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Pontypool

  • 2008
  • Not Rated
  • 1h 33min
NOTE IMDb
6,5/10
37 k
MA NOTE
Pontypool (2008)
A psychological thriller in which a deadly virus infects a small Ontario town.
Lire trailer1:35
2 Videos
81 photos
B-HorrorPsychological HorrorZombie HorrorHorrorSci-Fi

Ajouter une intrigue dans votre langueA radio host interprets the possible outbreak of a deadly virus which infects the small Ontario town he is stationed in.A radio host interprets the possible outbreak of a deadly virus which infects the small Ontario town he is stationed in.A radio host interprets the possible outbreak of a deadly virus which infects the small Ontario town he is stationed in.

  • Réalisation
    • Bruce McDonald
  • Scénario
    • Tony Burgess
  • Casting principal
    • Stephen McHattie
    • Lisa Houle
    • Georgina Reilly
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,5/10
    37 k
    MA NOTE
    • Réalisation
      • Bruce McDonald
    • Scénario
      • Tony Burgess
    • Casting principal
      • Stephen McHattie
      • Lisa Houle
      • Georgina Reilly
    • 242avis d'utilisateurs
    • 187avis des critiques
    • 54Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 11 nominations au total

    Vidéos2

    Pontypool
    Trailer 1:35
    Pontypool
    Pontypool
    Clip 1:43
    Pontypool
    Pontypool
    Clip 1:43
    Pontypool

    Photos81

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 77
    Voir l'affiche

    Rôles principaux18

    Modifier
    Stephen McHattie
    Stephen McHattie
    • Grant Mazzy
    Lisa Houle
    Lisa Houle
    • Sydney Briar
    Georgina Reilly
    Georgina Reilly
    • Laurel-Ann Drummond
    Hrant Alianak
    Hrant Alianak
    • Dr. Mendez
    Rick Roberts
    Rick Roberts
    • Ken Loney
    • (voix)
    Daniel Fathers
    Daniel Fathers
    • Nigel Healing
    Beatriz Yuste
    Beatriz Yuste
    • Nancy Freethy
    Tony Burgess
    Tony Burgess
    • Tony (Lawrence)
    Boyd Banks
    Boyd Banks
    • Jay (Osama)
    Hannah Fleming
    • Maureen (Farraj)
    Rachel Burns
    • Colleen (Daud)
    Laura Nordin
    Laura Nordin
    • Spooky Woman
    Louis Negin
    Louis Negin
    • Conversationalist
    Diane Gordon
    • Conversationalist
    Daniel Junghuan Park
    Daniel Junghuan Park
    • Conversationalist
    • (as Daniel Park)
    Yvonne Moore
    • Conversationalist
    Raffaele Carniato
    • Conversationalist
    Derek Scott
    Derek Scott
    • Fish Hut Man
    • (non crédité)
    • Réalisation
      • Bruce McDonald
    • Scénario
      • Tony Burgess
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs242

    6,537.2K
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    10

    Avis à la une

    7Knoedelkop

    This film needs the right audience.

    Indeed, Pontypool is one of those movies that will appeal to a certain number of people, but it's just not for everyone. However, it does feature some refreshingly new twists and turns to the classical zombie-infestation-overflows-a-village horror story. These new twists and differences are beautifully explained during the movie, and won't leave you with any questions at the end, something that doesn't happen often enough in this genre.

    The acting by Stephen McHattie and Lisa Houle is decent enough, especially for a horror movie. Especially the first part of the movie, where the tension is built up, relies for the most part on their acting and they pull it off nicely. The camera-work is good but nothing special, the setting is dark but what can you expect from this genre of film!

    All in all, I believe Pontypool stands out of the bulk of today's horror movies. It won't make it to be an all time classic of the genre, but it's a nice movie to watch (atleast for once), especially if you like a somewhat mysterious atmosphere and less blood and gore than is usual for a zombie movie. If you, on top of that, try to really comprehend the new twists and turns and the explanation for the zombie infestation and use your imagination, this film will leave you wondering and ensure you'll have had a good time.

    *First review ever*
    8movieman_kev

    Cunning linguist

    Stephen McHattie's mesmerizing performance as down-on-his-luck Radio talk show host, Grant Mazzy, bolsters an already intriguing premise that deals with a peculiar zombie outbreak that centers around linguistics in a way that I not only found interesting but the movie actually had me eagerly anticipating the sequel, but also making a beeline to get hold of both the books that originated their respective movies. That, my friend, is the sign of a good film. The only real trepidation the film caused me is the ending which I found awfully lackluster. Otherwise, the film caught my fancy.

    Ps: Stick through the credits as the movie isn't truly over
    7rasecz

    A word is more virulent than a thousand pictures

    One of the things the great Orson Welles is known for is a radio broadcast reporting on an alien invasion. Credulous folks did not see the hoax. Pontypool follows a similar line with Martians replaced by zombies and hoax by satire.

    In my hierarchy zombie films are the cheapjack of cinema. Surprising then I would be watching one. Nonetheless I stayed to the end of Pontypool on the strength of its various non-zombie elements.

    First, the film brought to mind the radio days of yore, before TV arrived to pollute our living rooms. The evening serials for children with voices and sound effects elicited an imagery of thrilling adventures and exciting conflicts of good versus evil. Would not miss a single episode. In this there was a counterexample to the saying that a picture is worth a thousand words.

    Second, the core conceit of a zombie-inducing disease transmitted by a word, or words, ties in nicely with the viral memes of Dawkins. (See his talk at TED for a short explanation.) If the word is mightier than the sword, here a word is more virulent than a bomb. The zombie state is a metaphor for anti-social acts that otherwise normal people are led to commit because their minds have been contaminated.

    Third, the self-deprecating humor. The bits about the poisoning of the public airwaves. The chopper-riding reporter in the middle of a blinding snow storm reporting on the traffic. The irritating language tics -- you know -- of some, here captured by endless zombie repetitiveness and the tendency of the zombies to chew their own tongues into a bloody mass. In places the film elevates itself to satire and laughing at the silliness of the explicit plot happens often.

    Finally, the superb performance of Stephen McHattie as the morning radio talk show host of the small AM 660 CLSY station in Pontypool. If there is a single reason to watch this film it is McHattie.

    The film is beautifully economical. The entire action, except for the opening scene, takes places in a radio station. As such the film is mostly words. In that it is self-referential: a film about a day at a radio station's studio that is a purveyor of words. I would not be surprised to find Pontypool reach the level of cult film.
    7jon_pratt12345

    An atmospheric horror that engages your imagination.

    I avoided Pontypool for a long time mistaking it for a conventional zombie movie but it absolutely is not. Pontypool is a twist on both the zombie concept and the way the story is told which leaves a great deal to the audience's imagination. The lead actor is charismatic and has an incredible voice for radio and the professional chemistry with his producer is really exciting to watch. There is the occasional cliche and needless, clumsy exposition but there is a huge amount of originality which places this well into the upper echelons of psychological horror films. It's also very funny in places.
    ILostMyNameCanIHaveYours

    Not bad.

    Pontypool is one of the few horror movie that used a little creativity and proves you don't need a high budget to a make horror film. The story circles around a local radio station and its crew of three people. As the day moves on they slowly start to here reports of violence happening all over the region. This includes riots, people killing each other and intervention from the Canadian Government. Soon they find themselves hiding in the station from the horror out side they are reporting. If that was not bad enough, they can't figure what's going on. Pontypool takes a very different and more effective way at trying to scare its audience. Most western horror these days seem to mainly focus on jump scares or brutal kill scenes alone. Pontypool on the other hand gives a few vague descriptions on what's actually going on out there. For most of the movie you really are just listening to a broadcast and testimonies of eye witness. This leaves the viewer having his own imagination working against him for a big chunk of the film. For me this was the most strongest for the first half of the film when we don't know what's causing the hysteria. I actually only have one real complaint which I felt the ending could have been better. I didn't hate the ending it just feels kind of weak compared to what we see earlier. I would go into more detail but that would results in some spoilers.

    Overall it's a fun creepy horror movie that could be enjoyable for Halloween. I give it a few extra points for what they were able to pull off on a low budget and for an interesting experiment in horror.

    Thats why I give this radio broadcast from hell an 8 out of 10.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      "Pontypool" was produced as both a motion picture, and as a radio play. Both versions of "Pontypool" were influenced by Orson Welles' infamous radio production of "The War of the Worlds." The radio play was broadcast on the BBC's Art & Culture section of their World Service website. It is approximately 58 minutes long, as opposed to the film's running time of 95 minutes.
    • Gaffes
      After the radio station receives a warning message in French, Grant reads a translation which includes the phrase "For greater safety, please avoid the English language." This was not part of the French message when it came through.
    • Citations

      [first lines]

      Grant Mazzy: Mrs. French's cat is missing. The signs are posted all over town. "Have you seen Honey?" We've all seen the posters, but nobody has seen Honey the cat. Nobody. Until last Thursday morning, when Miss Colette Piscine swerved her car to miss Honey the cat as she drove across a bridge. Well this bridge, now slightly damaged, is a bit of a local treasure and even has its own fancy name; Pont de Flaque. Now Collette, that sounds like Culotte. That's Panty in French. And Piscine means Pool. Panty pool. Flaque also means pool in French, so Colete Piscine, in French Panty Pool, drives over the Pont de Flaque, the Pont de Pool if you will, to avoid hitting Mrs. French's cat that has been missing in Pontypool. Pontypool. Pontypool. Panty pool. Pont de Flaque. What does it mean? Well, Norman Mailer, he had an interesting theory that he used to explain the strange coincidences in the aftermath of the JFK assasination. In the wake of huge events, after them and before them, physical details they spasm for a moment; they sort of unlock and when they come back into focus they suddenly coincide in a weird way. Street names and birthdates and middle names, all kind of superfluous things appear related to eachother. It's a ripple effect. So, what does it mean? Well... it means something's going to happen. Something big. But then, something's always about to happen.

    • Crédits fous
      There's a scene after the end credits.
    • Connexions
      Featured in Siskel & Ebert & the Movies: Up/Drag Me to Hell/The Brothers Bloom/Departures/Pontypool/What Goes Up (2009)
    • Bandes originales
      The Nefud Desert
      Music & Lyrics by Tony Burgess

      Performed by Boyd Banks, Tony Burgess, Rachel Burns, Hannah Fleming

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    FAQ21

    • How long is Pontypool?Alimenté par Alexa
    • Where does the name Pontypool come from?

    Détails

    Modifier
    • Date de sortie
      • 18 septembre 2009 (Turquie)
    • Pays d’origine
      • Canada
    • Langues
      • Anglais
      • Français
      • Arménien
    • Aussi connu sous le nom de
      • Talking Dead
    • Lieux de tournage
      • Toronto, Ontario, Canada
    • Sociétés de production
      • Ponty Up Pictures
      • Shadow Shows
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 950 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 3 865 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 1 541 $US
      • 31 mai 2009
    • Montant brut mondial
      • 32 118 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 33 minutes
    • Couleur
      • Color
      • Black and White
    • Rapport de forme
      • 2.35 : 1

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