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Limitless

  • 2011
  • Tous publics
  • 1h 45min
NOTE IMDb
7,4/10
634 k
MA NOTE
POPULARITÉ
957
323
Robert De Niro, Bradley Cooper, Abbie Cornish, Anna Friel, and Johnny Whitworth in Limitless (2011)
Limitless -- Super Bowl Spot
Lire trailer0:33
21 Videos
99+ photos
Science-fictionThriller

Avec l'aide d'une pillule mystérieuse qui permet d'accéder à 100% de ses capacités facultives, un écrivain manqué devient guru financier, mais cela aussi le met dans un monde dangereux.Avec l'aide d'une pillule mystérieuse qui permet d'accéder à 100% de ses capacités facultives, un écrivain manqué devient guru financier, mais cela aussi le met dans un monde dangereux.Avec l'aide d'une pillule mystérieuse qui permet d'accéder à 100% de ses capacités facultives, un écrivain manqué devient guru financier, mais cela aussi le met dans un monde dangereux.

  • Réalisation
    • Neil Burger
  • Scénario
    • Leslie Dixon
    • Alan Glynn
  • Casting principal
    • Bradley Cooper
    • Anna Friel
    • Abbie Cornish
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,4/10
    634 k
    MA NOTE
    POPULARITÉ
    957
    323
    • Réalisation
      • Neil Burger
    • Scénario
      • Leslie Dixon
      • Alan Glynn
    • Casting principal
      • Bradley Cooper
      • Anna Friel
      • Abbie Cornish
    • 591avis d'utilisateurs
    • 401avis des critiques
    • 59Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 8 nominations au total

    Vidéos21

    Super Bowl Spot
    Trailer 0:33
    Super Bowl Spot
    Limitless
    Trailer 2:33
    Limitless
    Limitless
    Trailer 2:33
    Limitless
    "What Is It Called?" from Limitless
    Clip 0:59
    "What Is It Called?" from Limitless
    "Wake Up Call" from Limitless
    Clip 0:48
    "Wake Up Call" from Limitless
    "Tan Coat/Phone Call" from Limitless
    Clip 1:06
    "Tan Coat/Phone Call" from Limitless
    "Subway Fight" from Limitless
    Clip 1:03
    "Subway Fight" from Limitless

    Photos159

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 154
    Voir l'affiche

    Rôles principaux99+

    Modifier
    Bradley Cooper
    Bradley Cooper
    • Eddie Morra
    Anna Friel
    Anna Friel
    • Melissa
    Abbie Cornish
    Abbie Cornish
    • Lindy
    Robert De Niro
    Robert De Niro
    • Carl Van Loon
    Andrew Howard
    Andrew Howard
    • Gennady
    Johnny Whitworth
    Johnny Whitworth
    • Vernon
    Tomas Arana
    Tomas Arana
    • Man in Tan Coat
    Robert John Burke
    Robert John Burke
    • Pierce
    Darren Goldstein
    Darren Goldstein
    • Kevin Doyle
    Ned Eisenberg
    Ned Eisenberg
    • Morris Brandt
    T.V. Carpio
    T.V. Carpio
    • Valerie
    Richard Bekins
    Richard Bekins
    • Hank Atwood
    Patricia Kalember
    Patricia Kalember
    • Mrs. Atwood
    Cindy Katz
    Cindy Katz
    • Marla Sutton
    Brian Anthony Wilson
    Brian Anthony Wilson
    • Detective
    • (as Brian A. Wilson)
    Rebecca Dayan
    Rebecca Dayan
    • Rebecca Dayan
    Ann Marie Green
    • Financial Newscaster
    Damali Mason
    • Female Cop
    • Réalisation
      • Neil Burger
    • Scénario
      • Leslie Dixon
      • Alan Glynn
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs591

    7,4634.4K
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    10

    Avis à la une

    8davejones

    A Fun and Original Science-fiction Thriller

    This movie doesn't exactly go deep with either the moral or thematic implications of super intelligence. Nor are the characters particularly well developed. But I was engaged from beginning to end with this taut and, best of all, original thriller. I've never seen anything quite like it. It proceeds in a generally credible and suspenseful way from its premise--a pill that allows you to use all of your brain.Of course, the notion that we're only using a small fraction of our brains is untrue, but I liked how the film uses this urban fib as a springboard for its engaging story.

    There are one or two moments that strain credulity, (I'm thinking, particularly, of the one-eyed thug who can't seem to hit the broad side of a barn with his gun) but I think every good story has a few of those.

    The camera tricks and visual effects used to externalize what's going on in the main character's head are also a lot of fun. Good performances by all the actors.

    If you yearn for science fiction movies and thrillers that you can actually believe from moment to moment and haven't seen 10 times before, then I'd recommend this one.
    ccthemovieman-1

    A Stylish, Fun Film To Watch

    A stylish movie with an interesting premise that delivers more than it fails.

    Bradley Cooper, as "Eddie Mora," was good in the lead and actually all the characters in the film were interesting. That includes the villains were credibly menacing.

    Anyone who has been hooked on any kind of pill can relate to this film. The pill in this story, however, is different from anything anyone's heard of....and intriguing. You can't help but wonder if you would be tempted to take it yourself.

    Co-starring with Cooper and his magic pill is the style of the film. It's very stylish and looks great on Blu-Ray. If you're into visuals, this is a good movie to check out. The same goes for fans of suspense.

    I found this very entertaining and a film I would watch again. Yeah, the ending is a little contrived but, overall, it's a fun movie to watch.
    9johnnyventure

    Limitless

    I have to say that this movie panders to my particular taste, which is to say it has a well crafted story for our times, good acting and just the right blend of New York atmosphere mixed with a sci-fi feel. The other main issue is drugs. I personally have partook in the search for an intelligence enhancing substance and it was quite believable to watch Bradley Cooper transform from a bohemian-slob to a brainiac-overacheiver. The characters were well written and thought-out. The situations were too close to home for me to ignore. The character driven story was exemplary to any current sci-fi films.

    The tension was akin to any good crime drama but the plot kept it teasingly interesting. Why didn't I hear of this book? Anyways, Eddie(Bradley Cooper) is trying to meet a deadline after breaking it off with the love of his life(Abbie Cornish),and is on a downward spiral. He runs into an ex-brother-in-law who appears to be a druggie, but is actually involved in designer drug production, and is ensnared in a plot that leads him from the Russian Mafia to Wall Street. The science behind this movie is very believable and I applaud the producers for being brave enough to bringing it to the screen
    7cuppa_tetleys

    So much potential wasted here, but so much fun it excuses it

    Limitless is based by a book of the same name and any problems I have with the film are due to the translation of book to film. Primarily, it's clear that the book is written in the first person as their is an ongoing narration throughout the film of the main character commenting on events and giving exposition - which does the job in telling the story effectively, combined with the visuals (which are amazing), it does become irritating and at times unnecessary.

    My main problem with the film, however, is directly linked to why I liked it so much. Due to being based on a long book that would take hours and hours of reading, the story gets condensed and sped up, so plot points fly by one after the other and no time is wasted on anything useless which keeps it fast paced and engaging. However, this also means that problems and events that should have had more time get roughly 10 minutes to begin and conclude, downplaying their significance somewhat. Problems that seem dire get dealt with very quickly, seemingly with no side effects. The plot also lacks an overriding goal - a destination, it seems as if Eddie (Bradley Cooper) just takes things as they come rather than have an overall game plan, and it leaves you a bit dissatisfied in places as it feels it lacks direction, where in the book it would be more spread out and natural. OK, bad's out the way - now the good! The film is very well written; the script is very tight and has clearly been cut down for efficiency yet still natural and the acting is brilliant also. All characters are very convincing and Bradley Cooper's intelligent Eddie is so entertaining, convincing and endearing that you eventually love the character and rejoice every time he has to explain anything to the normal humans.

    Some of the action scenes are a bit naff, but otherwise very well done, but besides Bradley Cooper's performance, I'd say the main prize goes to the director - Neil Burger. My hat goes off to him for his visual imagination - his transitions between different locations are the best I've ever seen in a film and it really encapsulates Eddie's disorientation when he blacks out on and off. The effects used to illustrate the effects of the drug are also brilliant; sometimes you forget the voice over and just get lost in the special effects - such as the one in the trailer when the letters fall from the ceiling. The only thing I would complain about is the fact that he often uses extreme close ups excessively and it gets a bit distracting, but nothing compared to how compelling this film was. It was clever, but not genius, it was thrilling, but not mind blowing - it was just a lot of fun. Definitely worth seeing if you're an aspiring director or just a person with eyes in their face.
    8imdb2-556-923983

    Original, creative, enjoyable

    I feel it needs to be said that this is a superhero movie. We've had a myriad of superhero movies in recent years, but only a handful (e.g. the first Iron Man) were films where it seemed to me cast and crew were not fast asleep but actually cared about what they were doing. This is definitely an example of that rare breed. It is one of those movies where you spend the entire length of the film NOT noticing that it is a superhero movie, and quite possibly this will not dawn on you even on the ride home, because the subject matter is handled seriously: the characters are 3d life-like people; the plot has life-like complexity; there is ambiguity and room for interpretation. Somebody cared. I had my doubts, going in, whether Bradley Cooper can pull this one off. He sure can. Other actors are also at the top of their game. (I don't feel I need to pick out De Niro in particular, here.)

    So, the good: Original, creative writing. Original, creative, beautiful cinematography. Original, creative direction. Interesting throughout. Believable, except when it isn't trying to be. Good pacing. Well acted.

    The bad: Some scenes stretch credulity. Most by just a little. The fore-last scene is over the top. I loved it. (My wife said: "They're trying to pull a Tarrantino. Right?" and they were.) I can't blame anyone who says this scene ruined the movie for him. It isn't believable. It isn't consistent with the rest. But it's definitely where the roller-coaster that is this movie is at its most extreme. By contrast, the last scene left me with a feeling of something missed. It's like the script saves the best for the sequel.

    So, unfortunately, this movie doesn't have an ending that makes you forgive it for everything else. Quite on the contrary. It just happens to be so good that I was willing to forgive it its bad ending.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Bradley Cooper's father was ill with terminal cancer during the filming of this movie, and Cooper was accordingly relieved that the movie was shot in his hometown of Philadelphia so that he could check on his father every day.
    • Gaffes
      In the cafeteria scene, when Eddie wants a loan of $100,000, he reveals that he quintupled his money four days in a row. Some scenes before, he started his investment with $800. Quintupled four times, that totals $500,000. So, why does he need to borrow money?
    • Citations

      Eddie Morra: Well, in order for a career to evolve, I'm gonna have to move on.

      Carl Van Loon: That you would even think that would only show me how unprepared you are to be on your own. I mean, you do know you're a freak? Your deductive powers are a gift from God or chance or a straight shot of sperm or whatever or whoever wrote your life-script. A gift, not earned. You do not know what I know because you have not earned those powers. You're careless with those powers, you flaunt them, and you throw them around like a brat with his trust-fund. You haven't had to climb up all the greasy little rungs. You haven't been bored blind at the fundraisers. You haven't done the time and that first marriage to the girl with the right father. You think you can leap over all in a single bound. You haven't had to bribe or charm or threat your way to a seat at that table. You don't know how to assess your competition because you haven't competed. Don't make me your competition

    • Versions alternatives
      An Unrated Extended Cut makes 27 changes for ~1 minute extra run time. These edits were mainly reverts from not having an R rating for the theatrical release.
    • Connexions
      Featured in Ebert Presents: At the Movies: Épisode #1.8 (2011)
    • Bandes originales
      Cicada
      Written by Richard Baluyut, Fontaine Toups and Edward Baluyut

      Performed by Versus

      Courtesy of Merge Records

      By Arrangement with Bank Robber Music

    Meilleurs choix

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    Production art
    Liste

    FAQ23

    • How long is Limitless?Alimenté par Alexa
    • Is "Limitless" based on a book?
    • Does a drug like NZT really exist?
    • What are the differences between the theatrical cut and the Extended Cut?

    Détails

    Modifier
    • Date de sortie
      • 8 juin 2011 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official Facebook
    • Langues
      • Anglais
      • Russe
      • Italien
      • Mandarin
      • Français
    • Aussi connu sous le nom de
      • Sin límites
    • Lieux de tournage
      • Bahia de Banderas, Puerto Vallarta, Jalisco, Mexique
    • Sociétés de production
      • Relativity Media
      • Virgin Produced
      • Rogue
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 27 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 79 249 455 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 18 907 302 $US
      • 20 mars 2011
    • Montant brut mondial
      • 161 849 455 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 45min(105 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
      • Datasat
      • SDDS
      • Dolby Surround 7.1
    • Rapport de forme
      • 2.35 : 1

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