Yin mi de jiao luo
- Série télévisée
- 2020
- 50min
NOTE IMDb
8,1/10
1,7 k
MA NOTE
Trois enfants qui filment involontairement une scène de meurtre. Au fur et à mesure qu'ils rencontrent le suspect, une affaire bien plus compliquée qu'il n'y paraît s'ouvre à eux et entraîne... Tout lireTrois enfants qui filment involontairement une scène de meurtre. Au fur et à mesure qu'ils rencontrent le suspect, une affaire bien plus compliquée qu'il n'y paraît s'ouvre à eux et entraîne plusieurs familles dans un dénouement.Trois enfants qui filment involontairement une scène de meurtre. Au fur et à mesure qu'ils rencontrent le suspect, une affaire bien plus compliquée qu'il n'y paraît s'ouvre à eux et entraîne plusieurs familles dans un dénouement.
- Récompenses
- 34 victoires et 24 nominations au total
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It's a fascinating and intricate story centred around three children from poor families in southern China. The production values are high. The three young actors do a great job as they navigate the many complexities of the real world: educational pressure, marital bliss, financial and health crises. There are no easy choices between right and wrong.
Unfortunately - as other have commented - the editing and storyline drop inexplicably in the last three episodes. I'd happily watch it again in a few years time as the characters and themes were so endearing, but I'd hesitate to recommend it to anyone because of the mangled ending. Perhaps the producers ran out of time or money.
Unfortunately - as other have commented - the editing and storyline drop inexplicably in the last three episodes. I'd happily watch it again in a few years time as the characters and themes were so endearing, but I'd hesitate to recommend it to anyone because of the mangled ending. Perhaps the producers ran out of time or money.
Which actually dives into archetypal children's behaviours, and the consequences of the adults around them never growing up and never fixing themselves.
The deaths are very well thought out and placed, and the fact nobody cares about them only serves to highlight something that everyone knows but is afraid to admit to - when was the last time you actually knew about your neighbours, talked to them or got interested about what was happening in their lives?
The answer is probably - "Never", and is the same answer which is to be given in place of most parents who're too "busy", too overworked, or too traumatized themselves with their childhood traumas to get interested or to understand what's really happening in their children's lives.
I highly recommend this drama, along with other recent Chinese productions.
The deaths are very well thought out and placed, and the fact nobody cares about them only serves to highlight something that everyone knows but is afraid to admit to - when was the last time you actually knew about your neighbours, talked to them or got interested about what was happening in their lives?
The answer is probably - "Never", and is the same answer which is to be given in place of most parents who're too "busy", too overworked, or too traumatized themselves with their childhood traumas to get interested or to understand what's really happening in their children's lives.
I highly recommend this drama, along with other recent Chinese productions.
Nevertheless as a student of Chinese I persevered to the end, 12 sessions. Lots of technical flaws, and an unbelievable plot. Acting of the three central characters, teenagers/children pretty convincing in frankly silly situations.
Cinematography and settings are pretty good, but the succession of deaths and murders and lack of involvement of the police were too much of a stretch of the imagination. Yet I enjoyed some of the family relationship portrayals, and the grey mean streets and quarters and dockyards.
The series was notably lacking in smiles and humour and similarly grey in setting and tone, but a special commendation goes to the actor who portrayed Pupu, a professional performance for one so young.
Definitely not recommended unless you are a Chinese language study freak (as I am)
Cinematography and settings are pretty good, but the succession of deaths and murders and lack of involvement of the police were too much of a stretch of the imagination. Yet I enjoyed some of the family relationship portrayals, and the grey mean streets and quarters and dockyards.
The series was notably lacking in smiles and humour and similarly grey in setting and tone, but a special commendation goes to the actor who portrayed Pupu, a professional performance for one so young.
Definitely not recommended unless you are a Chinese language study freak (as I am)
Def one of the best serials and I literally registered my freaking IMDb account just for reviewing this fascinating serials. It presented delicate plots which conducted by 15-year-old kids and every frame of the serials indicated dedicated work provided by the director. I would say this is one of the best serials of the 2020! I mean, just watch it, or you would never know what you are missing!!
Based on all the forum recommendations and hype (I read that Zhang Ziyi said this was a Chinese series that could finally match the quality of Western dramas), I decided to give this a go.
The first episode was excellent, but from then onwards, everything just got worse to the point where calling this series terrible would not be an understatement.
This drama had a mediocre script, inconsistent acting, extremely unrealistic scenes, too many 'convenient (or just plain lazy) coincidences' used to further the plot, horrible flow/sequence of events and an ending that felt like the director just gave up on the project and wanted to hurriedly conclude everything.
I have never felt so furious before, after finishing watching a TV series. Maybe it was the high expectations. It really felt like the director had zero respect for his audiences. The lose ends were just so 'in your face' that they are completely inexcusable.
The director should really go back to school and put in more effort in terms of preventing laughable lose ends, making the plot/storyline/acting more believable, studying character development, improving script selection/writing and perhaps learning how to present a proper flow/sequence of events. Basically learn how to actually direct a show.
All in, this drama is in no way watchable and not recommended at all. I really hope to see a quality Chinese drama one day.
The first episode was excellent, but from then onwards, everything just got worse to the point where calling this series terrible would not be an understatement.
This drama had a mediocre script, inconsistent acting, extremely unrealistic scenes, too many 'convenient (or just plain lazy) coincidences' used to further the plot, horrible flow/sequence of events and an ending that felt like the director just gave up on the project and wanted to hurriedly conclude everything.
I have never felt so furious before, after finishing watching a TV series. Maybe it was the high expectations. It really felt like the director had zero respect for his audiences. The lose ends were just so 'in your face' that they are completely inexcusable.
The director should really go back to school and put in more effort in terms of preventing laughable lose ends, making the plot/storyline/acting more believable, studying character development, improving script selection/writing and perhaps learning how to present a proper flow/sequence of events. Basically learn how to actually direct a show.
All in, this drama is in no way watchable and not recommended at all. I really hope to see a quality Chinese drama one day.
Le saviez-vous
- AnecdotesAdapted from the novel "The Gone Child" by Zi Jin Chen.
- ConnexionsRemade as Gorudo boi (2024)
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Détails
- Date de sortie
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- Aussi connu sous le nom de
- The Bad Kids
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By what name was Yin mi de jiao luo (2020) officially released in India in English?
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