Jerichow

Jerichow is a region in a part of East Germany that faces the Baltic Sea--it used to be in the GDR. A dishonorably discharged Afghanistan veteran Thomas returns to his home village of Jerichow. There after witnessing a wreck with a guy who was drinking he meets Ali who hires him as a driver. Ali (Hilmi Sozer), a middle aged Turkish immigrant who owns of a snack-bar chain in Eastern German . Then Thomas meets Laura, his Turkish boss's young & attractive wife (Nina Hoss who is very beautiful). Thomas ( Benno Furmann) was in the Army during the war in Afghanistan he is at his mother's funeral & he has confrontation with business man he owes large sum of money to. So between them begins a classic love triangle. Petzold writes & directs a fine, tight film about 3 characters, each with a dark side to their character. It is a well directed & acted drama about a love & lust for the 3. The Ali character is the rich macho acting *ss*ole--he is not a happy man. The wife is the submissive beauty. Thomas is the quiet stoic strong army guy needing money & job. There is a resemblance to both versions of 'The Postman Always Rings Twice', also similar to the films by the late Reiner Werner Fassbinder Robert Bresson, & others.(as mentioned by others) This is an austere film making from director Petzold whose works are not well known in this country. The cinematography is really terrific & beautiful set in the desolate northeast Germany, where thick forests suddenly end on cliffs overlooking the Baltic Sea . The film also captures a social portrait of newly multicultural Germany, at least as it extends into the country's forgotten rural interior. The film does a good job giving us people in the dead ends they face & in the spiritual emptiness that causes people to do desperate things in search of happiness. In the end Ali ends up earning some of our sympathy is a testament to both Petzold's smart script & Sozer's deeply nuanced performance, a trait shared by his two co-actors.

This is really a movie which didn't need to be made. I watched it because I greatly admire Benno Fuhrmann's work in North Face and in Joyeux Noel (a wonderful film, BTW).

Enough folks here have done the comparisons with Double Indemnity, etc. etc. The acting and cinematography and realism of this film are all perfectly adequate. However, there isn't much character development, and therefore, not nearly enough to make me care about the 3 main characters. In fact, the one we get to know best is actually the Turkish husband, and I had more sympathy for him in a way that for the two protagonists, largely because we don't really know them. The movie isn't full of a bunch of intriguing plot twists, and the action is relatively slow-moving. The aspect of this film which most interested us was the setting in a part of Germany which none of us have seen. My husband is German, and the part we know is the extreme southwest, nothing northeast. We were also interested to see contemporary Germany actually being depicted. But, I'm sorry, this just isn't enough to justify the amount of time.

Producers and directors need to be reminded that people today have a host of other entertainment options available to them and any movie they make should be MORE interesting than say, watching a ballgame on TV, surfing the internet, playing video games, sex with spouse, camping in the woods, going out to dinner with friends, watching YouTube, etc. etc. In other words, having an interesting, entrancing story is, at least in my mind, a good half the value of a film. Unfortunately, so many movies today just don't seem to be aware of the demand for a decent story, and I don't get that. I read a lot of thriller novels, excellently written, all of which would make fantastic films, and furthermore, I know from the authors themselves that they have sold the rights to make a movie from the books. So, I ask myself, why aren't THESE stories becoming movies, instead of a lot of the ho-hum stuff that does become film?

This isn't about the movie, it's about the comment above that asserts that Jerichow is an area in east Germany that faces the North Atlantic.

East Germany has a coast line on the Baltic sea.

The rest of Germany has borders with Poland, West Germany and the Czech Republic

Before you get to the north Atlantic you have to go through the north sea, and maybe the English channel (if you go that way).

So Jerichow is no where near the North Atlantic.

The rest of that comment should, therefore, be ignored in it's entirety.

This is a veritable remake of The Postman Always Rings Twice but it has new and interesting things to say. The noticeable nods to The Merchant of Four Seasons (Fassbinder) are handled cleverly too. There are only 3 characters of any importance and the actors are very good. Director Petzold expertly creates and maintains tension where we kind of know what will happen but we also kind of don't. This tension is crucial to the film. We've seen this story before. But we haven't. These characters and their situation are similar. But different. The character Ali was brought to Germany at age 2 but he might be the first 'non-religious' Muslim I've seen in a European film. So, just 3 main characters but they are more complicated than they seem at first. I am writing in 2015. Director Petzold is not young. I will definitely 'catch up' w/ his films.

Jerichow is a region in a part of East Germany,that faces the North Atlantic. It is also the title of a grim,but well written,directed & acted drama about a love (lust?)triangle. Thomas (a stoic faced Benno Furmann)is one of life's losers,who was in the Army during the war in Afghanistan,who is on the run from being in debt with a business associate. Ali (Hilmi Sozer),a middle aged Turkish immigrant,who owns a chain of snack bars in central Eastern Germany & his beautiful,young wife (Nina Hoss,most easy on the eyes). Despite a somewhat strained friend ship between the three,paranoia & mistrust exist between two of the three parties (especially when Thomas & the wife start an affair). Christian Petzold writes & directs a fine,tart film about three characters,each with a dark side to their character. Besides a passing resemblance to both versions of 'The Postman Always Rings Twice', it may also remind you of films by the late Reiner Werner Fassbinder,Robert Bresson,and others. This is grim,but well intentioned film making from a director who's works are fairly unknown in this country (and let's hope that changes soon). As this is an import,distributed by a small independent studio,it is not rated by the MPAA,but contains pervasive language,sexual situations,nudity & violence (although nothing too gory).