forget this pretty quickly, but enjoy themselves while the movie plays out.

Meghan Ory stars as Claire, who as a seven year old girl was witness to the massacre of some other children in a foster home. The perpetrator was devoutly religious and over the top, a sadistic foster mother named Mrs. Darrode (Diane Salinger). Now Claire is a teen aged drama student who learns that "house of horrors" creator / showman Walston (Jeffrey Combs, who may provide enough reason to watch for those who otherwise wouldn't bother checking this out) is setting up his latest attraction in that same house. He hires her and her fellow students to interact with his holographic creations; Claire has encouraged her peers to participate because her memories of that traumatic day are still tormenting her, and she wants closure.

I frequently throw out the word "undemanding" in some reviews, because that's pretty much what one often has to be to go with entertainment like this. Some people may find it just too ridiculous, and unbelievable, to get on board, but others will like the cool holograph characters and the grisly (if cartoon like) kill scenes. The actors adequately do what they have to do. Combs plays his part in the appropriately hammy fashion, and is the true highlight of the film. Salinger is an amusing villainess; 80s film buffs may remember her as Simone in "Pee-wee's Big Adventure". Erin Cummings ("Bitch Slap") is foxy reporter Paula, Tom Gulager (the "Feast" series) a mad scientist, R.A. Mihailoff ("Leatherface: Texas Chainsaw Massacre") one of the apparitions, and Don Stark ('That '70s Show') has a small part as a detective.

All in all, this quick and silly romp is agreeable enough to watch.

Six out of 10.

It was a nice idea, and the little twist at the end was a nice touch. However, I could not get past how morosely less than even one-dimensional the characters were, and how laughably rote, non-creative and cliché-ridden the dialogue was during this movie.

The bare outline of the story is intriguing, but the script really was terrible. The acting was either waaaaaaay overdone or shifted from being overdone to underdone and back again. Now, I can forgive such things if the proper atmosphere, suspense and effects are plausibly included. This was not the case with 'Dark House'. I am of the old school, and would rather see authentic make-up and gore effects. I cannot stand CGI effects that look worse than a Playstation 1 game. To this film's credit, it does mix both; however, the absurd CGI effects detracted from this film big-time in my mind.

Skip this one, it isn't so bad it's funny, the death and gore is very average, the 'brief nudity' (if that's your bag) is CGI, and the 'Dark House' looks just like a normal suburban house. It's not what it claims to be or what you think it might be. It's nothing special.

The infamous Darroh (or something similar that almost sounds like dark) House in which seven foster children where brutally murdered 14 years ago, is being reopened as a horror attraction called Dark House. The owner of this horror bonanza (Waltson) hires six actors from an advanced acting class to scare the audiences. One of them, Claire (played by Megan Ory), witnessed the brutal suicide of the children's tormentor and views this new position as a way to bury the demons of the past.

To assist are brave actors, the house works by an advanced hologram system designed to react to fear and excitement. The system gets possessed by the evil ghost of the foster mother and madness ensues. Soon our main protagonist and her friends realize they are locked in with no escape. To makes matters worse these holograms have the power to do real harm. Will they make it out alive?

Overall I believe this movie grades into solid C (C+ maybe). The hologram idea is a little far-fetched, but it creates an interesting movie, not a terrible scary one. The acting is on cue with this type of movie (Including Jeffery Combs from the infamous Re-Animator) and the ending is a surprise, a rarity these days. If your in for something a little more cheesy then Waxwork, give it a gander.

This was really a bad movie on multiple levels. The lead girl in the movie had no believable emotion to go along with a lifeless plot.The sets looked and felt like a stage, the dialog felt like is was being read from a teleprompter and there was "0" character development. The "clever" twist at the end of the film will only leave you frustrated and agitated for even making through the entire film. If your interested in a movie that is similar to this and has been done a bit better I encourage you to check out "Ghost Machine", which is still available on Netflix Instant. It's sad that the people involved in this actually saw this project as worthwhile and something good.