Jue ming pai dui

Attending a lavish party, a group of strangers intending to use the celebration as a means of networking with an elite society instead find the whole affair is a cover for the hosts to spend the evening torturing and murdering them for past indiscretions and must find a way to stop it from continuing.

Overall, this one is solid enough despite some issues. One of the better features here is a fine and workable premise that sets everything in motion. Operating under the guise of a networking party for the super-elite but featuring a much darker underbelly that provides the impetus for the action to follow, everything comes together quite nicely. With the original party plans serving to get the group to the particular event unaware of the true intent behind the festivities, the darkness of the eventual reveal as a setup intending to torture and kill them in brutally horrific means is rather shocking. When added alongside the secondary storyline about each of the guests being sent there purposefully by an associate of the club to punish them for indiscretions that were committed against them so that everyone is lying to a degree, the main setup of the film comes off well enough. That serves the film perfectly to launch into its main impetus with the stand-out practical gore effects. As befits a film in this particular style, the work here is brutal and graphic with impactful outcomes designed to spill as much carnage as possible which causes plenty of extreme discomfort in the variety of kills featured here. Containing slit throats, snapped limbs, close-quarter gunshot wounds, and mutilations with hand-tools is just a taste of the stuff on display throughout here as the party takes a dark turn and the true purpose of their presence is discovered. This provides a great base for the encounters throughout where the brutality inflicted by the Elite society trying to kill them and the counterpoints by the victims trying to fight back leave this with some highly effective moments to give this a lot to like. This one does have some pretty big issues with it. The biggest factor is something outside of the film's control but the overall concept which makes it feel like any other film in its particular genre. Featuring so many of the same elements commonly associated with the style including the usual favoring of brutal violence at the expense of character-building, a pessimistic tone without any kind of comedic levity to break the tone, and much more, this one loses a lot of its identity by being another entry in this style without much else to really differentiate it from many other films. That also brings about some pacing issues when he confronts the leader of the torturers explaining everything which just reinforces these aspects so it's quite dull at points. This is especially true for those who aren't bothered by the gore and want more substance in their films which this lack, as both of which end up bringing this one down.

Rated Unrated/R: Extreme Graphic Violence, Graphic Language, Nudity, and a sex scene.

Tagline: Surprisingly brutal and good slasher flick… Review by Neo: Known as Taiwanese first venture into the slasher genre arena, Invitation Only does not have the looks or the hype of a good movie. Just one look on the casting list, which includes Japanese AV superstar Maria Ozawa, the movie did not oozes or echoes any signs of a good quality production. That is why it is all the more surprising for me to unfold this brutal, slashing, unforgivable, but most importantly of all, it actually manages to be an interestingly good and entertaining film. Fans of Maria Ozawa be warned; she is in the film for nothing more than a glorify cameo to strip down, have sex and sell a couple more movie tickets. In fact, this is actually a good thing, as the film just gets better and better the moment the Euro-Japanese decided to roam back to her AV industry.

The movie goes like this: Byrant Chang of Summer Tail and Eternal Summer fame plays a working class, high school drop-out who works as a driver for a rich business man. One day, Chang caught his boss having sex with a magazine model (played by Maria Ozawa, the star of numerous genre flicks), and in the process Chang is given an exclusive ticket to a higher class party event. At the party, he meets a fellow newcomer (played by Julianne Chu) and together they will realize that the party is not really what they think it will be.

The film basically works because it is able to sustain a certain amount of audience attention. Whether the reason for captivating my attention is to find out what will happen next to the beautiful Julianne Chu or how many pieces the next person will be chopped, the fact is that it got my attention. For that the film does extremely well and more surprisingly is that usually these kinds of movies (i.e. Saw series or Hostel series) possesses underlying bad acting, but here, newcomer Julianne Chu steals the show, the spotlight and perhaps opening up an opportunity for herself and a promising career ahead.

Byrant Chang who is usually a capable enough actor manages to disappoint big time. After some credible displays in the likes of Eternal Summer, here, Chang is lost and quite frankly confused. At times, he seems to be acting and at other times, he is simply overacting. In a way, his ambivalent towards Maria Ozawa works to a certain degree, but luckily, while Chang adds nothing to the movie, but in no way did he manage to ruin it either.

Moving on to the best thing in the film itself is the underrated performance of Taiwanese newcomer, Julianne Chu. Julianne showed the audience a kind of performance that would make any newcomer proud and also forward a statement to Ozawa that you do not always have to strip down and bang something to be hot. Sure, Ozawa oozes the screen with some degree of hotness and probably the main reason why the majority of audience decides to take a crack at this film. Julianne is certainly someone to watch for years to come and her convincing display made this film better than it should be. Perhaps, focusing more on Julianne rather than Byrant Chang would have elevated the film just that a tad better.

As with most readers here, they are probably interested in how Maria Ozawa fares, not bad is what I can say, but for a "used up" actress like Ozawa, there is really next to no excitement with or without her involvement in my honest opinion. In fact, her presence seems a little out of place in the film, but then again, if she can sell a few extra tickets with just 5 minutes of screen time, then why not? All in all, Invitation Only basically succeeds in all its goals and ambitions. The goal is to make a good and sustainable slasher flick, the ambition is to shock and maintain the audience attention. The fact that the film is actually brutal enough to satisfy me (I am quite demanding in genres like these), then it must be a good thing after all. Still, without ignoring the numerous plot holes, Invitation Only works well as a whole and most certainly have plenty of moments in shock, brute, fun and quite simply, mindless entertainment. With all being said, Invitation Only is really designated for particular genre fans only and if you look at the film from that perspective, the film have plenty to slash about and with my new muse on the run in Julianne Chu, the film easily passes the grade … (Neo 2009)

I rate it 6.5/10

• www.thehkneo.com

Wade (Bryant Chang), a junior at a large corporation, is given an invitation to go to a swanky party for the elite by company president Mr. Yang (Jerry Huang), who is unable to attend himself; the only proviso is that Wade must masquerade as Yang's cousin. To help him blend in at the posh event, Mr. Yang provides Wade with designer clothes and plenty of cash, none of which stops Wade from bonking his boss's extremely hot model girlfriend (Maria Ozawa) at the bash after cleaning up at the roulette table (talk about a winning streak!). On top of all that, Wade is also presented with the one thing he has always dreamed of: a silver Ferrari Modena 360 (I would have gone for a classic red one myself).

Just as the evening looks like it couldn't get any better for Wade, it doesn't: it turns out that, along with four other guests who also aren't who they claim to be, he is to become an unwilling participant in the evening's entertainment, a gruesome torture show laid on for the benefit of the city's sadistic socialites.

The plot for Invitation Only, Taiwan's contribution to the sub-genre frequently termed as 'torture-porn', doesn't stray all that far from the film that it was clearly inspired by, Eli Roth's Hostel: a group of gullible people are duped into becoming victims for rich sickos. But despite being very derivative stuff, I still give Invitation Only the edge over Hostel: first off, the violence is nastier (including a particularly eye-watering jump-leads-to-the-genitals scene!!!); secondly, the women are hotter (not that Hostel's Barbara Nedeljakova is a munter, it's just that given the choice I prefer my ladies of the Asian persuasion); and last but not least, the film isn't by Roth, whose over-inflated ego really gets my back up.

6.5 out 10, rounded up to 7 for IMDb.

When Wade Chen (Bryant Chang), who is the driver of President Yang (Jerry Huang) of the Weida Group, accidentally sees his boss shagging a top-model in the backseat of his car, Yang surprisingly invites him to go to a high-society party. Wade thanks and tells that he has neither money nor clothes to go to the event, but Yang tells the he would sponsor everything to Wade that could tell that is his cousin. In the invitation, the guest is requested to fulfill with the offbeat dream. In the party promoted by Mr. Warren in a warehouse, Wade gets closer to Miss Liang and two other rookies. Each one of them sees the dream coming true but sooner the quartet discovers that they are the lead attraction of the party that is promoted to torture losers in a deadly fight of classes.

"Jue Ming Pai Dui" a.k.a. "Invitation Only" is another brutal film of sadism and torture. I do not like this sub-genre of horror and I have already seen similar sadism before, since the stories are very alike with a shallow pretext to show graphic tortures. This unpleasant film is not the worst slasher and the special effects and makeup are very realistic but unfortunately the plot is ridiculous. My vote is four.

Title (Brazil): "Acesso Restrito" ("Limited Access")

Usually is Hollywood who does the rip-off, taking different foreign productions and making the worst out of them. Well, I have now lived to see it otherwise, Invitation only, the absolute worst of revenge gore.

OK, so stating that it is more gore than horror should be a no brainer, but while we are playing this card, let's also admit that it is a bad production, not the worse gore use out there, bad acting, a plot of a B- film, and overall easily predictable. Reasons to see it? Not many, I say you stay with the American ones, I actually find those smarter and it is a more familiar concept there, thus, resulting in better productions.

Invitation Only could be accepted as a first try, the smallest of baby steps, but a step nonetheless. Beyond that, this film should be ignored. It even feels too long for what it delivers.

Cheers!