L'histoire de deux hommes aux côtés différents d'une émeute en prison - le détenu menant la rébellion et la jeune garde piégée dans la révolte, qui se fait passer pour un prisonnier dans une... Tout lireL'histoire de deux hommes aux côtés différents d'une émeute en prison - le détenu menant la rébellion et la jeune garde piégée dans la révolte, qui se fait passer pour un prisonnier dans une tentative désespérée de survivre à cette épreuve.L'histoire de deux hommes aux côtés différents d'une émeute en prison - le détenu menant la rébellion et la jeune garde piégée dans la révolte, qui se fait passer pour un prisonnier dans une tentative désespérée de survivre à cette épreuve.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 44 victoires et 28 nominations au total
Avis à la une
This exciting picture results to be an intense thriller that packs tension , straightforward intrigue , sober drama, and lots of violence . The film contains thrills and chills and is quite entertaining because being a laborious and intriguing suspense tale full of twists and turns . In the picture there are violence , drama , tension and a little bit of action in the final confrontation . The story contains a statement about inmate's mistreating , despair , betrayal and a strong criticism of the ruling class, unable to control a dangerous situation . Most part of the movie takes place into four walls of the jail involving and executing the preparatives of strict conditions demanded by the inmates . Highlighting the newcomer actor Alberto Ammann , giving a lesson in how he is able to withstand the weight of the flick and stand up to a great actor like Luis Tosar , making a memorable work as dreaded Malamadre , without falling into the prison movie clichés . Furthermore , an excellent support cast as the nasty informer Carlos Bardem (Juan Bardem's brother) and Antonio Resines as sadist and corrupt warden who uses unthinkable brutality . This is a perfectly realized and superbly crafted film .
Interesting and thrilling screenplay by Jorge Guerricaechevarria (Eloy De Iglesia's usual screenwriter) though full of offensive stereotypes and not faithful to deeds . Appropriate cinematography by Carlos Gusi (Torrente, Box 507) who photographs splendidly the cold interiors from Zamora prison . Adequate and atmospheric musical score by Roque Baños (Fragiles, Machinist, Sexy beast, 800 bullets). The motion picture was stunningly directed by Daniel Monzon , a former cinema reviewer , he undertakes a skill and fascinating filmmaking with some sensationalist touch though is also intensely manipulative against prison guards ; this is his main big success . He previously directed fantasy (Heart of warrior) , comedy (Biggest robbery never told) and suspense (The Kovak box). Rating : Good , better than average. The film will appeal to prison genre buffs and Luis Tosar fans.
Fiercely tense with a cracking pace, an edgy sense of urgency and some ugly scenes of brutality, it's also got some great and believable performances as well as some rather poignant scenes, as bonds are made between prisoners and our protagonist gets to see things from their perspective.
Yet the last thing Cell 211 is is generic. It has some refreshingly genuine left field unexpected twists and developments that keep you pretty much hooked, from its attention grabbing opening scene to its blistering conclusion. It also does a great job of keeping you in suspense as to whether or not our protagonist will be discovered, with the viewer left under no illusions what will happen to him if he is.
It's also got some very decent production values and mercifully refrains from that awful jump cut editing during the more chaotic prison scenes.
But best of all is its sheer unpredictability as trust me- after the hour mark, you really won't be sure how things are gonna turn out and will be hooked all the more.
Overall a great film and highly highly recommended. See it now, you'll be glad you did. 9/10, Sheer class from Spain.
So so. It's been a long time, when i last time saw a film about prisons. Maybe it was "The Shawshank Redemption", i truly can't remember. I think, there isn't much films these days about "true" prison life (i still didn't saw "Un prophète"). Now, the thing i want to say is that i can't remember any other "prison" movie, except "The Shawshank Redemption" and "Midnight Express",but now, i'll always remember "Celda 211" (Cell 211-international title). This film goes "straight to the bone". Really great cinematography, excellent job by director (two thumbs up to Daniel Monzón), unbelievable acting - still can't believe that these guys aren't real prisoners. This film has it all. The only reason i saw this film, is that i watched "Agora", another great film from Spain, and was really surprised, when i heard, that "Agora" was overwhelmed at Goya Awards by some "prison drama". Now i can say, that "Celda 211" is the best film from Europe in long time - and i don't say this very often.
Go and watch this film, You won't be regretting.
Gran película and bravo to Spain!
This is a story of a prison guard, Juan Oliver (played by Alberto A) who decided to go to work one day before he actually begins to 'make an impression'. What awaits him later is a riot, which forced him to be locked in Cell 211 after suffering an injury to his head. He knows the only way to live is to be one of them, and so he acted as an inmate. But until when can he keep it to himself? He has to make peace with the rest of the inmates and gain the trust of their 'leader' Malamadre (played by Luis Tosar) as they take hostage of high profile, terrorist-prisoners. He later learns an ugly news of his pregnant wife outside prison and his life is never the same again.
This movie plays around the humanity of man and how corruption and distrust can affect a man's freedom and ultimately, his life. There were moments in the show. Obviously, the prison riot. The police riot scene later was well delivered straight to its core, which led to the falling domino pieces in the movie. The turning point of Juan's character was when he received the news about his wife. Fine acting by all the cast with amazing characterization, awesome cinematography and directing at every scene!
The development of the plot is great, at points where it creates suspense left me on the edge of my seat. The blossoming relationship between Juan and Malamadre is well crafted, and believable- that i don't see in many other movies these days. It felt like Caesar in Rise of the Planet of the Apes.
Walking out the cinema, i was left to ponder at many questions with respect to the show. Why was Juan left in Cell 211 at the first place? As if a curse is cast to the cell. It will be interesting to watch the Hollywood remake of the movie in two years time and i hope it does remain to its authenticity. Definitely award-worthy, it accentuates prison drama at its best- pulling heartstrings despite its violence and vulgar language.
My cinematic experience has truly broadened. And i am sure yours will too after watching this movie.
Great idea for a movie, apparently the Yanks are going to remake it.
I think that will be good too, if they polish this movie up well, it will be even better.
New scariest movie prison dude ever in the halfwit enforcer.
Fair bit of action, pretty tense at times, even the wife or girlfriend will enjoy it as it's very easy to follow, even with the subtitles.
Not for kids, but there is nothing in here teenagers haven't seen before.
Got to fill in some more lines ffs. Is that enough?
Le saviez-vous
- AnecdotesThe movie is dedicated to Luis Ángel Puente, a fireman of the city of Zamora (Spain) where the film is located. He participated in the film and died rescuing two boys in the Duero river shortly after.
- GaffesWhen the minister is heading to the prison, the car he is driven in is shown as an Audi A6 (1997) from the front, when arriving to the prison the car is shown from behind, but this is an Audi A8 (2005) model.
- Citations
Malamadre: So the guards beat you up your first day. You must have pissed them off.
Juan Oliver: I do my best.
- ConnexionsFeatured in WatchMojo: Top 10 Spanish Language Movies (2016)
Meilleurs choix
- How long is Cell 211?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Celda 211
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 500 000 € (estimé)
- Montant brut mondial
- 19 305 314 $US
- Durée1 heure 53 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1