Suit quatre amis et leurs singeries au cours de leurs dernières années de collège.Suit quatre amis et leurs singeries au cours de leurs dernières années de collège.Suit quatre amis et leurs singeries au cours de leurs dernières années de collège.
- Victoire aux 1 BAFTA Award
- 13 victoires et 14 nominations au total
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There is nothing original, subtle or profound about The Inbetweeners. In fact, it would rank as one of the most crass, vulgar and shameless comedies that has ever been made, often crossing the line into 'barely acceptable' territory. And this is exactly why I love it. Pure unadulterated indecency has it's place in the world of comedy, and few shows have ever pulled it off quite as well as The Inbetweeners. The combination of a brilliant cast, simple yet brutal writing and a nice middle-class suburban backdrop make for one of the most watchable comedies in the history of UK television. I appreciate it's brevity, at just 18 short episodes, which help preserve its quality and originality. I also like the fact that it came just before the social media explosion of the 2010s, which has allowed it to capture the simpler times before the era of attention-seeking conceited behaviour pervaded teenage culture.
STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
Will (Simon Bird) is a privately educated, well spoken young man who for reasons beyond his own control is moved to a state comprehensive school, where his middle class mannerisms and appearance gain him a less than warm welcome from the other pupils. However, he soon makes some new 'friends' in the shape of Jay (James Buckley) a rather unpleasant young man with a disturbing obsession with all things sexual, Neil (Blake Harrison) a gormless looking young man whose father displays unfortunate homosexual tendencies and Simon (Joe Thomas) the most well rounded of the trio and their only means of getting around with his 'sh!tty little yellow car', the uncoolest yellow vehicle in a British sitcom since Del Boy's Reliant Robbin. We follow this comically mismatched group around as they stumble from one misadventure to another with hilarious consequences.
It's interesting to note the path British sitcoms have taken in the last thirty years or so, from being the sort of stuff you could comfortably show repeats of on daytime telly nowadays to the alternative comedy that tends to find it's slot late at night on Channel 4. Art imitates life, though, not the other way round, and so this is really just a reflection on changing social attitudes and society in general more than anything. And so we have The Inbetweeners, which hits you like a hammer with it's sheer excessiveness, which, shockingly just makes it even funnier.
It's actually quite a high concept idea of a posh looking/speaking young man and placing him with ordinary looking teenagers of today, and even more subversive to make everything so gratuitous. But clever writing makes this show as much as anything else, coming mainly from Bird's continuous voice overs each episode, where he runs over the pratfalls of everything the group have found themselves in with a great condescending tone. A running trade mark of the show is for him to let rip at the end at how ridiculous or unfair something he has got caught up in is (apart from one where he launches some drunken homophobic abuse at Neil's dad!) as well as to have a recap at the end of each episode on the events that have just gone past where the most hilarious line ('inconsiderate arseholes', 'bumder!', 'will you stop staring at my t!ts?') somehow hits home all the harder.
A relentless onslaught of foul language, crude sexual referencing, cynical cruelty and outrageous indecency, The Inbetweeners is a thoroughly depressing, but well written and very funny, reflection of young people today. Well, some...****
Will (Simon Bird) is a privately educated, well spoken young man who for reasons beyond his own control is moved to a state comprehensive school, where his middle class mannerisms and appearance gain him a less than warm welcome from the other pupils. However, he soon makes some new 'friends' in the shape of Jay (James Buckley) a rather unpleasant young man with a disturbing obsession with all things sexual, Neil (Blake Harrison) a gormless looking young man whose father displays unfortunate homosexual tendencies and Simon (Joe Thomas) the most well rounded of the trio and their only means of getting around with his 'sh!tty little yellow car', the uncoolest yellow vehicle in a British sitcom since Del Boy's Reliant Robbin. We follow this comically mismatched group around as they stumble from one misadventure to another with hilarious consequences.
It's interesting to note the path British sitcoms have taken in the last thirty years or so, from being the sort of stuff you could comfortably show repeats of on daytime telly nowadays to the alternative comedy that tends to find it's slot late at night on Channel 4. Art imitates life, though, not the other way round, and so this is really just a reflection on changing social attitudes and society in general more than anything. And so we have The Inbetweeners, which hits you like a hammer with it's sheer excessiveness, which, shockingly just makes it even funnier.
It's actually quite a high concept idea of a posh looking/speaking young man and placing him with ordinary looking teenagers of today, and even more subversive to make everything so gratuitous. But clever writing makes this show as much as anything else, coming mainly from Bird's continuous voice overs each episode, where he runs over the pratfalls of everything the group have found themselves in with a great condescending tone. A running trade mark of the show is for him to let rip at the end at how ridiculous or unfair something he has got caught up in is (apart from one where he launches some drunken homophobic abuse at Neil's dad!) as well as to have a recap at the end of each episode on the events that have just gone past where the most hilarious line ('inconsiderate arseholes', 'bumder!', 'will you stop staring at my t!ts?') somehow hits home all the harder.
A relentless onslaught of foul language, crude sexual referencing, cynical cruelty and outrageous indecency, The Inbetweeners is a thoroughly depressing, but well written and very funny, reflection of young people today. Well, some...****
I watched this show by accident, thought it was something else. I was immediately hooked and wanted more. Unfortunately, out here in America we only get an edited cut down version, so I had to start searching online for complete original UK versions. It was not easy to find but was well worth the effort. Now I understand they have begun to make an American version; No way in "hell" will it be able to stand up to the original UK series. The show has non stop laughs and situations that almost anyone can relate to. Hopefully the American version doesn't hurt the good name "The Inbetweeners". Also wish channel4.com would allow streaming on demand in for us fans in the US. BEWARE if you watch one episode, you'll be an instant fan. Great job channel 4!!!
You can't get much better than this comedy series, easy watch, full of laughs and great characters.
The show literally deserves so much more fame with higher rating and I don't know how things are not like that because this squad is FIT. There was so much potential for the show but alas! The show lasted not for long. I wasn't on the 4th episode and I started grieving about how soon is this hilarious show is going to end. Chemistry is perfect between these 4. I got to know about British people more. It's so good.
Le saviez-vous
- AnecdotesGreg Davies, who played the role of Mr. Gilbert; worked as a teacher of Drama and English for thirteen years in real life. He later gave up his teaching career to become a stand-up comedian.
- GaffesThe registration plates on the front and back of Simon's car are different throughout all episodes where the car is seen.
- Versions alternativesThe version aired in the USA censors "f*ck", giving it a TV-14.
- ConnexionsFeatured in The Wright Stuff: Épisode #14.30 (2010)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Les Boloss : Loser Attitude
- Lieux de tournage
- Inglis Barracks, Mill Hill, Londres, Angleterre, Royaume-Uni(Hostel in S02E01)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
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