The Door: La porte du passé

A father who lost his daughter by his reckless but he soon get a another chance to save her life... After that he face lot of consequences becozz of time travel and his own daughter disagree that he is not her father... Little boring and confused story and illogical scenes.. One time watchable...

A father who lost his daughter by his reckless but he soon get a another chance to save her life... After that he face lot of consequences becozz of time travel and his own daughter disagree that he is not her father... Little boring and confused story and illogical scenes.. One time watchable........

A film about coping with grief after the loss of a daughter. It combines drama with mystery; the tunnel into the past can be read as a symbol for the inner psychological labyrinth of a human soul, attempts to come to terms with the past to ease the pain, find a way out of despair.

A movie is a bit darker than I expected. That's not bad, but the last part of the movie is weak. And when a dark episode is weak, that looks like a comedy.

Nevertheless, it's a complex film that is definitely worth watching. Much of what makes "The Door" good can be attributed to Mads Mikkelsen's acting, who offers an impressive character performance. There is a nice depicting of father-daughter relationship.

First I want to say that I have a couple of problems with the plot, some points that have got snagged in my mind and made me wonder, "But why didn't the writer...?". This is one of those times when I wish I had read the book (if there was a book) before watching the film to see if those points arise from the story or how the story was translated into film, but that would obviously defeat the purpose and kill the suspense, so I am better off having seen the film first. Let me say, seeing the film from beginning to end, I forgive those snags.

I will not repeat what the plot summary says. I just want to add that I liked the light world/dark world division, the secrets the supposedly light world hides and perhaps its reflections unto real world. I like the acting in general, the relatively slow pace of a thriller and how that slowness, without actually pacing up, makes the heart pace up and pulls the watcher into it. It's a make believe that you get lost in.

I wonder why there isn't a poster submitted to this web site, why the actors don't have photographs and why there isn't much buzz about the film. I wish the worldwide movie producers made use of a popular web site like this.

One of the best European productions i have seen this year and absolutely Deutsche Grundlichkeit! Mads Mikkelsen would make Oscar material out of an airline safety video and he again is blowing is away.

When distraught artist Mikkelsen finds a door to a parallel world it looks to go his way. The story line makes sense from beginning till end in this top smart suspense script with superb performance by Danish sexiest man of the year Mikkelsen and Schwartz as his wife. This story burns slow, but fastidious, and it twists and twists and twists.

A perfect world is only one layer away from disaster is one that applies here and as said by André Maurois: a man cannot free himself from the past more easily than he can from his own body. The mundane average surroundings make you realize only half way that you are watching a master piece.

Within last decades, suspense thrillers have become trendy, and novelists and screenwriters try to create the source materials as mind-twisting and twisted as possible. While focusing on such a turn/twist, they form rather trivial story around it - intentionally or spontaneously. All this applies to the film in question, where the basic story is rather trivial, with keywords as middle-class family, jealousy, adultery... Well, a certain twist provides additional food for thought and even criminal moments, but all this is often difficult to follow, and collisions between someone and his/her younger version via traveling in time is not too compelling. The ending scenes add some action, but the solution is - well, you just shrug your shoulders...

As usual, Mads Mikkelsen gives a strong performance (in German), and there are a few scenes without his presence, but the rest are just good, not more; anyway, admirers of Mikkelsen and/or psychological drama thrillers do probably see more interesting angles.