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6,0/10
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MA NOTE
Ajouter une intrigue dans votre langueA young woman who left the year-round holiday party of "Santaville" - where her dad reigns as the resident St. Nick - returns to find her father's business in dire straits.A young woman who left the year-round holiday party of "Santaville" - where her dad reigns as the resident St. Nick - returns to find her father's business in dire straits.A young woman who left the year-round holiday party of "Santaville" - where her dad reigns as the resident St. Nick - returns to find her father's business in dire straits.
- Réalisation
- Scénario
- Casting principal
Candace Cameron Bure
- Holly
- (as Candace Cameron-Bure)
Allan F. Nicholls
- Earl
- (as Allan Nicholls)
Kaily Smith Westbrook
- Brenda
- (as Kaily Smith)
Heather Remick
- Della Wallace nee Hamilton
- (as Heather Geromin Remick)
Taylor Michaels
- Willy
- (as Taylor Ampatiellos)
Gary Boyles
- Office worker
- (non crédité)
Adam Desautels
- Ski Shop Elf
- (non crédité)
Dave Kulvete
- Elf waiter
- (non crédité)
Emily George Lyons
- Willy's Mom
- (non crédité)
Avis à la une
Have liked Hallmark regular Candace Cameron Bure in many other things, primarily Hallmark's festive output, and consider her one of Hallmark's better regular leading ladies. Have been pleasantly surprised by the quality of some of her films as well. Am a lot less of a fan of Tom Arnold, who often has annoying characters that he tends to overdo and tends to be a not very likeable presence in. While loving Christmas and liking a fair share of Hallmark's Christmas films, part of me was expecting the two to not gel at all.
2008's 'Moonlight and Mistletoe' was a very pleasant and welcome surprise. It didn't blow me away and is not one of my favourite ever Christmas films, but expectations were not massive in all honesty for the film and it was to my relief that it turned out much better than expected and among the best of Hallmark's 2008 Christmas films. There are a lot of good things about 'Moonlight and Mistletoe' and what sounded like they would be problems were not problems at all.
'Moonlight and Mistletoe' isn't perfect. The story does have some too easy and over too quickly conveniences in the latter stretches that felt forced and pat. There is conflict with the misunderstandings but it is forced and rushed again, not unusual for Hallmark.
While the characters generally didn't bore or annoy me, part of me felt like there could have been more development to them. A couple, including Nick, seemed too perfect from the start or too prematurely in alternative to going on a character journey that sees growth. The latter of which being the case with Bure. Barbara Niven overdoes her role and her character was over the top annoying.
A lot is great here however. Bure is immensely charming and her likeability is difficult to resist. The biggest surprise of 'Moonlight and Mistletoe' was seeing how good Arnold is, he is surprisingly very likeable and sympathetic here and not irritating at all. One of his better performances in a long time in my view. The chemistry between the two was another welcome surprise, that sounded like too much of a gross mismatch because of the two different acting styles and character personalities but there is a real warmth between the two and their attraction is believable.
The production values still manage to be pleasing. It's not too drab or garish in photography, the editing didn't seem rushed or disorganised and the scenery has a real charm to it. Some of the music has some pleasant nostalgic moments. Dialogue isn't stilted and doesn't go too heavy on the cheese or schmaltz. While the story was problematic, it was not a disaster by any stretch. Is light-hearted and really warms the heart without going into over-saccharine territory despite being familiar territory in tropes and thematically
Despite not being mind-blowing this surprised me in a good way. Definitely worth seeing. 7/10.
2008's 'Moonlight and Mistletoe' was a very pleasant and welcome surprise. It didn't blow me away and is not one of my favourite ever Christmas films, but expectations were not massive in all honesty for the film and it was to my relief that it turned out much better than expected and among the best of Hallmark's 2008 Christmas films. There are a lot of good things about 'Moonlight and Mistletoe' and what sounded like they would be problems were not problems at all.
'Moonlight and Mistletoe' isn't perfect. The story does have some too easy and over too quickly conveniences in the latter stretches that felt forced and pat. There is conflict with the misunderstandings but it is forced and rushed again, not unusual for Hallmark.
While the characters generally didn't bore or annoy me, part of me felt like there could have been more development to them. A couple, including Nick, seemed too perfect from the start or too prematurely in alternative to going on a character journey that sees growth. The latter of which being the case with Bure. Barbara Niven overdoes her role and her character was over the top annoying.
A lot is great here however. Bure is immensely charming and her likeability is difficult to resist. The biggest surprise of 'Moonlight and Mistletoe' was seeing how good Arnold is, he is surprisingly very likeable and sympathetic here and not irritating at all. One of his better performances in a long time in my view. The chemistry between the two was another welcome surprise, that sounded like too much of a gross mismatch because of the two different acting styles and character personalities but there is a real warmth between the two and their attraction is believable.
The production values still manage to be pleasing. It's not too drab or garish in photography, the editing didn't seem rushed or disorganised and the scenery has a real charm to it. Some of the music has some pleasant nostalgic moments. Dialogue isn't stilted and doesn't go too heavy on the cheese or schmaltz. While the story was problematic, it was not a disaster by any stretch. Is light-hearted and really warms the heart without going into over-saccharine territory despite being familiar territory in tropes and thematically
Despite not being mind-blowing this surprised me in a good way. Definitely worth seeing. 7/10.
Overall, a pretty good story for a Christmas season diversion. A year round Santa's village type place is suffering budget problems, and nearing bankruptcy. Tom Arnold stars as the owner/operator of the sentimental amusement center, but his dedication and festive spirit are not matched by any business sense. The place has fallen from better times, and is now nearing extinction through bankruptcy or sale.
Tom Arnold is usually an annoyance in any movie he appears, but he was pretty good this time out. He plays Nick as confused and frustrated yet faithful to his dream. Nick feels lost, as the world doesn't seem to care about this Arctic fantasy wonderland any more, even though several locals express fond memories of the once popular resort. He maintains that childlike hope that the crowds will soon return. To him, the era of this magical place is not over; it never will be over.
Enter Nick's daughter, a shrewd businessperson, who Nick fools into returning to her home town. She thinks she's there to tend to her ailing father. The only thing that's sick is the business, with thousand of dollars worth of unpaid debts, and creditors closing in. The shrewd businesswoman relies more on a sentimental approach, appealing to people to rally together to save the landmark institution. The sparks over their different approaches to Santaland, and a mysterious visitor to the town who woos Nick's daughter, provide for the main conflicts.
Some events seem just a bit too convenient for the story, but with enough Christmas spirit like Nick has, the movie works. Acting and direction are up to par for this style of movie. There's a nice spirit and message to it, and plenty of heart.
Tom Arnold is usually an annoyance in any movie he appears, but he was pretty good this time out. He plays Nick as confused and frustrated yet faithful to his dream. Nick feels lost, as the world doesn't seem to care about this Arctic fantasy wonderland any more, even though several locals express fond memories of the once popular resort. He maintains that childlike hope that the crowds will soon return. To him, the era of this magical place is not over; it never will be over.
Enter Nick's daughter, a shrewd businessperson, who Nick fools into returning to her home town. She thinks she's there to tend to her ailing father. The only thing that's sick is the business, with thousand of dollars worth of unpaid debts, and creditors closing in. The shrewd businesswoman relies more on a sentimental approach, appealing to people to rally together to save the landmark institution. The sparks over their different approaches to Santaland, and a mysterious visitor to the town who woos Nick's daughter, provide for the main conflicts.
Some events seem just a bit too convenient for the story, but with enough Christmas spirit like Nick has, the movie works. Acting and direction are up to par for this style of movie. There's a nice spirit and message to it, and plenty of heart.
A great film for the holidays. It follows a formula but the package works well. Characters develop and become very familiar. Picturesque setting with all the classic elements of a Christmas film. Good guy, bad guy, goal to keep the pace. You want everything to work out. Wholesome and charming. Great family movie.
I'm afraid I find the performances in this drama about a man who runs a 365-day-a-year Santa Claus Village that is about to go under (Tom Arnold) and his daughter who moved away (Candace Cameron Bure) rather poor. Tom Arnold is clueless and nasal until the plot calls for a bit of warmth and Miss Bure, while very pretty, is shrill.The other actors are good, but their roles seem to be matters of revealing the secrets that made them come to Santaville for some warm fuzzy moments. In fact, that seems to be the entire set-up of this movie: conflict, then warm fuzzy moment, and the performances make it all seem very calculated.
Even the camera work supports this: consider, if you will, the scene where Tom Arnold and Candace Cameron Bure finally bond. The are sitting at the dining room table, going over his mementos of his dead wife. Instead of shooting it in an extended two-shot, which would have been more difficult to achieve and hence more expensive, but more effective, it is shot in a series of close-up reaction shots: basically, instead of two people together, it winds up two people apart. Using a yellow light for atmosphere does not make up for missed opportunities in the service of a small budget, alas.
Even the camera work supports this: consider, if you will, the scene where Tom Arnold and Candace Cameron Bure finally bond. The are sitting at the dining room table, going over his mementos of his dead wife. Instead of shooting it in an extended two-shot, which would have been more difficult to achieve and hence more expensive, but more effective, it is shot in a series of close-up reaction shots: basically, instead of two people together, it winds up two people apart. Using a yellow light for atmosphere does not make up for missed opportunities in the service of a small budget, alas.
Candace cameron bure and Tom arnold really overact not good way either.not a fan of either one she is so arrogant self absorbed
Le saviez-vous
- AnecdotesThis was Candace Cameron Bure's first Hallmark Christmas movie.
- GaffesWhen Holly gets into Peter's truck she asks him his name and he replies Peter Lowdel; in the final scene she introduces Peter to Mr. Jennings as Peter Lowell.
- ConnexionsReferenced in It Takes Two: Christmas Contracts (2021)
- Bandes originalesJingle Bells
Written by James Pierpont (uncredited)
Arrangement by Lawrence Shragge (uncredited)
Performed by Debbie Kee
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Moonlight & Mistletoe
- Lieux de tournage
- Sociétés de production
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By what name was La Ville du père Noël (2008) officially released in Canada in English?
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