The Rain

It's a beautifully shot and composed indie horror film which strays from the standard, boring slasher and/or torture porn elements so prevalent in the genre and actually delivers a story! With characters and plot! It is at the end of the day a low budget film so it's not perfect but it's still a lot better than most of the crap released direct to DVD in order to keep a steady stream of new arrivals on the shelves.

Best Parts: the cinematography, score, production design and Richard Lynch and Ellen Sandweiss' acting Least Impressive Parts: Some of the CG effects aren't great, story is kinda slow and some of the other acting is a bit stiff Overall it has some flaws but makes up for them by being a tremendously ambitious and interesting classic style horror film.

There is a very good Horror/Supernatural Movie in here somewhere. It has excellent Cinematography, some eerie Make-Up effects, and a feel of the unreal. But in its ambitious attempt to tell a Story spanning three Generations of a cursed Community, something got submerged.

It is unnecessarily muddled and confusing and with some attentive Editing and a different structure, this one could have been a real Sleeper. Presented here, it is laborious, much too long, and the pacing is just too slow.

It is worth a watch for Fans of Horror and low budget experiments. There is some real Talent at work here behind the Camera, but its the Composition and flow that defeats this good try. This is some heavy going and is intriguing, but could be more homogenized.

This movie had a well written script and outstanding special effects plus the cinematography was excellent. It also had several well known actors and they did an outstanding job along with the rest of the cast. Also on the DVD I watched there was an outstanding commentary track by the director along with animated storyboards,a deleted scene and behind the scenes footage which all worth watching.

Dear Lord!! HOW have people reviewed and rated this so well?! Seriously, unless you want to slip into a mindcoma, do not touch this with a barge pole...

It's another low budget horror that could have done so well. A good idea in principle (a bawdy, ragged-toothed Native American curses some farmy people about something to do with rain) but fails on all levels. It's one of those horrors where the cast plod around a small set over and over again while nothing makes much sense. The acting is DIRE, in fact the plucky young lad from the bygone era was the only promising talent and he's in it all for 5 minutes. The rest of the cast look like they're practising their lines off camera in low effort mode and absolutely no- one adds anything to the silly storyline.

I cannot actually remember more of this because as well as losing the will to live soon in, my vital functions slowed down to a crawl making memory impossible. All I can recall is that there was a lot of wood panelling, a hat that kept reappearing and some black lines on everyone's skin. Oh and a bit of rain. Those were the highlights.

AVOID.

Set across three generations of inhabitants of the small town of Perseverance, comes a story not done justice by the flimsy direction and wooden acting. This eerie and suspenseful tale about a village haunted and cursed by wickedness contaminating their rain, ends up ringing hollow despite some good cast choices. Rain the purifier becomes the touch of death. The whole event is initiated in the late 1900s, as the village, led by Clive Jonis (played by the ever-charismatic genre old-timer David Carradine) enters into a pact with a devilish shaman. This in turns has bloody repercussions many years in the future as human sacrifices are necessitated by the need for rain.

Inside the story lurks some great potential with a creepy top-hat taking centre stage, while Tiren Jhames as the ominous Mr Saul brings the beast delivering a superb character. However, most screen times is wasted on some truly appalling child acting, who one-by-one spiral the movie into oblivion, leaving just singular moments and short-lived spine-crawling elements. Surprisingly disjointed it also features superior technical qualities depending on specific sub-stories, with acting, lighting and overall feel superior during the turn of the century story thread.

The story also becomes undone by the basic premise, which suggests that longing for life would corrupt the soul to such an extent, that mothers and fathers would willing dispose of their own kin. The concept itself seems so far-flung, thus only underlining the low production qualities, probably forced by budget limitations.