NOTE IMDb
5,2/10
8,9 k
MA NOTE
Ajouter une intrigue dans votre langueA guy tries to patch things up with his soon-to-be-married pal after botching his bachelor party.A guy tries to patch things up with his soon-to-be-married pal after botching his bachelor party.A guy tries to patch things up with his soon-to-be-married pal after botching his bachelor party.
- Réalisation
- Scénario
- Casting principal
Lex D. Geddings
- Cop #2
- (as Lex Geddings)
Yvette Yates Redick
- Deaf Girl
- (as Yvette Yates)
Meagen Fay
- Mrs. Jorgens
- (as Meagan Fay)
Randal Reeder
- Tavern Bouncer
- (as Randall Reeder)
Nicole Muirbrook
- Christina
- (as Nicole Muirbrook-Wagner)
Avis à la une
This is not a terrible movie, but it's not very good either.
I have not read the book but I have read and enjoyed the stories from Tucker's website in the past.
That said I was expecting more from this movie. There are some very funny moments but for the most part it was just boring. Pacing was the biggest problem with this movie, parts of it just plod along without anything happening that moves the story along. I honestly think this could have been made better but cutting about 15-20 minutes out of the film - of course by then the whole thing would have been about 45 minutes long.
There are some funny scenes but the rest just seems to be filler material. For instance, the first bar that Tucker and his pals visit and then walk out of - what was the point of that whole scene? It did not develop the story at all and should have wound up on the cutting room floor.
The movie, as a whole, seems to lack polish. As I said, cut about 15-20 minutes out of it and things would have been improved greatly but it would not have been long enough for a feature film.
I have not read the book but I have read and enjoyed the stories from Tucker's website in the past.
That said I was expecting more from this movie. There are some very funny moments but for the most part it was just boring. Pacing was the biggest problem with this movie, parts of it just plod along without anything happening that moves the story along. I honestly think this could have been made better but cutting about 15-20 minutes out of the film - of course by then the whole thing would have been about 45 minutes long.
There are some funny scenes but the rest just seems to be filler material. For instance, the first bar that Tucker and his pals visit and then walk out of - what was the point of that whole scene? It did not develop the story at all and should have wound up on the cutting room floor.
The movie, as a whole, seems to lack polish. As I said, cut about 15-20 minutes out of it and things would have been improved greatly but it would not have been long enough for a feature film.
I gave this a 6/10 because I had some pretty good laughs throughout the movie. Some of the stories Tucker Max told were great. I'm a 24 year old college student and have a pretty dirty sense of humor. I wouldn't recommend this to my mom but I definitely would to my friends. I'm guessing the majority of the bad reviews came from older critics that are disgusted by the vulgarity of this movie. I do agree that the plot could have been improved. The stories were not quite as explicit as the book. The only character that I couldn't stand for the first hour of this movie was Jesse Bradford. He was very intelligent but a little over the top with his negative/depressing outlook on life(due to his recent break up). I would watch this movie again.
Having read the book a couple of years ago, I followed the movie's production blog with great excitement.
Tucker mentioned possible Oscar nomination for the script, more than $200M at the box office and revolutionizing Hollywood.
I walked into the theater with 2 other male friends in late 20s - both lawyers, one of whom actually went to Duke. We'd been in the bar for an hour before hand so in merry mood after several beers. One of the guys just picked up the bar girl he'd been after for months, so cause to celebrate. I love independent movies. Edgy scripts. Darkness and the anti-Hollywood approach. Swingers is one of my favorite comedies in the ilk. The perfect movie for the perfect evening ...
There were 4 other people in the cinema. Hmmm. It did not seem to bode well.
And the movie begins. I began with a grin on my face, prepared to laugh my ass off throughout.
About 40 mins in, I was still waiting to laugh. One of my friends, who hadn't read the book, was yawning. Two of the others in the cinema got up and left.
So, let me cut a long story short: Poor script. Underlit. Cheap grain. Little empathy for any of the characters; no redeeming qualities whatsoever. The story arc fell totally flat. I could live with all that if the thing was actually FUNNY. Alas, I managed a couple of forced chuckles.
We left the cinema with me having to apologize to my friend for having put him through the boredom. We should have carried on drinking in the bar instead of wasting our time on this film.
Tucker tipped this as a classic of our time. I'm not even sure it would have merited a straight to DVD release. He said it would top The Hangover in both acclaim, artistic merit and box office. Half a billion dollars later, wide critical and audience reception, and marked as one of the best comedies of the year, if he'd put that sentence in the script, it would have been the funniest line in the whole movie.
Tucker mentioned possible Oscar nomination for the script, more than $200M at the box office and revolutionizing Hollywood.
I walked into the theater with 2 other male friends in late 20s - both lawyers, one of whom actually went to Duke. We'd been in the bar for an hour before hand so in merry mood after several beers. One of the guys just picked up the bar girl he'd been after for months, so cause to celebrate. I love independent movies. Edgy scripts. Darkness and the anti-Hollywood approach. Swingers is one of my favorite comedies in the ilk. The perfect movie for the perfect evening ...
There were 4 other people in the cinema. Hmmm. It did not seem to bode well.
And the movie begins. I began with a grin on my face, prepared to laugh my ass off throughout.
About 40 mins in, I was still waiting to laugh. One of my friends, who hadn't read the book, was yawning. Two of the others in the cinema got up and left.
So, let me cut a long story short: Poor script. Underlit. Cheap grain. Little empathy for any of the characters; no redeeming qualities whatsoever. The story arc fell totally flat. I could live with all that if the thing was actually FUNNY. Alas, I managed a couple of forced chuckles.
We left the cinema with me having to apologize to my friend for having put him through the boredom. We should have carried on drinking in the bar instead of wasting our time on this film.
Tucker tipped this as a classic of our time. I'm not even sure it would have merited a straight to DVD release. He said it would top The Hangover in both acclaim, artistic merit and box office. Half a billion dollars later, wide critical and audience reception, and marked as one of the best comedies of the year, if he'd put that sentence in the script, it would have been the funniest line in the whole movie.
I was compelled to make an account on this site to write a review after reading the three most recent reviews for I Hope They Serve Beer in Hell. Those three reviews were far more amusing than the movie itself. If they were fake (as I suspect)...nice. If they were genuine reviews...what is wrong with you? I'm not going to write an extensive, piece-by-piece review of this movie, because this is all you need to know: It really isn't funny. When I saw the movie, there were perhaps ten people in the theater. I do not recall hearing a single laugh from anyone. I was sincerely amused only once; I mostly just forced chuckles at things that I recognized from Tucker's book and web site--things that were infinitely more funny to read about than to see on screen. For whatever reason, Tucker's stories just do not translate well to film (or he did a very poor job of translating them to film). My one friend who came with me to the movie said, "It wasn't as good as I thought it was going to be." I would be embarrassed recommending this film to anyone. I still think Tucker's web site and book are pretty funny, but if you want to be entertained, don't bother with the movie version of I Hope They Serve Beer in Hell.
Geoff Stills is about to get married. His best friend, Matt Czuchry, lies to Stills' fiancee, and leads Czuchry and pal Jesse Bradford on a two-hour distant bachelor-party trek, in which Bradford winds up in love with a nice exotic dancer, and Stills battered and in the drunk tank. Czuchry is banned from the wedding, and has an epiphany which gets him back into everyone's good graces.
Czuchry is a brilliant young degenerate who easily outargues his law school professor. Gets drunk every night, and has sex with random women. Is this the modern-day equivalent of those 1920s Demille movies? The ones in which everyone has a great time sinning for seven reels, only to find religion in the Eighth? We're clearly dealing with the elite here. Not only are they all seemingly very well-to-do at the least, but they are law students. The only reference to Christianity is to Stills' future mother-in-law. She disapproves of Stills and his friends on moral grounds, only to be chided for her lack of charity. At the end, Czuchry -- whose character name is one of the producers, the screenwriter, and the book this movie is based on -- may talk a good game of reformation and get back in everyone's good graces, but he's still the self-indulgent BS artist and sexual hound he was at the beginning. Does he actually believe the nice things he says, and will this lead him gradually into becoming a decent person? Given that the movie ends with him pursuing a blind girl to round out some weird list of handicapped sexual partners, the answer seems to be no.
Czuchry is a brilliant young degenerate who easily outargues his law school professor. Gets drunk every night, and has sex with random women. Is this the modern-day equivalent of those 1920s Demille movies? The ones in which everyone has a great time sinning for seven reels, only to find religion in the Eighth? We're clearly dealing with the elite here. Not only are they all seemingly very well-to-do at the least, but they are law students. The only reference to Christianity is to Stills' future mother-in-law. She disapproves of Stills and his friends on moral grounds, only to be chided for her lack of charity. At the end, Czuchry -- whose character name is one of the producers, the screenwriter, and the book this movie is based on -- may talk a good game of reformation and get back in everyone's good graces, but he's still the self-indulgent BS artist and sexual hound he was at the beginning. Does he actually believe the nice things he says, and will this lead him gradually into becoming a decent person? Given that the movie ends with him pursuing a blind girl to round out some weird list of handicapped sexual partners, the answer seems to be no.
Le saviez-vous
- AnecdotesThe best man at the wedding is the real life Tucker Max.
- GaffesDuring the car ride in which the characters have the "pancakewich" discussion, the sky goes from night to daylight between shots.
- Citations
Tucker Max: Here's to the people we've met, and the people we've fucked And to those of us who have had no such luck Here's to beer in the glass and vodka in the cup Here's to poking her in the ass so she won't get knocked up Here's to all of you and here's to me... Together as friends we should always be... But if we should ever disagree... Then fuck all of you and here's to me!
- ConnexionsFeatured in Siskel & Ebert & the Movies: The Worst Films of 2009 (2010)
- Bandes originalesI Like It, I Love It
Performed by Lyrics Born
Written by Theodore Dudley, Uriah Duffy, Gregory Allen Greene, Al Hudson (as Albert Hudson), Glenda Hudson (as Glenda Joyce Hudson}, Johnathon Meadows, Terry Wayne Morgan, B'nai NB Rice Rebelfront, Dave Robertson Jr. and Lyrics Born (as Tom William Shimura)
Courtesy of Anti- and Epitaph, a California Corp.
By arrangement with Bank Robber Music
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Tucker Max: Histoires d'un Serial F***er
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 1 429 299 $US
- Week-end de sortie aux États-Unis et au Canada
- 366 909 $US
- 27 sept. 2009
- Montant brut mondial
- 1 429 299 $US
- Durée
- 1h 45min(105 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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