Psychic Experiment

"We got word that something big was supposed to happen this week. We know that there is a skeleton crew here but everyone else is off site. I'm beginning to understand why." A small town that is home to a psych hospital is having a problem. The citizens are disappearing and dying gruesome deaths. A reporter is sent to investigate the mystery. To say this movie is bazaar is an understatement. To talk about this at all is going to lead to me giving something away. The only thing that I can say is that the acting and effects are not that impressive, and neither is the movie really, but it kept me watching. I have seen worse, but in the recent string of psych hospital movies this one is toward the bottom. If you are big into horror then you may like this, I though "The Ward" was better. Overall, I'm not sure if the acting and effects had an impact on how I felt, but I wasn't impressed by this. I give it a C-.

Two reviewers really like this movie, everyone else gives it a 1! I'm trying to be honest here, so I've got to give it a 6 (or 6+ -- I dunno). I started out watching this while running in and out of the kitchen, doing this and that, but about 1/3 of the way in it caught my attention and I actually sat down. Maybe it was seeing Reggie Bannister, or those really creepy hose-mouth people, or walls melting. Whatever it was, my jaw dropped at the sheer joyful insanity of this thing. Special effects ranging from really cool to horrible, a plot incorporating everything but kids in a cabin (thank god). I surrendered and went along for the ride, something the monotone world of 1 star regulars never seem to do. I've seen big budget sci-fi/horror films with name actors that don't give me the same kick as this kind of flick. And there are more and more as the current trend in blockbuster sf/horror plays out weekly. V1.0 was started by Sputnik and Atomic Energy; V.02 is today's fear of disease and global changes. "Psychic Experiment" had none of this -- or all, I'm not sure. My mind was blown!

Not a great film by any standards and sort of a lame excuse for some mindless gore. Parts of the plot and conceptual ideas, are mildly interesting but not nearly enough to recommend.

First and foremost, no matter how ambitious they are or how wide-ranging, Mel House is fascinated by ideas. He's not afraid to show it, and not afraid to spend some quality time exploring those concepts. This is not a man for whom 'babes, boobs and blood' are the staples of genre filmmaking, (and when you have a beautiful, talented and intelligent spouse like his frequent repertory player, Melanie Donahoo, they'd sure as hell better not be.) For Mel, it's always been about putting meat on the bones of the story, before ripping it off the bodies of his cast.

And herein is where WALKING DISTANCE'S greatest strength lies, along with its "Achilles heel." This is a cornucopia, a visual and visceral smörgåsbord of ideas... A film that not only merits, but probably DEMANDS repeat viewings before you can actually take it all in. Which may have been part of the plan from jump, but for an average fanboy for whom the height of intellectual cinematic bliss is watching SLUMBER PARTY MASSACRE for the umpteenth time, WALKING DISTANCE is the equivalent of asking someone whose favorite author is R.L. Stine, to briefly describe the joys of reading Marcel Proust.

Though the opening sequence is something right out of Dante Alligheri-meets-Salvador Dali on a crack bender, it settles into a tale of what seems like two completely separate individuals: research scientist Cole Grey (Denton Blane Everett) and convicted pedophile Joseph Webber (PHANTASM alum Reggie Bannister, knocking the hell out of typecasting in a vastly different role). Dr. Grey has recently been hired by a nameless corporation that runs and sponsors a self-contained, peaceful, storybook little community, whose inhabitants live and work at the hub of the enclave, known only as "The Facility." Everything is situated for maximum efficiency and convenience - always within "walking distance" of wherever anyone needs to go.

But this is not "Wisteria Lane", folks. More like "HYSTERIA Lane," and then some. There is corruption of all kinds simmering under the surface. Corruption of the land and of resources - much of it deliberate, and even a gross corruption of the very minds and bodies of the people themselves. And all of this yet for Dr. Grey to discover, as he is escorted onto the premises by his new boss, the Facility's leader, Louise Strack, played with panache by "FRIDAY THE 13TH" vet Adrienne King, who returns to acting in this meaty role, her first since taking down Pamela Voorhees (and then being taken out by her son in return.)

On the other hand, recently released sex offender Webber, unable to find residence anywhere else that he won't be beaten up, harassed and otherwise ostracized, has been given what basically amounts to free housing in the Facility's community. Usually the motivation for such an arrangement would indicate something along the lines of blackmail or some sort of cover-up, but the reasons behind assisting Webber is anything but humanitarian. In fact, it's about as diabolical and arcane as anything you could find in a Lovecraft or Ellison story.

And in-between the two men, interconnecting them in various ways are the cast of characters who will all play their parts in bringing Grey and Webber together, bringing the true motivation and machinations of the Facility to startling, horrific light, and to reveal the most frightening truth of all about the tranquil-appearing little compound - the corner store is not the only thing within "walking distance." So is are the very depths of Hell itself.

As Cole, Everett is everything a Cronenberg fan could wish the controversial Stephen Lack had been in SCANNERS. (And it's safe to say that just as in his previous film, CLOSET SPACE, a strong Cronenbergian vibe runs through every pore of DISTANCE.) And Bannister finds just the right note to make you angry at yourself for having pity on the pitiful, pathetic mess who is Joseph Webber, who comes to realize that not only has he lost control of his impulses to commit his horrible crimes, but also of his very mind, used and manipulated by others for unimaginable evil.

Behind them is a large, dependable cast that includes Melanie Donahoo and James LaMarr (CLOSET SPACE), Shannon Lark (BLOOD BATH 2 Film Festival Best Actor in a Short for LIP STICK), indie horror genre icon Debbie Rochon in one of the most standout roles as Cole Grey's mother, James Furey (KODIE, EXHIBIT 7-A), Katie Featherston (PARANORMAL ACTIVITY) and jaw-dropping performances by character vets Glenn Morshower ("24") and Kathy Lamkin (THE Texas CHAINSAW MASSACRE remake), whom you will never think of in quite the same way again.

It's like a new, sprawling tale by Stephen King with its interwoven plot and character threads (just like those pesky signature House Tentacles!), and all the hints and outright revelations of corporate malfeasance, chemical dumping, mass murder, tele-and-psychokinetic manipulation, intimations here and there of the laws of physics being obliterated, if not outright mutated by pure evil (echoes of Carpenter's PRINCE OF DARKNESS, anyone?) But instead of King, Mel House is at the helm this time around, meaning you have no idea where things are going until they get there, and you may have to brace yourself for what you're going to find, since you never know what that might be.

So, in a nutshell, I still recommend WALKING DISTANCE, even if it might be a film that contains too many ideas to absorb in one viewing. The last film I saw that I could say that about was INCEPTION. Which is company I think that Mel should be damn proud he's keeping, especially in a world where intelligent design and rational thought are rapidly being discarded for creationism and a tainted kind of "magical realism." Come to think of it...very much like some of what happens in the movie. What's the frequency, Mel? Are you trying to tell us something?

I have never written anything like a review, nor did I ever intend to do so. But having skimmed the review from cchase I was so disgusted I forced myself into this. I am a watcher and collector of horror flicks (and books) and have been for years. I have watched some truly bad films in my ongoing attempt to find hidden gems. This movie is not one of those. This movie is not even the carbon that after eons becomes a gem. This movie is less than what I used to shovel out of the barn when I was young. The plot is impossible to decipher, the dialogue is a mishmash of inanities, the acting is agonizing to witness. I was going to say the effects were like those of 70s movies, but effects done in the 70s at least had some integrity...they at least tried to make things believable! If the makers of this movie were actually trying, well, that is a horrifying thought. Give it up and find another career, or go back to school and learn something, please, people. Don't subject audiences to such a disgrace of film making. I am convinced that cchase is the director of this flick, because only a director of such ineptitude could ramble on and on (and on) about his accomplishment when he should be hiding his head in shame. If only there were an "empty star vote", meaning less than zero, that is the vote I would have chosen. People, even if you get a chance to watch this one for free and you are desperate for entertainment, I beg you please, give it a miss. I wish I had. Life is just too short.