Après la mort soudaine de sa femme, un auteur de best-sellers retourne dans son chalet, où il reçoit des visites paranormales et se retrouve impliqué dans une bataille pour la garde des enfa... Tout lireAprès la mort soudaine de sa femme, un auteur de best-sellers retourne dans son chalet, où il reçoit des visites paranormales et se retrouve impliqué dans une bataille pour la garde des enfants.Après la mort soudaine de sa femme, un auteur de best-sellers retourne dans son chalet, où il reçoit des visites paranormales et se retrouve impliqué dans une bataille pour la garde des enfants.
- Récompenses
- 2 victoires et 2 nominations au total
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As with all King adaptations, the book is so much better. The nightmares Mike has in the book are just not thoroughly expressed and as scary in this. However, I think it's worth the couple hours it takes to watch it.
Adapting a Stephen King novel to the screen has proved to be a dicey proposition for writers/directors in the past. Either the film is a huge hit (like "Shawshank Redemption" or "Green Mile"), or it turns into a B-movie that doesn't nearly live up to the billing. In the case of "Bag of Bones", director Mick Garris does a remarkable job of translating the page to the screen.
For a basic plot summary, "Bag of Bones" sees writer Mike Noonan (Pierce Brosnan) struggling with severe writers block after the death of his wife Jo (Annabeth Gish). To try and break out of his funk, Mike heads to his summer retreat home on Dark Score lake, where Jo had frequented often. While there, Mike meets Mattie Devore (Melissa George) and her daughter Kyra (Caitlin Carmichael), who draw him into a haunting (literally!) mystery surrounding town baron Max Devore (William Schallert) & the unexplained death of 1930s jazz songstress Sara Tidwell (Anika Noni Rose).
What makes "Bag of Bones" really work is the fact that it doesn't stray too much from the original King subject matter. It had been awhile since I read the novel, so I can't nit-pick all that much, but the film seemed to do a good job of sticking to the script, so to speak, and not deviate from King's wonderfully compelling (and spooky) tale.
The acting, for the most part, is also quite fine. Brosnan is very capable as the lead, while only a couple of the key auxiliary roles are sub-par. Special credit needs to be given to little Ms. Carmichael, who really gives the show its emotional kick throughout.
About the only thing this film doesn't translate well from the book are the "villain" characters (you'll know who they are after you watch). In the book, I seem to remember much more character development about them, which was excised from this adaptation likely due to time. It shows a bit in the end, when the overall story gets a bit one-sided, but this is a relative nit to pick.
Overall, "Bag of Bones" is a solid show that should satisfy readers of the King novel (or anyone else who happens to stumble upon it). It may not be an all-time classic, but as far as King- related film projects go, it is up near the top.
For a basic plot summary, "Bag of Bones" sees writer Mike Noonan (Pierce Brosnan) struggling with severe writers block after the death of his wife Jo (Annabeth Gish). To try and break out of his funk, Mike heads to his summer retreat home on Dark Score lake, where Jo had frequented often. While there, Mike meets Mattie Devore (Melissa George) and her daughter Kyra (Caitlin Carmichael), who draw him into a haunting (literally!) mystery surrounding town baron Max Devore (William Schallert) & the unexplained death of 1930s jazz songstress Sara Tidwell (Anika Noni Rose).
What makes "Bag of Bones" really work is the fact that it doesn't stray too much from the original King subject matter. It had been awhile since I read the novel, so I can't nit-pick all that much, but the film seemed to do a good job of sticking to the script, so to speak, and not deviate from King's wonderfully compelling (and spooky) tale.
The acting, for the most part, is also quite fine. Brosnan is very capable as the lead, while only a couple of the key auxiliary roles are sub-par. Special credit needs to be given to little Ms. Carmichael, who really gives the show its emotional kick throughout.
About the only thing this film doesn't translate well from the book are the "villain" characters (you'll know who they are after you watch). In the book, I seem to remember much more character development about them, which was excised from this adaptation likely due to time. It shows a bit in the end, when the overall story gets a bit one-sided, but this is a relative nit to pick.
Overall, "Bag of Bones" is a solid show that should satisfy readers of the King novel (or anyone else who happens to stumble upon it). It may not be an all-time classic, but as far as King- related film projects go, it is up near the top.
I am used to movies/series about books but this is an another case. If I did not read the book I think I do not understand the storyline at all. Because all the necessary and crucial relationships are missing in this mini series. This series could be longer than a 2 episode series. Because 2 episodes did not provide the background of the story as it should. I know book based products are different and should be than the books itself but this is an exception. If you really want to understand wats going on you should read the book. After you read that it is enjoyable to watch and criticize the series.
Bestselling novelist Mike Noonan (Pierce Brosnan)'s wife Jo (Annabeth Gish) gets run over in the street. He finds a pregnancy test on her and assumes that she cheated on him since he's infertile. Marty (Jason Priestley) is his literary agent. He is haunted by nightmares of a girl at his summer home on Dark Score Lake, Maine. He goes to stay at the cabin in the wood which had been renovated by his wife. He saves Kyra Devore from getting run over and befriends her mother Mattie (Melissa George). Mattie is in a custody battle with her wealthy father-in-law Max Devore after she killed her husband as he tried to drown Kyra. Mike has visions of a 1930s jazz singer Sara Tidwell.
Many Stephen King stories have been translated onto the screen. This is not the worst but definitely not that good. This could be a good ghost story but it needs to be compressed. Pierce Brosnan is required to fill a lot of space by himself. It does a lot of creepy but nothing actually scary.
Many Stephen King stories have been translated onto the screen. This is not the worst but definitely not that good. This could be a good ghost story but it needs to be compressed. Pierce Brosnan is required to fill a lot of space by himself. It does a lot of creepy but nothing actually scary.
I love Stephen King novels, and I love the miniseries productions of his work (particularly SALEM'S LOT and IT). BAG OF BONES is the latest addition to the list, a 2011 production which sees Pierce Brosnan playing a thinly-veiled version of the author himself uncovering ghosts and sinister secrets in a rural town.
So far so Stephen King, you might think, and this is very much par for the course when it comes to this type of stuff. Director Mick Garris tries to jazz things up with snappy editing and cross-cutting, but when it comes to the 'horror' it's the same old scare tactics: loud noises, sudden movement, a creepy pair of villains. The usual stuff.
The production isn't all bad, and I did find that the three hours zipped past as I watched; I wasn't bored, that's for sure. Brosnan gives one of his dependable everyman type performances (and seems to be wearing that same old blue shirt from DANTE'S PEAK) although Melissa George is slightly wasted in a small role. Really, this is the Brosnan show, with him going all Bruce Campbell as he's haunted in his lakeside cabin.
There are a few gory flourishes here and there to keep things moving, and I liked the eventual unravelling of the back story which was highly effective. But for every point BAG OF BONES scores it loses one by doing something silly - such as the excruciatingly twee final scene involving some friendly spirits.
So far so Stephen King, you might think, and this is very much par for the course when it comes to this type of stuff. Director Mick Garris tries to jazz things up with snappy editing and cross-cutting, but when it comes to the 'horror' it's the same old scare tactics: loud noises, sudden movement, a creepy pair of villains. The usual stuff.
The production isn't all bad, and I did find that the three hours zipped past as I watched; I wasn't bored, that's for sure. Brosnan gives one of his dependable everyman type performances (and seems to be wearing that same old blue shirt from DANTE'S PEAK) although Melissa George is slightly wasted in a small role. Really, this is the Brosnan show, with him going all Bruce Campbell as he's haunted in his lakeside cabin.
There are a few gory flourishes here and there to keep things moving, and I liked the eventual unravelling of the back story which was highly effective. But for every point BAG OF BONES scores it loses one by doing something silly - such as the excruciatingly twee final scene involving some friendly spirits.
Le saviez-vous
- AnecdotesKelly Rowland was originally cast as Sara Tidwell.
- GaffesWhen Noonan touches the tree with his right hand and gets hurt by whatever, he jogs away; in the next scene his left hand is in pain.
- ConnexionsReferenced in Jessie (2017)
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