Un écrivain loufoque vivant à Brooklyn s'improvise détective privéUn écrivain loufoque vivant à Brooklyn s'improvise détective privéUn écrivain loufoque vivant à Brooklyn s'improvise détective privé
- Récompensé par 1 Primetime Emmy
- 1 victoire et 6 nominations au total
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I truly think that this is very much a good representative of the term "all things to all people".
This has the hoity pretension of the Wes Anderson (et al) movies, endearing observation of 90s (popular) stand-up, and a delivery that is just straight up charming. Plus an accessibility that even an Airplane fan like me would be able to click in to (if that were the only style I were in to).
Whilst it could very easily veer in to the pretentious crowd (and with Schwartzman that's sometimes difficult to tell, because of his on-screen manner), it always stays on song. It's very accessible, and hilarious. It's not just the clever jokes, the in jokes and the observations (woven in to the characters) there's also a health dose of (very) old school slapstick I think. Hell, it even manages to catch the stoner crowd.
It could be thought of as being too male centric, well, apart from that being slightly the point it's never testosterone city, and it might feel token if a female point of view were added. But if it were, what a view it might be.
This has the hoity pretension of the Wes Anderson (et al) movies, endearing observation of 90s (popular) stand-up, and a delivery that is just straight up charming. Plus an accessibility that even an Airplane fan like me would be able to click in to (if that were the only style I were in to).
Whilst it could very easily veer in to the pretentious crowd (and with Schwartzman that's sometimes difficult to tell, because of his on-screen manner), it always stays on song. It's very accessible, and hilarious. It's not just the clever jokes, the in jokes and the observations (woven in to the characters) there's also a health dose of (very) old school slapstick I think. Hell, it even manages to catch the stoner crowd.
It could be thought of as being too male centric, well, apart from that being slightly the point it's never testosterone city, and it might feel token if a female point of view were added. But if it were, what a view it might be.
I've only seen 4 episodes, but think the show is excellent. The subtle and not-so-subtle lines are hysterical. I love the humor in "Flight of the Concords" but think that this show will be more accessible to a larger audience.
All of the actors, Ted Danson in particular, give depth and nuance to the characters they play. The entire cast use their bodies, from face to feet, to express their over-the-top characters. The script is intelligent, farcical and just plain fun and all of it is enhanced by the camera work and direction.
I am rationing the remaining episodes or I'll devour them in one day and have to wait for HBO's interminable next season!
All of the actors, Ted Danson in particular, give depth and nuance to the characters they play. The entire cast use their bodies, from face to feet, to express their over-the-top characters. The script is intelligent, farcical and just plain fun and all of it is enhanced by the camera work and direction.
I am rationing the remaining episodes or I'll devour them in one day and have to wait for HBO's interminable next season!
10bowier17
Bored to Death is completely unlike any other programs on at the moment, and its unique qualities, well-played characters and sometimes ridiculous plots have completely absorbed me ever since the first series. Jonathan Ames, played by Jason Schwartzman, is a heartbroken and muse-less novelist who decides to become a private investigator. His "cases" are more often than not seemingly run-of-the-mill, but when the bumbling pothead cartoonist Ray Hueston and the sartorial silver fox George Christopher become involved the plots rapidly become bizarre and hilarious.
The highlight of the show is the well-crafted and aptly played characters facing these absurd situations. Ted Danson excels in playing George Christopher, creating an insightful and comic guide for Jonathan Ames. Many of my favourite moments and lines involve George and his insatiable desire for weed, liquor and beautiful women. Ray Hueston is Jonathan Ames' "side-kick" - a down-and-out cartoonist trying to succeed with his comics about "Super-Ray"; a superhero costumed version of himself equipped with a 9-foot long penis. Madly in love with his girlfriend, his rather cringe failings as a boyfriend are very funny. I am not so impressed by Jonathan Ames as a character though, as he is quite vapid and not often particularly funny. On the other hand, this absence of a fleshed-out subconscious to Jonathan is possibly the director's choice to push more focus on the other characters.
The writing is also incredible. Dialogue isn't exactly believable, as these caricatures are all overly witty, cultured and dramatic, but it makes me laugh all the more. The deep friendship between Jonathan and George seems to be based on a father-figure relationship that is strange, funny and at times heart warming as the characters go through slightly more serious times in the 2nd and 3rd series. Most of all, a show about 3 fully grown adults in the cultural sector smoking weed, drinking all the time and going on some crazy adventures just sounds awesome.
The highlight of the show is the well-crafted and aptly played characters facing these absurd situations. Ted Danson excels in playing George Christopher, creating an insightful and comic guide for Jonathan Ames. Many of my favourite moments and lines involve George and his insatiable desire for weed, liquor and beautiful women. Ray Hueston is Jonathan Ames' "side-kick" - a down-and-out cartoonist trying to succeed with his comics about "Super-Ray"; a superhero costumed version of himself equipped with a 9-foot long penis. Madly in love with his girlfriend, his rather cringe failings as a boyfriend are very funny. I am not so impressed by Jonathan Ames as a character though, as he is quite vapid and not often particularly funny. On the other hand, this absence of a fleshed-out subconscious to Jonathan is possibly the director's choice to push more focus on the other characters.
The writing is also incredible. Dialogue isn't exactly believable, as these caricatures are all overly witty, cultured and dramatic, but it makes me laugh all the more. The deep friendship between Jonathan and George seems to be based on a father-figure relationship that is strange, funny and at times heart warming as the characters go through slightly more serious times in the 2nd and 3rd series. Most of all, a show about 3 fully grown adults in the cultural sector smoking weed, drinking all the time and going on some crazy adventures just sounds awesome.
The story is very straight forward from the beginning, and has elements of a "fish out of water" character trying to be something he is not.
It would be close to impossible not to love the cast, and they do a great job with what they are given. By that, I mean that the jokes that fall flat are not due to poor acting, they were lazy, stereotypical jokes to begin with.
Still, I enjoyed this, and re-watch it every few years for a chuckle. I'd recommend it if you like the Woody Allen, fumbling, New York kind of comedy, so it's not for everyone.
It would be close to impossible not to love the cast, and they do a great job with what they are given. By that, I mean that the jokes that fall flat are not due to poor acting, they were lazy, stereotypical jokes to begin with.
Still, I enjoyed this, and re-watch it every few years for a chuckle. I'd recommend it if you like the Woody Allen, fumbling, New York kind of comedy, so it's not for everyone.
When I first heard of this show, I sort of shrugged it off, more excited for the new season of 'Big Love' and the new mini-series 'The Pacific' that HBO had to offer me. And then, one day, I started to watch. This show is absolutely hilarious and well done. Jason Schwartzman, Ted Danson, and Zach Galifianakis are all amazing here. It takes the classic detective story, puts it in a martini shaker with modern day, and serves you one satisfying experience. Each characters antics and flaws are hilarious and endearing, and as messed up as they each are, you can't help but adore them. Hopefully, HBO will renew it for a second season, as I was left impressed with the first. This is definitely not a show to miss.
Le saviez-vous
- AnecdotesLead actor Jason Schwartzman's band (Coconut Records) created the "Bored to Death" opening theme song.
- GaffesOn the last page of text in the intro, on the fourth line, there is a grammatical error. It reads: "... she would have been smart and gotten far away New York." but it should read: "...she would have been smart and gotten far away from New York."
- Citations
Leah: That's a big word for you, you read it in one of your Comic Books?
Ray Hueston: No, I read it in my diary.
- ConnexionsFeatured in The Wright Stuff: Épisode #15.55 (2011)
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- How many seasons does Bored to Death have?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Нудно до смерті
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 30min
- Couleur
- Mixage
- Rapport de forme
- 16:9 HD
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