Après avoir bouleversé sa vie dans l'Est, un jeune homme s'échappe dans l'anonymat électrique de Las Vegas.Après avoir bouleversé sa vie dans l'Est, un jeune homme s'échappe dans l'anonymat électrique de Las Vegas.Après avoir bouleversé sa vie dans l'Est, un jeune homme s'échappe dans l'anonymat électrique de Las Vegas.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 17 victoires et 17 nominations au total
Avis à la une
I am not sure what I expected going into the movie (I was asked to be a test audience member two months ago) but it wasn't what I thought, in all really good ways. It's really hard to describe this movie without either giving too much away or giving people the wrong impression, so I think I'll just say it's a really well-done drama about a young man who has a lot of growing up to do, and a bit of a chip on his shoulder, who runs to Las Vegas rather than face his issues at home, only to find and create new issues there.
The film kind of follows him for 6-9 months as he interacts with friends/lovers/colleagues/family, and while he learn a lot about them, the audience learns a lot about him (and wonders if he's actually learning, too). In that way, the film is a lot like Richard Linklater's Beyond trilogy, and I think some reviewers have said that. But I think the other comparison they make, to Paul Thomas Anderson, is better.
Mostly because of the way the film makes all the psychological drama really watchable instead of depressing or boring. The two hours mostly flies by and it does a neat trick because by the end, you realize you had no idea where the movie was going, pretty much at any time, let alone somewhere so powerfully dramatic. I think that made it really satisfying to me. I am glad I didn't assume the end in the first half because the setup was for something else.
I think there will be lots of comparisons to Boogie Nights, but I think that's mostly due to surface similarities. Boogie Nights was bigger, more salcious for show, and wrapped up in a really predictable and old-fashioned way. This does a bunch of stuff I wasn't expecting and treats its characters as unique, not tropes and that's a movie lovers dream, in a way.
In a different review, for a different film, I said you could just watch the acting only and still be ertained, because all the leads were so good. That is 100% true here. The casting on this film, especially for all the main characters or the ones with big moments is incredible. I wouldn't be surprised if any of these new faces break out, but I hope if they do, they don't lose the raw parts of their performances in this film.
I don't usually give 10s, so I gave the film a 9, mostly because it's amazing they made this to this level of quality, on both a limited budget and during the pandemic. Without those challenges, it's obvious this would have been a 10, and that's a pretty big compliment from me. But maybe the more useful compliment is that I spent money to buy a ticket to see it again at a festival tonight when I already got to see it for free!
The film kind of follows him for 6-9 months as he interacts with friends/lovers/colleagues/family, and while he learn a lot about them, the audience learns a lot about him (and wonders if he's actually learning, too). In that way, the film is a lot like Richard Linklater's Beyond trilogy, and I think some reviewers have said that. But I think the other comparison they make, to Paul Thomas Anderson, is better.
Mostly because of the way the film makes all the psychological drama really watchable instead of depressing or boring. The two hours mostly flies by and it does a neat trick because by the end, you realize you had no idea where the movie was going, pretty much at any time, let alone somewhere so powerfully dramatic. I think that made it really satisfying to me. I am glad I didn't assume the end in the first half because the setup was for something else.
I think there will be lots of comparisons to Boogie Nights, but I think that's mostly due to surface similarities. Boogie Nights was bigger, more salcious for show, and wrapped up in a really predictable and old-fashioned way. This does a bunch of stuff I wasn't expecting and treats its characters as unique, not tropes and that's a movie lovers dream, in a way.
In a different review, for a different film, I said you could just watch the acting only and still be ertained, because all the leads were so good. That is 100% true here. The casting on this film, especially for all the main characters or the ones with big moments is incredible. I wouldn't be surprised if any of these new faces break out, but I hope if they do, they don't lose the raw parts of their performances in this film.
I don't usually give 10s, so I gave the film a 9, mostly because it's amazing they made this to this level of quality, on both a limited budget and during the pandemic. Without those challenges, it's obvious this would have been a 10, and that's a pretty big compliment from me. But maybe the more useful compliment is that I spent money to buy a ticket to see it again at a festival tonight when I already got to see it for free!
Everybody in this entire film are full of drama and not able to act it out. The dialogue is plodding. They must have fired the editors to keep the budget low, because there is so much dead space you could collapse a black hole in it. I love gay friendly films, but this is viewer unfriendly. If I wanted to see something sad and depressing, I would just look in the mirror. I watched "High School Musical" today, and it was insipid and silly. Still, it was leagues beyond this tragic, self-absorbed, snooze fest. If you want to paint a sad picture of gay porn websites, you could probably do a documentary that would be better, and more worth watching.
I saw this film at the Las Vegas International Film and Screenwriting Festival on the first night. Like most of the films at these festivals, I hadn't heard of it before and I found the description was intriguing, but vague (intentionally so, when you think about it afterward).
But I am glad I didn't know anything going in. I don't really think any description could describe it, but if I had had it described to me, I might have watched it in with some preconceved notions and assumptions, which as it turns out, is the entire point of the film, or at least a big part of it.
All I know is I spent the next day thinking about it, about the characters, and some of the convos they have with each other. This film is really well acted and the best work is in the quiet back and dorths with each other, which happen in a way that starts the wheels turning in your head It got me thinking about a lot of the ways movies don't do that now and that made me realize how hungry I was for the kind of conversations and characters we see in the film, which is a modest attempt at making a blockbuster Hollywood film, but an A attempt at making an indie like this.
But I am glad I didn't know anything going in. I don't really think any description could describe it, but if I had had it described to me, I might have watched it in with some preconceved notions and assumptions, which as it turns out, is the entire point of the film, or at least a big part of it.
All I know is I spent the next day thinking about it, about the characters, and some of the convos they have with each other. This film is really well acted and the best work is in the quiet back and dorths with each other, which happen in a way that starts the wheels turning in your head It got me thinking about a lot of the ways movies don't do that now and that made me realize how hungry I was for the kind of conversations and characters we see in the film, which is a modest attempt at making a blockbuster Hollywood film, but an A attempt at making an indie like this.
I never write reviews on films, but I felt this was necessary to warn everyone. What a horrible, waste of time movie that was excruciatingly unbearable to the end, in hopes that something good would happen. The bad acting, the bad Soundtrack and stupid story line needs to be announced to future victims of this movie. I can't believe it was even accepted for Production and then, suggested by Amazon prime. I would be embarrassed to show a film of this low caliber. This waste of my time will definitely make me think to check reviews before wasting another two hours of my time. I hope this review will save others from this excruciatingly horrible film.
I thought this was a comedy b/c I'd only seen a funny clip before and got the wrong impression, but this movie blew my mind with how good a drama this is. It's so good! The acting, the writing, the way it looks, and the beautiful messages it sends to the audience. The main character and actor who plays him are really interesting.
Le saviez-vous
- AnecdotesIn the art gallery scene, Tom's pose in the black and white photograph is an homage to photographer Victor Skrebneski's 1991 photograph of David Bowie, taken during a shoot in advance of Bowie's wedding to actress and fashion model Iman. The second featured shot of Tom is posed in a manner reminiscent of the rare 1974 screen print of Bowie found in a shop in the Soho area of London.
- ConnexionsFeatured in Francis McGrath featuring Jon Hacker: Changing Stations (2021)
- Bandes originalesChanging Stations
Written by Francis McGrath and Benjamin Bryant
Performed by Francis McGrath featuring Jon Hacker
Produced by Francis McGrath and Benjamin Bryant
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- How long is Station to Station?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Las Vegas und andere Stationen
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 23 500 $US (estimé)
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