NOTE IMDb
5,2/10
8,9 k
MA NOTE
Ajouter une intrigue dans votre langueA guy tries to patch things up with his soon-to-be-married pal after botching his bachelor party.A guy tries to patch things up with his soon-to-be-married pal after botching his bachelor party.A guy tries to patch things up with his soon-to-be-married pal after botching his bachelor party.
- Réalisation
- Scénario
- Casting principal
Lex D. Geddings
- Cop #2
- (as Lex Geddings)
Yvette Yates Redick
- Deaf Girl
- (as Yvette Yates)
Meagen Fay
- Mrs. Jorgens
- (as Meagan Fay)
Randal Reeder
- Tavern Bouncer
- (as Randall Reeder)
Nicole Muirbrook
- Christina
- (as Nicole Muirbrook-Wagner)
Avis à la une
I think I chuckled once so that explains the two stars. Other than that, it's a movie about a total douche-bag who's told he's a douche-bag, realizes he's a douche-bag, thinks about not being a douche-bag but, in response, only amps up his douchiness.
Mind you, my critique of this movie isn't a critique of Tucker Max- I hadn't heard of King Douche until shortly before viewing this movie. The movie is poorly written, poorly paced and, generally, poorly acted. It hints at redemption but instead sees the opportunity as a chance for another half-wit joke.
On the plus side, a movie like this can serve as a useful metric for people you know and/or have just met- If they like this movie, or Tucker Max, then you'll know said person is a douche-bag.
Mind you, my critique of this movie isn't a critique of Tucker Max- I hadn't heard of King Douche until shortly before viewing this movie. The movie is poorly written, poorly paced and, generally, poorly acted. It hints at redemption but instead sees the opportunity as a chance for another half-wit joke.
On the plus side, a movie like this can serve as a useful metric for people you know and/or have just met- If they like this movie, or Tucker Max, then you'll know said person is a douche-bag.
I had a chance to hear Tucker Max talk about the movie at a screening and he seemed quite confident that it would surpass Wedding Crashers as the highest grossing comedy of all time. After seeing the movie, it became quite clear that he was completely delusional. The movie has poor dialogue, a poor plot, and mediocre acting. I spent a little while trying to think of a redeeming quality, or any basis upon which I could recommend the movie to other people. I came up empty-handed.
If you are a huge Tucker Max fan and feel the urge to see the movie, just re-read the book. If you see the movie, you probably won't leave the theater as a fan anymore.
If you are a huge Tucker Max fan and feel the urge to see the movie, just re-read the book. If you see the movie, you probably won't leave the theater as a fan anymore.
This is not a terrible movie, but it's not very good either.
I have not read the book but I have read and enjoyed the stories from Tucker's website in the past.
That said I was expecting more from this movie. There are some very funny moments but for the most part it was just boring. Pacing was the biggest problem with this movie, parts of it just plod along without anything happening that moves the story along. I honestly think this could have been made better but cutting about 15-20 minutes out of the film - of course by then the whole thing would have been about 45 minutes long.
There are some funny scenes but the rest just seems to be filler material. For instance, the first bar that Tucker and his pals visit and then walk out of - what was the point of that whole scene? It did not develop the story at all and should have wound up on the cutting room floor.
The movie, as a whole, seems to lack polish. As I said, cut about 15-20 minutes out of it and things would have been improved greatly but it would not have been long enough for a feature film.
I have not read the book but I have read and enjoyed the stories from Tucker's website in the past.
That said I was expecting more from this movie. There are some very funny moments but for the most part it was just boring. Pacing was the biggest problem with this movie, parts of it just plod along without anything happening that moves the story along. I honestly think this could have been made better but cutting about 15-20 minutes out of the film - of course by then the whole thing would have been about 45 minutes long.
There are some funny scenes but the rest just seems to be filler material. For instance, the first bar that Tucker and his pals visit and then walk out of - what was the point of that whole scene? It did not develop the story at all and should have wound up on the cutting room floor.
The movie, as a whole, seems to lack polish. As I said, cut about 15-20 minutes out of it and things would have been improved greatly but it would not have been long enough for a feature film.
Overall, I enjoyed this movie. I have read the book and have been a fan for quite a while now, and when I heard there would be a film I was very excited. That being said, I'm going to do the ultimate evil of comparing the movie to the book. I thought Dan's character was spot on and well drawn, while Drew's attitude may have been a little extreme, and Tucker just seemed slightly "off" somehow but overall a good representation. Some of their antics were quite hilarious, but the main problem I had with this movie was that so many lines were quoted directly from the book (and sometimes out of context), so I already knew exactly what the guys were going to say. I think if they hadn't tried so hard to stick to the exact wording some of the dialog could have been improved or expanded upon. It was a fun ride though, and Tucker even ended up learning a thing or two, which I'm not sure I can say for his book counterpart! If I was the director I would have spent more time telling other stories from the book to help establish the characters, and then move into a condensed version of the film as it is for the second half. If that had been the case, I probably would have given it 9 out of 10. People who haven't read the book probably feel thrust in the middle of something they don't quite understand, and may not want to understand. I feel that it was a good movie, and very funny, but with a slightly different approach it could have been an awesome movie.
Geoff Stills is about to get married. His best friend, Matt Czuchry, lies to Stills' fiancee, and leads Czuchry and pal Jesse Bradford on a two-hour distant bachelor-party trek, in which Bradford winds up in love with a nice exotic dancer, and Stills battered and in the drunk tank. Czuchry is banned from the wedding, and has an epiphany which gets him back into everyone's good graces.
Czuchry is a brilliant young degenerate who easily outargues his law school professor. Gets drunk every night, and has sex with random women. Is this the modern-day equivalent of those 1920s Demille movies? The ones in which everyone has a great time sinning for seven reels, only to find religion in the Eighth? We're clearly dealing with the elite here. Not only are they all seemingly very well-to-do at the least, but they are law students. The only reference to Christianity is to Stills' future mother-in-law. She disapproves of Stills and his friends on moral grounds, only to be chided for her lack of charity. At the end, Czuchry -- whose character name is one of the producers, the screenwriter, and the book this movie is based on -- may talk a good game of reformation and get back in everyone's good graces, but he's still the self-indulgent BS artist and sexual hound he was at the beginning. Does he actually believe the nice things he says, and will this lead him gradually into becoming a decent person? Given that the movie ends with him pursuing a blind girl to round out some weird list of handicapped sexual partners, the answer seems to be no.
Czuchry is a brilliant young degenerate who easily outargues his law school professor. Gets drunk every night, and has sex with random women. Is this the modern-day equivalent of those 1920s Demille movies? The ones in which everyone has a great time sinning for seven reels, only to find religion in the Eighth? We're clearly dealing with the elite here. Not only are they all seemingly very well-to-do at the least, but they are law students. The only reference to Christianity is to Stills' future mother-in-law. She disapproves of Stills and his friends on moral grounds, only to be chided for her lack of charity. At the end, Czuchry -- whose character name is one of the producers, the screenwriter, and the book this movie is based on -- may talk a good game of reformation and get back in everyone's good graces, but he's still the self-indulgent BS artist and sexual hound he was at the beginning. Does he actually believe the nice things he says, and will this lead him gradually into becoming a decent person? Given that the movie ends with him pursuing a blind girl to round out some weird list of handicapped sexual partners, the answer seems to be no.
Le saviez-vous
- AnecdotesThe best man at the wedding is the real life Tucker Max.
- GaffesDuring the car ride in which the characters have the "pancakewich" discussion, the sky goes from night to daylight between shots.
- Citations
Tucker Max: Here's to the people we've met, and the people we've fucked And to those of us who have had no such luck Here's to beer in the glass and vodka in the cup Here's to poking her in the ass so she won't get knocked up Here's to all of you and here's to me... Together as friends we should always be... But if we should ever disagree... Then fuck all of you and here's to me!
- ConnexionsFeatured in Siskel & Ebert & the Movies: The Worst Films of 2009 (2010)
- Bandes originalesI Like It, I Love It
Performed by Lyrics Born
Written by Theodore Dudley, Uriah Duffy, Gregory Allen Greene, Al Hudson (as Albert Hudson), Glenda Hudson (as Glenda Joyce Hudson}, Johnathon Meadows, Terry Wayne Morgan, B'nai NB Rice Rebelfront, Dave Robertson Jr. and Lyrics Born (as Tom William Shimura)
Courtesy of Anti- and Epitaph, a California Corp.
By arrangement with Bank Robber Music
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Tucker Max: Histoires d'un Serial F***er
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 1 429 299 $US
- Week-end de sortie aux États-Unis et au Canada
- 366 909 $US
- 27 sept. 2009
- Montant brut mondial
- 1 429 299 $US
- Durée
- 1h 45min(105 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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