How to Make Love to a Woman

I just finished watching the movie, but it only got on my nerves. There might have been a good plot there somewhere, but the acting just wasn't genuine and the characters not believable at all.

It doesn't have to be exaggerated to make it funny; genuine, believable characters with their quirks can make a movie very amusing, but this general helplessness and the characters' constant shifting in their decisions was neither believable nor enjoyable.

The only clever and entertaining part in my opinion were the split-screen discussions about how to please a woman, for that the movie gets a 2 from me.

Ignore the two glowing reviews from studio plants. This movie is horrible. It isn't funny or provocative, just boring and predictable.

Josh Meyers isn't funny. Kristen Ritter is hot but not funny. Ian Somerhalder is some sort of masturbatory fantasy for the gay and cat lady community. He also isn't funny.

I've never seem Lindsay Richards in anything, but she is pretty hot, and from Texas. But not funny. So to recap, this movie is not funny or entertaining. So if you are looking to spend more than an hour not laughing at something, this is for you. If you have lost your cable or satellite feeds and are tired of watching static, this movie is for you.

The plot of romantic comedies are never their strong suit but this movie didn't offer a single interesting or creative approach to the tired old formula (boy-meets-girl, boy-gets-girl, happy-couple-time, trouble-in-paradise, break-up to make-up, airport scene). Most romantic comedies work because the characters can be identified with and viewers care about them enough to look past the poor plot. Throw in some funny lines and comedy and your movie "works". This movie isn't funny and the main character isn't well written. Seems to be an emotional and mental 12 year old in a grown man's body. The acting doesn't help either.

All in all the movie was so bad that I lost interest in the characters and the story. I spend my time getting frustrated over the very very poor focusing of the camera. A shallow depth of field with characters apparently moving so fast that the focus can't follow. Dialogues where the focus can't keep track with the character that is talking. Before the person who's talking is in focus, the next guy is already talking. Scenes where the focus between different takes is obviously not the same (Somerhalder in the Italian restaurant scene). One shot of the scene is sharp, the next shot is soft. When they're on the beach I spent my time looking into the reflection of Byrd's sunglasses where I could clearly see the guy holding the reflector. That is some really horrible stuff.

Oh my. This movie is so stale I felt compelled to register so I could post a warning to anyone above an 85 IQ. Cliché, another cliché, yet another cliché. The best part was the somewhat clever opening credits score. Most comedies open with something funny. This is the one cliché the movie left out! If you like watching average comedians perform below average, this is your movie. That's all to say but I cannot post without ten lines. So don't read anymore, I'm just trying to make it to ten lines because spending any more time writing about this awful and insulting movie is a waste of my time at this point. I hope that's at least ten lines.

This movie was too awful that i felt compelled to warn my fellow human beings to STAY AWAY from such a disaster. Let me put it this way, if you ever want to upset your partner using a movie, this is the movie for you. The cast is a D-list ensemble cast and the script honestly reminds me of my middle school creative writing class. It is completely cliché with the split screen "mokumentary" been the only mediocre aspect of the movie. The lead actor is as believable as my unborn child. Also, the movie has the tendency to keep you frowning as it went on. The characters' indecisiveness is simply annoying.In general, the only reason you should watch this movie is if your mother's life depended on it. Credit nevertheless to Ken Jeong, his style of comedy never goes wrong.