The Door: La porte du passé

Within last decades, suspense thrillers have become trendy, and novelists and screenwriters try to create the source materials as mind-twisting and twisted as possible. While focusing on such a turn/twist, they form rather trivial story around it - intentionally or spontaneously. All this applies to the film in question, where the basic story is rather trivial, with keywords as middle-class family, jealousy, adultery... Well, a certain twist provides additional food for thought and even criminal moments, but all this is often difficult to follow, and collisions between someone and his/her younger version via traveling in time is not too compelling. The ending scenes add some action, but the solution is - well, you just shrug your shoulders...

As usual, Mads Mikkelsen gives a strong performance (in German), and there are a few scenes without his presence, but the rest are just good, not more; anyway, admirers of Mikkelsen and/or psychological drama thrillers do probably see more interesting angles.

A film about coping with grief after the loss of a daughter. It combines drama with mystery; the tunnel into the past can be read as a symbol for the inner psychological labyrinth of a human soul, attempts to come to terms with the past to ease the pain, find a way out of despair.

A movie is a bit darker than I expected. That's not bad, but the last part of the movie is weak. And when a dark episode is weak, that looks like a comedy.

Nevertheless, it's a complex film that is definitely worth watching. Much of what makes "The Door" good can be attributed to Mads Mikkelsen's acting, who offers an impressive character performance. There is a nice depicting of father-daughter relationship.

I enjoyed very much this movie as it was a blend between dark and fantasy. The actors fitted the roles and I liked the game between the "old" and "new" characters. What I liked the most was the fact that the movie was not predictable and had a touch of sensibility, which most movies nowadays tend to miss. As an European movie I recommend it without hesitation and the thriller part was blended perfectly with the dark story. As a minor observation I can add that the story could have gone a bit darker without fading away the sensibility of the father- daughter relationship. In this light, I think the movie can be improved, but the written part on which is based I think succeeds as a story. So if you want a quality movie, with an imaginative story and good actors, this is the right movie for you.

The premise of this story is so utterly ridiculous, that you rapidly appreciate that it can go in any direction. Whatever the writers choose to pursue as the actual tale, is entirely their right.

What they do pursue, is a tense little drama based around the situation that the magic creates. The result is a dark, edgy, occasionally morbid fairy tale - one could argue that all fairy tales are like that anyway.

Mads gives his usual beautiful-teak performance (I'm sure the man has more than one act... then again, I don't really care if he does), and the supporting cast, particularly the wife and daughter, are excellent.

I did like the way the story gets on top of you, and accelerates. There is a story by Charles Stross that this movie reminds me of, but I can't give you the name without spoiling (it's also not one of his better tales I'm afraid).

Where I could possibly knock off points would be maybe in the logic, but then this isn't an SF tale, it's fantasy. It's also a little long for the tale it tells, it could have been just a bit more compressed for the content. Finally, it's just not a work that moved me - it's good, it's gripping, it's entertaining. But it's not high art.

I can recommend this film, just don't expect it to blow your mind.

An interesting concept no doubt, 'The Door' just doesn't execute it all that well.

It starts off decently and I was interested in seeing where it would go. However, I feel like it lost its way very quickly and suddenly became rather underwhelming. The performances of Mads Mikkelsen (who's German was actually dubbed by Ingo Hülsmann, annoyingly) and Jessica Schwarz, while more than fine, don't set the film alight either - nor do any other elements of this 2009 release.

A disappointment all in all. Forgettable!

/////////// s/o the cast: Mads Mikkelsen Jessica Schwarz Valeria Eisenbart Heike Makatsch Tim Seyfi Thomas Thieme.