Jue ming pai dui

"Wade Chen" (Ray Chang) is a nice guy who gets stuck having to chauffeur a rich corporate CEO by the name of "President Yang" (Jerry Chih-wei Huang) around town even though he had other plans. While in the process of doing this he angers Yang when he accidently catches him having sex with a beautiful model by the name of "Dana" (Maria Ozawa). Not long afterward, however, he is surprised to be offered an invitation by Yang to attend an exclusive party with the understanding that he tells everyone that he is Yang's cousin. This discovery immediately makes him a center of attention by many of the people there including an attractive woman by the name of "Hitomi" (Julianne Chu) who also happens to be one of those being honored at the party as well. But what neither Wade nor Hitomi realize is that they were invited to this particular party for ulterior reasons and soon what they thought was supposed to be a festive occasion turns into a nightmare beyond anything they could ever imagine. Now rather than reveal any more I will just say that viewers who enjoy action-packed slasher films will probably want to check this one out as it definitely fits that category. Personally, while I didn't mind the gory scenes, the overall plot lacked realism and I thought that the ending could have used some improvement as well. That being said, I was a bit disappointed overall and for that reason I have rated this film accordingly. Slightly below average.

Wade (Bryant Chang), a junior at a large corporation, is given an invitation to go to a swanky party for the elite by company president Mr. Yang (Jerry Huang), who is unable to attend himself; the only proviso is that Wade must masquerade as Yang's cousin. To help him blend in at the posh event, Mr. Yang provides Wade with designer clothes and plenty of cash, none of which stops Wade from bonking his boss's extremely hot model girlfriend (Maria Ozawa) at the bash after cleaning up at the roulette table (talk about a winning streak!). On top of all that, Wade is also presented with the one thing he has always dreamed of: a silver Ferrari Modena 360 (I would have gone for a classic red one myself).

Just as the evening looks like it couldn't get any better for Wade, it doesn't: it turns out that, along with four other guests who also aren't who they claim to be, he is to become an unwilling participant in the evening's entertainment, a gruesome torture show laid on for the benefit of the city's sadistic socialites.

The plot for Invitation Only, Taiwan's contribution to the sub-genre frequently termed as 'torture-porn', doesn't stray all that far from the film that it was clearly inspired by, Eli Roth's Hostel: a group of gullible people are duped into becoming victims for rich sickos. But despite being very derivative stuff, I still give Invitation Only the edge over Hostel: first off, the violence is nastier (including a particularly eye-watering jump-leads-to-the-genitals scene!!!); secondly, the women are hotter (not that Hostel's Barbara Nedeljakova is a munter, it's just that given the choice I prefer my ladies of the Asian persuasion); and last but not least, the film isn't by Roth, whose over-inflated ego really gets my back up.

6.5 out 10, rounded up to 7 for IMDb.

When Wade Chen (Bryant Chang), who is the driver of President Yang (Jerry Huang) of the Weida Group, accidentally sees his boss shagging a top-model in the backseat of his car, Yang surprisingly invites him to go to a high-society party. Wade thanks and tells that he has neither money nor clothes to go to the event, but Yang tells the he would sponsor everything to Wade that could tell that is his cousin. In the invitation, the guest is requested to fulfill with the offbeat dream. In the party promoted by Mr. Warren in a warehouse, Wade gets closer to Miss Liang and two other rookies. Each one of them sees the dream coming true but sooner the quartet discovers that they are the lead attraction of the party that is promoted to torture losers in a deadly fight of classes.

"Jue Ming Pai Dui" a.k.a. "Invitation Only" is another brutal film of sadism and torture. I do not like this sub-genre of horror and I have already seen similar sadism before, since the stories are very alike with a shallow pretext to show graphic tortures. This unpleasant film is not the worst slasher and the special effects and makeup are very realistic but unfortunately the plot is ridiculous. My vote is four.

Title (Brazil): "Acesso Restrito" ("Limited Access")

Attending a lavish party, a group of strangers intending to use the celebration as a means of networking with an elite society instead find the whole affair is a cover for the hosts to spend the evening torturing and murdering them for past indiscretions and must find a way to stop it from continuing.

Overall, this one is solid enough despite some issues. One of the better features here is a fine and workable premise that sets everything in motion. Operating under the guise of a networking party for the super-elite but featuring a much darker underbelly that provides the impetus for the action to follow, everything comes together quite nicely. With the original party plans serving to get the group to the particular event unaware of the true intent behind the festivities, the darkness of the eventual reveal as a setup intending to torture and kill them in brutally horrific means is rather shocking. When added alongside the secondary storyline about each of the guests being sent there purposefully by an associate of the club to punish them for indiscretions that were committed against them so that everyone is lying to a degree, the main setup of the film comes off well enough. That serves the film perfectly to launch into its main impetus with the stand-out practical gore effects. As befits a film in this particular style, the work here is brutal and graphic with impactful outcomes designed to spill as much carnage as possible which causes plenty of extreme discomfort in the variety of kills featured here. Containing slit throats, snapped limbs, close-quarter gunshot wounds, and mutilations with hand-tools is just a taste of the stuff on display throughout here as the party takes a dark turn and the true purpose of their presence is discovered. This provides a great base for the encounters throughout where the brutality inflicted by the Elite society trying to kill them and the counterpoints by the victims trying to fight back leave this with some highly effective moments to give this a lot to like. This one does have some pretty big issues with it. The biggest factor is something outside of the film's control but the overall concept which makes it feel like any other film in its particular genre. Featuring so many of the same elements commonly associated with the style including the usual favoring of brutal violence at the expense of character-building, a pessimistic tone without any kind of comedic levity to break the tone, and much more, this one loses a lot of its identity by being another entry in this style without much else to really differentiate it from many other films. That also brings about some pacing issues when he confronts the leader of the torturers explaining everything which just reinforces these aspects so it's quite dull at points. This is especially true for those who aren't bothered by the gore and want more substance in their films which this lack, as both of which end up bringing this one down.

Rated Unrated/R: Extreme Graphic Violence, Graphic Language, Nudity, and a sex scene.

Two males and three girls receive, each of them, an invitation to a party destined only for rich and successful business people. Once there, they are locked inside the building and someone start to hunt them. One die, two others, badly wounded, are captured and dragged on a stage. There, in front of other guests from the high-society, their stalkers torture them in some gruesome ways. The two (remaining) main characters try to escape this nightmarish location while the bad guys are on their steps.

If you have seen "Hostel" and liked it, you will probably enjoy this one too, at least three scenes have the exact same feeling. There's a lot of blood flowing from the both sides, the baddies and the victims. The movie start slowly and constantly accelerate until the climactic ending. I found some plot holes, the first being right at the beginning. It helps you to get in the mood, but the location has no connection with the rest of the story, at least in my opinion. Visually, I have some mixed impressions. Most of the footage seem to be caught on film, while other sequences looked more like a digital camera recording. There's a certain amount of shaky camera movement during the run/caught/fighting moments, but the rest is OK. The editing is good, allowing the viewer to see what's going on. Some moments are well defined visually, emphasizing the atmosphere (the axe in the final battle), other less (a car chase between a Ferrari 360 Modena and a pick-up truck), some have an unnatural feeling(completely deserted roads at night, a police check in a road tunnel with zero traffic).

So...Not a masterpiece, because it's nearly impossible to make a masterpiece today from this genre. But not a bad or boring movie. More, it has more twists and turns than your average slasher/horror movie, good makeup and some cool death/torture scenes. Bonus, nice Taiwanese girls and a female lead not only beautiful, but also smart. This helped me to care for her, after so many years of horror films where the young victim girls were so stupid.