NOTE IMDb
4,5/10
1,4 k
MA NOTE
Dale espère une relation significative à Los Angeles, mais cela lui échappe. Puis elle tombe sur un musicien qu'elle connaissait avant qu'il ne devienne une star.Dale espère une relation significative à Los Angeles, mais cela lui échappe. Puis elle tombe sur un musicien qu'elle connaissait avant qu'il ne devienne une star.Dale espère une relation significative à Los Angeles, mais cela lui échappe. Puis elle tombe sur un musicien qu'elle connaissait avant qu'il ne devienne une star.
- Réalisation
- Scénario
- Casting principal
Mercedes Mason
- Stacey
- (as Mercedes Masöhn)
Alexandra Anthony
- Bathroom Bimbo #1
- (as Alexandra Fulton)
Avis à la une
1/I like the opening of the film, but overall, the plot isn't intersting, and the design of the ups and downs isn't good.
2/Scarce interesting lines, which makes the film seem boring. And because of this, the use of special effects which are supposed to lighten the mood make the film look cheesy
3/actors, actresses aren't doing a very good job, I can't really relate to them.
It's amazing what a Thanksgiving food coma will do to a girl. Case in point: I watched this entire film. The entire bloody thing. Those are 90 minutes I will never, ever, be able to get back!
Oh. Holy. Hell. What did I do????
To say the writing is insipid is being generous. The dialogue is downright lame, and when it's delivered by actors who seem completely unenthusiastic about appearing on camera, the entire thing is just painful. The tragedy here is that I have seen all of these people, every one of them, in roles that showed they are actually capable of acting. It's like they read the screenplay, realized that no one was ever going to see this piece of tripe after all, and then decided to dial it in. From Norway.
I'd suggest you skip it, but if you're determined, make sure you've stocked up on a bottle or three of wine first. It's the only way you'll survive.
Oh. Holy. Hell. What did I do????
To say the writing is insipid is being generous. The dialogue is downright lame, and when it's delivered by actors who seem completely unenthusiastic about appearing on camera, the entire thing is just painful. The tragedy here is that I have seen all of these people, every one of them, in roles that showed they are actually capable of acting. It's like they read the screenplay, realized that no one was ever going to see this piece of tripe after all, and then decided to dial it in. From Norway.
I'd suggest you skip it, but if you're determined, make sure you've stocked up on a bottle or three of wine first. It's the only way you'll survive.
If you're looking for a film so catastrophically crafted that you can sit and pick apart with your friends as you choke on your own bile, you'll love this movie.
It's got it all:
Winner winner
It's got it all:
- robotic acting
- weird giggling
- let's dance girls!
- 13 year old girl reading her diary- style narration
- creepy children at a church speaking to strangers
- cheesy 80s soundtrack
Winner winner
This movie was basically a product, it told a story that we already know we are "okay" with. Insecure female protagonist, been let down in the past, so she's afraid of a real relationship. This premise is hammered into us over, and over, and over again. We see the perfect guy for her in the first ten minutes of the movie! Dale reflects on how she feels like a victim, again and again. Do you need us to spell it out for you?
The editing of this movie both impressed and annoyed me. It's flashy and fast, often treating the audience as if we have the shortest possible attention span. The movie feels like its own trailer sometimes.
I have to admit that the acting was pretty good. Nothing great, no really deep personalities or stirring emotional moments, but I commend the good casting, and I think everyone gave it their all. They looked like they were actually enjoying themselves, too.
But the story had nothing to say, and we just ended up seeing a bunch of really attractive people flirt and fight and commiserate and make kissy-face. No conflict ever got resolved, we never saw anything play out to its logical conclusion. A few times I felt as if a character was just doing something really stupid, and I knew this person could have done better. But I think self-awareness is taboo in movies like these.
The editing of this movie both impressed and annoyed me. It's flashy and fast, often treating the audience as if we have the shortest possible attention span. The movie feels like its own trailer sometimes.
I have to admit that the acting was pretty good. Nothing great, no really deep personalities or stirring emotional moments, but I commend the good casting, and I think everyone gave it their all. They looked like they were actually enjoying themselves, too.
But the story had nothing to say, and we just ended up seeing a bunch of really attractive people flirt and fight and commiserate and make kissy-face. No conflict ever got resolved, we never saw anything play out to its logical conclusion. A few times I felt as if a character was just doing something really stupid, and I knew this person could have done better. But I think self-awareness is taboo in movies like these.
10nsoofi
I recently watched Slightly Single in L.A via the HBO download. I wasn't sure what to think by the trailer, as it seemed like it was going to be a rip off of Sex In The City, or something. But the jokes in the trailer were funny, and the cast seemed great. Long and short - what an endearing, sweet, and funny movie. It's defiantly a chick-flick, and the comedy and jokes all play to a female audience. It's clever, and quick, and most certainly lives up to the title. On that note, I wasn't sure what to think of the title 'Slightly' Single in L.A., as what does 'Slightly' mean? But having lived in L.A., dated in L.A., and now having watched this film -- I agree with the writer, Christie Will, that everyone in Los Angeles is always 'Slightly' in a relationship. Like Dale says in the movie - always looking for the bigger better deal. Lacey Chabert is adorable in it - you laugh at her, with her, and then feel for her dating struggles, and life journey. Jenna Dewan is also perfectly cast as her vixen best friend, along with Haylie Duff (who is so funny as Jill). I also really laughed at Jonathan Bennett, and Chris Kattan; and Kip Pardue (as Zac) is is sexy and down to earth. I think this ensemble is one of the best I've seen on TV in a long long time. The writer and director is Christie Will, and from reading about her on-line, it seems this story might be somewhat autobiographical. I really like her sense of humour, and direction, and I plan to watch all her films now. Anyhow, I highly recommend Slightly Single in L.A. if you want to watch a real film, about dating and friendship. Note: it's only available on-line (just search).
Le saviez-vous
- AnecdotesRumer Willis was originally cast as Dale, but dropped out prior to the start of production and was replaced by Lacey Chabert.
- ConnexionsReferences Lolita malgré moi (2004)
- Bandes originalesIn Hollywood
(Title Song)
Written by Carly Robyn Green, Amy Powers, Denzil Remedios & Kibwe Luke
Performed by 21st Century Girl
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Slightly Single in L.A.?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Слегка одинокий в Л.А.
- Lieux de tournage
- Los Angeles, Californie, États-Unis(many exteriors)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 500 000 $US (estimé)
- Durée
- 1h 28min(88 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant