La Ville du père Noël

I thought it was a clean movie and I sat down with my kids to watch it. We enjoyed it very much. Candace still looks as beautiful as ever and my 13 year old has a crush on her. I didn't have to cover the kids ears or eyes during the movie. Thank you. I thought the story line was overall a 10 very sensitive and adorable. The sweetness of the romance moved me. I wish we had a Santa town like that it would be fun. Traditions are fun specially when it brings the family together. Hardships are displayed here as another way to get them working together for the same cause. The villain did a great job too. There is such a reality to that. So many schemers waiting out there to take your money.Great movie.

Overall, a pretty good story for a Christmas season diversion. A year round Santa's village type place is suffering budget problems, and nearing bankruptcy. Tom Arnold stars as the owner/operator of the sentimental amusement center, but his dedication and festive spirit are not matched by any business sense. The place has fallen from better times, and is now nearing extinction through bankruptcy or sale.

Tom Arnold is usually an annoyance in any movie he appears, but he was pretty good this time out. He plays Nick as confused and frustrated yet faithful to his dream. Nick feels lost, as the world doesn't seem to care about this Arctic fantasy wonderland any more, even though several locals express fond memories of the once popular resort. He maintains that childlike hope that the crowds will soon return. To him, the era of this magical place is not over; it never will be over.

Enter Nick's daughter, a shrewd businessperson, who Nick fools into returning to her home town. She thinks she's there to tend to her ailing father. The only thing that's sick is the business, with thousand of dollars worth of unpaid debts, and creditors closing in. The shrewd businesswoman relies more on a sentimental approach, appealing to people to rally together to save the landmark institution. The sparks over their different approaches to Santaland, and a mysterious visitor to the town who woos Nick's daughter, provide for the main conflicts.

Some events seem just a bit too convenient for the story, but with enough Christmas spirit like Nick has, the movie works. Acting and direction are up to par for this style of movie. There's a nice spirit and message to it, and plenty of heart.

This is a fairly run of the mill story for Christmas. Candace Cameron-Bure as Holly scrambles when she finds out her dad has failed to manage Santaville, the family business, and the debt is huge.

I thought that Holly changed her tune about Santaville a little too quickly from - I want nothing to do with that place I grew up unnoticed by my father; to - I have to save MY home.

There was barely any screen time for the romance. There wasn't much in the usual stock of Christmas nostalgia besides Santa and lighting the tree.

The story is pretty much predictable from early on. The acting is decent.

(Since I watched Christmas Land first, I didn't realize how blatantly Christmas Land stole its plot from this movie only the ending was more insulting than this one.)

"You can never be too busy for Christmas." Another formulaic story but does it work? Eh, so so. This made-for-TV movie from the Hallmark Channel stars Candace Cameron Bure (D.J. Tanner in Full House) and the usually entertaining Tom Arnold. She stinks but he's great and really brings true charm and Christmas warmth to the screen. Great location in Chester, Vermont -- that's the name of the town it takes in and the name of the town where it was filmed which is different from so many movies where a fictional name is used. Overall, not a terrible Christmas movie but nothing special.

5.5 / 10 stars

--Zoooma, a Kat Pirate Screener

I'm afraid I find the performances in this drama about a man who runs a 365-day-a-year Santa Claus Village that is about to go under (Tom Arnold) and his daughter who moved away (Candace Cameron Bure) rather poor. Tom Arnold is clueless and nasal until the plot calls for a bit of warmth and Miss Bure, while very pretty, is shrill.The other actors are good, but their roles seem to be matters of revealing the secrets that made them come to Santaville for some warm fuzzy moments. In fact, that seems to be the entire set-up of this movie: conflict, then warm fuzzy moment, and the performances make it all seem very calculated.

Even the camera work supports this: consider, if you will, the scene where Tom Arnold and Candace Cameron Bure finally bond. The are sitting at the dining room table, going over his mementos of his dead wife. Instead of shooting it in an extended two-shot, which would have been more difficult to achieve and hence more expensive, but more effective, it is shot in a series of close-up reaction shots: basically, instead of two people together, it winds up two people apart. Using a yellow light for atmosphere does not make up for missed opportunities in the service of a small budget, alas.