Mickey 17

Bong Jongho's next wide-screen project since his historic win at the Oscar's is rather a big let-down.

For such an intriguing premise, we should have been promised a story with colorful development and of gray morality, and yet were presented with such an obviously black-and-white good-triumphing-over-evil Hollywood movie.

The morality of science? The definition of one's self? The Ship of Theseus paradox? Like, such a wasted opportunity to explore the multitude of questions. I guess it's my fault to expect too much.

Robert Pattinson and Toni Collette are amazing, though. Brilliant camera work and visual effects.

Nothing incredibly groundbreaking, and a little heavy handed with the satire, but a fun ride and well shot, with all of the "I shouldn't laugh at this but I am" that you'd expect

I am guilty, as many others will be, of comparing this to Parasite. Doing so is doing the movie a disservice. From Bong Joon Ho I was not expecting a silly black comedy that would have the whole theater laughing. Accept and enjoy it and you'll have a great time.

Although I felt like I was getting slapped in the face with the Trump satire, it still hit pretty well and got a good few laughs out of me.

After all this, I'm still wondering what the sauce is about...

Let's start with the obvious-while "Mickey 17" offers plenty of social commentary, it falls short of the sharp satire and intelligent (class) critique that made "Parasite" a modern masterpiece. Instead, what we get is a sci-fi parody that explores humanity's vanity and self-destruction, yet for some reason, it never truly feels like it takes place in a distant future.

*** Robert Pattinson delivers another strong performance, continuing his streak of unique and compelling roles. He has successfully reshaped his career, moving far beyond his early days, and frankly, we prefer him this way. His unexpected comedic side is a revelation, adding a fresh layer to his performance. Mark Ruffalo also shines, delivering a performance reminiscent of his role in Poor Things, with certain expressions and mannerisms subtly evoking Trump.

*** The production is undeniably grand and expensive, evident in its visually striking yet occasionally excessive scenes. The film often gives off a sense of familiarity-as if we've seen these themes before. The idea for example that we are the real aliens and "monsters" is hardly new, and at times, the script leans too heavily on familiar concepts explored already by many movies.

*** While Mickey 17 is a solid film, it's far from a masterpiece. Perhaps the biggest challenge is that Bong Joon-ho has set the bar so high that anything less than exceptional feels like a slight let-down. There's a lingering sense that something is missing-a sharper edge, a deeper impact, or a more innovative twist.

For being a sci-fi flick it does ok. It doesn't introduce anything groundbreaking but it is something different. Does it hold up to other sci-fi films? I'd say no, but if you're looking for an average film to burn 2 hours with this does the job.

I will say that considering who it was written and directed by, there was a much higher expectation. After watching a film like Parasite, which was very well done, this was rather tame. I think part of it is the narration and the other part was the writing. Acting wise I think everyone did a fine job, there were themes that were put out there that didn't quite hit or didn't really matter as the story unfolds, and while I could sympathize with the characters and the situations, the actions and consequences of them didn't carry much weight.

This didn't seem to be set up for a sequel and probably for the best, but I'd be curious to see if a part 2 would have more to offer. Overall I gave it a 6 and likely wont see it again.

Mickey 17 is like strictly okayish and that's a huge disappointment given the expectations!

Bong joon-ho returning in director's chair after an Oscar, with Robert pattinson, a sci-fi genre and huge budget, it could have been so much better! But this is just okay.

Pattinson's acting is great, even the premise and structure were very juicy. But for some reason Bong joon-ho doesn't fully capitalise it. Atleast the crazy energy of Okja would have elevated the screenplay, but it was mostly bland and trying to be politically aware.

Especially with that trailer being so much fun, the bar was really high, but this doesn't even comes close.