Love Hurts

...unless you count the pain in your cheeks from laughing too much. I certainly had from time to time.

Anyhow, when I heard about this movie I seriously thought that it will be just another heartache, breakup, deep-thinking, insert-any-cheap-cliché-here movie, because of the title. I mean, movies with such titles usually smells like recycling the same old breakup story we've all heard for about one hundred times, if not more. The opening scene just made my bad feeling stronger with his "You've gone heavy on the cheese, honey" and her bath robe, and the flowers on the sidewalk.

Boy, was I wrong...This movie is damn hilarious! It made me laugh so hard that if I was having milk, I'm sure it'd have blew trough my nose. The father - son relationship didn't left me with the awkward feeling of something unreal, god no, I wish everybody could have a dad like that. Mom could have had a bit more time in the movie, but this was close to perfect, in my eyes.

Loved it, the craziness, lightness, the way it was always fun and alive and made you cry because of laughing, not because of sadness. Besides, dad's hot. A 9 from me, definitely go watch it, it'll make your day!

A movie about divorce, realizing what is important and the bond between a father and son. After his wife (Moss) leaves Dr. Bingham (Grant) he goes into a deep depression. With help from his son Dr. Bingham changes his image and starts dating again and seems happy. When his son falls in love he puts his plans on hold and helps his son, and learns more about his wife in the process. This movie is really funny and unexpectedly touching in parts. Dr. Bingham thinks only of himself until his son falls in love and then the bond between him and his son starts to grow and it is fun to watch how they interact with each other. This movie was very surprising one of the funniest movies that has come out in the last few months. I give it a B.

This is a basic get some money rom com without much com and not a lot of rom either. I cannot but think they just produced this out of the romcom sausage machine and used the quantity rather than quality attitude in the hopes it would be a success.

Dad (richard grant) is going through a breakup of his marriage, while son (pacar) is just falling in love with a girl he has just met. Mom (moss) is staying with the next door neighbor (manheim), and has also met someone new. They all still lean on each other when necessary. Can they help each other get through all this? Smaller roles for rita rudner, janeane garofalo, jenna elfman. It's cute....has a strange vibe at the start, but the chemistry gets better as it goes along. In the beginning, dad seems to be channeling hugh grant, sounding and acting just like him. But he settles down after that, and the film gets better. Good, solid story, as the son teaches dad to be a playa in the dating world. And dad teaches son to get more serious when he falls in love. This is listed as a comdy. No real big laughs, but it's good. Written and directed by barra grant. So many grants... wonder if she is related to richard. Or hugh.

Thing about Richard E. Grant is he doesn't seem to be able to get part re-playing - and re-playing and re-playing - the character he played in "Withnail & I" and "How to Get Ahead in Advertising" - both of which are classics.

Withnail was in 1987 - Grant's first film - and How to Get Ahead in Advertising was in 1989 - that's over 30 yrs ago and Grant has made over 100 movies since then - but in every scenario, no matter how unsuited, he's always Withnail.

So what is the Withnail character - well, it's a frenzied Brit who is interminably bemused by the circumstances in which he in interminably incongruous.

And in Withnail and How to Get Ahead - he had a perfect fit with.writer/director Bruce Robinson - who had the "Benny Hill" sensibility of that era in Brit comedy to a tee - sharp dialogue, hilarious nonsensical narratives, etc etc.

So with Robinson, although Grant played basically the same character, the settings were completely different - in Withnail, he's a dispossessed 60's London gad-about and in "Getting Ahead" he's a slick 1980's advertising exec - but Robinson makes it work in both cases without seeming to be repetitive.

Without Robinson, or a script/director of similar wit and panache - Grant is lost and is like a audio clip that just keeps skipping and repeating.

In this offering, Grant has nowhere near a Robinson level story or script or cast of supporting actors - and, consequently, it's just a below mediocre mash with Grant flopping around being bemused but definitely not amusing.

Well, there it is ...