Un prophète

At times hard to watch but in the end you come out with the feeling of having watched a masterpiece.

Perfect acting, scenario, directing, cinematography & sound...

This is definitely not a Hollywood production, but the best of what french cinema can be.

Audiard is a great director, having previously made "Read my lips" which i also recommend.

The main actor Tahar Rahim is a revelation, keep an eye on him in the future.

Niels Arestrup is also quite good in his role as a corsican crime boss

A fascinating look into the French prison system.

A terrific young actor named Tahar Mahim plays Malik, an Arab teenager sentenced to six years in prison. He's drafted by a Corsican gang that practically runs the prison to kill a fellow Muslim inmate who plans to act as a witness as part of a plea bargain. Once he does that he earns protection from the Corsicans, even though they continue to treat him like a servant because he's Arab, but because of their protection he's able to use his wiles to rise through the criminal ranks and emerge from the prison a major crime boss.

"Un Prophete" uses the prison setting to serve as a microcosm of French culture and current racial conflicts between the French and Arab immigrants. Mahim isn't educated, but he's smart, and he knows that to declare allegiance to either side is to limit his ultimate potential. Mahim gives an amazing, unshowy performance; it's largely because of him that the scene in which he carries out the hit is such a nail biter.

One brief scene late in the film suggests that there might be a literal meaning to the film's title, but overall the meaning is thematic -- Malik becomes a prophet to his people, but his story illustrates that not all messages carried to us from prophets are necessarily positive ones.

Grade: A

One of the biggest surprises of 2009, Jacques Audiard's 'Un Prophète' is the best French film in a decade, garnering strong critical and word-of-mouth support and winning the Grand Prix in Cannes (which for years now means that it's the actual festival winner). The surprise is that the story is far from being original: a young Arab sentenced to (adult) prison for the first time is forced by a Corsican mafia boss running the strings there to do his bidding. By and by, he manages to use his underling position to his own advantage. So it's a typical hard-boiled underdog story - what makes it so great then?

'Un Prophète' doesn't differ much in style from the French films of late, which were often so hell-bent on displaying life as a gritty and boring affair, and resorted to radical violence to underscore this point, that spectators were almost forced to feel disgusted, which was then claimed to be a denominator of the film's artistic success. This phenomenon has been called 'New French Extremity'. What Jacques Audiard has done is to combine the aesthetics of this trend with the traditions which once made the French film industry the most power- and meaningful in Europe, namely to focus on the relationship of the leading actors. The result is a film that is totally engaging from the first minute, because it entrusts the actors with the task of transforming the script into something of their own making.

And boy oh boy, Tahar Rahim does that job. A newcomer with a little bit of TV experience, his performance carries 'Un Prophète' with amazing vigor. It's a big chance, and he takes it. Would this be an English-language film, he'd be a surefire contender for the awards. His nemesis is portrayed by Niels Arestrup in an equally flawless, yet much more routinized way, which juxtaposes the two characters perfectly. Add to this the sophisticated editing already present in Audiard's last film 'De battre mon coeur s'est arreté' (2005), and you have the best European film of 2009, in spite of a story that you will most likely have seen dozens of times already.

If you usually don't like European movies, or if you have only time to see one a year, watch this one - you won't regret it.

Un Prophète :: Jacques Audiard :: France :: 2008 : 2h35

A young man is being admitted into prison. The scars on his body and face betray a violent past. He can barely read and write. He has no friends. Malik (Tahar Rahim) is 19 years old. Out on the concrete courtyard, he is recruited by the ruthless Corsican mafioso César (Niels Arestrup) to kill a rival passing through their prison. Malik is beaten into submission. His life could have ended right there and then. But that is not how it was to be. Malif comes out the corner fighting.

Most of the film is concrete slabs and dirt. There is the constant murmur of the rumours passed around in Arabic and Corsican if it is not in banlieue slang French. And then there is the violence. Nobody gets punished because nobody interferes. Even when inmates get killed there is no indication that they are being investigated. The detainees are all on their own. We do see the state's legal machinery operating in the background with lawyers and judges shifting paper. We see the inmates work in the prison factory sowing clothes. We see the willing bullies being schooled. But the penitentiary staff shine mostly in their absence. Malik knows it is going to be a long 6 years.

He takes what he can get, and tries to make the best of himself. He could have made an excellent career for himself in the army, if life had been different. He has the adaptability, the patience, the dedication, the intelligence and the lack of moral restraint to make it far, in the right framework. If only he had been in an organisation which could contain and direct him, rather than unleash him, as prison did. We see him slowly becoming a man to be reckoned with, creating his own new order. Make no mistake, this young man is taking you along to the bitter end.

Un Prophète is a tough film to watch, but immaculately constructed. I can not claim to have captured the full finesse of the all the criminal dealings, but it does not matter. The audience is thrown into the story as the young Malik is. Thrown in, to live it with him. And live it, you will. It is a masterfully made film with a clever script, an excellent cast and a surprising attention to detail. A rare pearl in the genre, bound to be as rewarded as director Audiard's previous De Battre mon coeur s'est arrêté, which won no less than 8 Césars! (incitatus.org)

When I read that this movie has more nominations than any other film for the European Film Awards (even more than Slumdog Millionaire) I decided to go and see it. I don't regret this decision and I hope the movie wins all six awards it has been nominated for.

This movie, about a young hoodlum who in prison becomes a dangerous criminal, is in the same league as last years's Gomorra. It shows the life of criminals as it is: tough, merciless and unscrupulous. This film is miles away from the romantic image of maffia-style crime gangs we know from Hollywood. There is no honour here, no attachments, no loyalty. Only self-interest. The style of the film reflects the rawness of its subject. The photography is meant to show life in a prison, not to please our sense of aesthetics.

Why is this such a good film? Because of the radical approach to show us nothing but the raw underbelly of France, but also because of the story which has many aspects. Malik, the central character, has no true identity at all: he is not a religious Muslim (he eats pork), but he is neither French nor Corsican. The members of the Corsican clan to which he is being attached despise him because he is not one of them, and so do the religious Muslims ('les barbus'). Another interesting aspect is the development of the relationship between Malik en the Corsican capo Cesar, with a very powerful apotheosis. And there is the changing of Malik himself of course, who in the beginning of this film seems to be devoid of any emotion at all, but in the end is capable of warm feelings towards his godson and the wife of his terminally ill friend.

After having seen Un Prophète, I regret not having seen Jacques Audiards other films.