Rebelle

Nice movie, not the best Pixar movie, but I really enjoyed watching it. Merida was a good character. Her relationship with her mother was excellent. The message of the film was excellent.

Brave, Pixar's new animated film, doesn't quite match its predecessors for whimsy, emotion, and awesomeness, but it's a pretty fine movie nonetheless. It has its scary parts, like most Disney movies, but the five year old who saw the movie with me wasn't scared one bit, so you probably won't be, either. But I don't know, she's kind of tough.

Merida (voice of Kelly Macdonald) is the first-born princess in a mythical Scotland kingdom. Unlike most princesses, though, Merida is feisty, passionate, and more willing to shoot a bow and arrow than to be a demure little lady. Sort of the opposite of what her strict mother, Queen Elinor (voice of Emma Thompson) desires.

The feud between headstrong mother and child comes to a head when the former announces there will be a huge party attended by the three other major clans, the head of each bringing along his first-born son to offer to Merida as a husband. It's tradition, of course. That tradition gets upended by Merida's unyielding will, and in her desperate defiance of her mother she encounters a witch (Julie Walters) who grants her a spell that will change Merida's destiny. Not an uncommon theme in these movies; the trouble is that the characters never seem to understand that changing a destiny doesn't mean it's changed for the better. In this case, Merida's destiny - not a spoiler here - is changed in that her mother becomes a bear. Hilarity ensues.

All curses in movies, particularly in animated movies, have some kind of loophole. Here, it's that if Merida can repair a certain bond before two sunrises, she can reverse the spell; otherwise, dear old mum will be a bear forever. For a queen who hardly ever ventures outside her enormous castle, this is quite the fish-out-of-water dilemma.

From an animation standpoint, Brave is elegant without being too flashy. It doesn't try to be overly realistic, with a tremendous attention to detail, like the earlier Pixar films had. Truth be told, the movie has much more of an old-time, traditionally animated Disney film than a new- wave Pixar movie. The movie is presented in 3D and in 2D, and I recommend the latter - if only because there are many dark scenes (in a forest, mostly) that will be rendered indiscernible in 3D, which vacuums light up. Some of the forest scenes are very pretty indeed, specifically those involving the appearance of the will o' the wisp, a spirit that helps Merida find that which she seeks.

The movie is not without its fair share of humor, even slapstick. Merida's father, the King (voice of Billy Connolly) is a rough-and- tumble, huge, no-necked man who's just as soon drink a gallon of ale with you than break your nose. He's also missing a leg, the tale of which he never tires of telling, to the chagrin of his family. Merida also has three little brothers who, being boys, get away with anything they wish, while the poor princess must conform to strict rules of order. Ain't no fun being a princess, apparently.

Brave is a modest movie by Pixar standards, but its plot is a little more enriched than those of its predecessors, with myths, legends, and oral traditions leading the way to, in some cases, more questions. Well, more questions if you're eight years old and want to know more about everyone's intentions. If you are eight years old and are reading this, congratulations - our schools has made you a learny person. In any event, the plot is simple on the surface but contains deeper layers of provocative intrigue, never a bad thing. Kids will either gloss over the details or will find them fascinating.

This should have been an easy review to write. Brave should have been a film that cemented itself as one of the all time greats, a necessary addition to any Top Films list. It should have been a film that claimed a place in our hearts as so many other Pixar films have in the past. But it's not. And writing this review is proving anything but easy. It's hard because I'm sitting at my Dell Latitude feeling bewildered at how a film from the best animation studio in the world left me feeling lukewarm at best.

A bit of background on the film first; this film went through two directors. After Brenda Chapman left the film for reasons I don't know, Mark Andrews was hired as a shoe in. This wasn't the first Pixar film to have multiple directors, just unplanned multiple directors. This is where my major problem with this film stems. Everything from Brenda Chapman is textbook Pixar class and charisma, but once Mark Andrews gets the reins (and you WILL know when it happens), the film takes an abrupt and uncomfortable shift towards the dark, and really challenges the boundaries of PG. It feels like two different films tacked on to one another with Gorilla Glue, it's as if the directors had no collaboration with each other. A real shame because up until it takes this dark turn, the rest of this film is a class act bursting with potential.

However to lament on the pitfalls is to ignore the positives. Pixar created two characters with copybook classic credentials in Princess Merida, and her father Fergus. Merida as the independent, self-confident, inurbane princess has a tongue-in-cheek charm and a personality that brings a genuine smile to your face. The other hero of character is Fergus, his character of a bumbling king with an overpowering queen is cliché, but he's executed brilliantly and is the provider of the majority of humor on Brave. Another immensely impressive aspect is its supremely dazzling animation aesthetics, the resplendent beauty of the Scottish countryside sometimes stealing scenes from its characters. Whether or not you agree that's brilliant is more subjective.

Now this may seem like the ranting of a spoilt wannabe movie critic weaned on delusions of grandeur, and hollow satisfaction from demeaning films with hype behind them, but I can assure you my size 10.5s remain firmly on the ground. This film is still a damn sight better than a majority of animated films out there, and it no doubt sets a new bar for animation quality other films won't be able to reach without a pole vault. I generally like this film and its good moments are plentiful and remind you why we love these films so much. Pixar films are utterly infectious when done correctly, Brave isn't up to the standards of their best, you won't fall in love with it, but forget the scale of its predecessors and you'll definitely be impressed by it.

There's quite a bit about Brave that has marked it as a departure from Pixar's typical fare. The most memorable trailer was one of the best scenes from the movie, with Merida protesting her marriage by shooting for her own hand. That scene alone showcases the detail and quality of animation we've come to expect from Pixar. No other studio has managed to come near what they do. The motion of the characters is natural. Merida's gorgeous curly red hair is distracting in its details only at the perfect times. And, most impressively, when Merida holds her breath to shoot her last arrow the audience holds its collective breath as we watch her arrow shoot away in slow motion and in a beautiful use of depth of field that reminds us why 2D is still highly preferred to 3D.

That's not to say Brave is quite as visually astonishing as Sully's fur in Monsters Inc., the magical underwater world of Finding Nemo, or a landfill laden Earth in Wall-E. But, in some ways, it's not meant to be. We're dealing with a primarily human cast for once, and ones meant to look very different than the ones in Up.

Beyond the animation, the story is somewhat flat. The trailers do an excellent job of concealing the twists, but the twists are all easy to see well ahead of time. The story revolves around Princess Merida who is continually at odds with her Mother, Elinor. At the center of their arguments: marriage. Merida is to be married to the first born of one of the leaders of the other three clans. She'll have none of it as she'd much rather ride off on her own and perfect her archery skills than sit at home and be a proper Princess. In her more childish qualities, she's like her father: an overgrown warrior child who also happens to be King. It's not a bad story, but it's certainly a little too basic. Most people will most likely find the lack of creativity in the script's details the biggest disappointment in Brave. There's no moments where we marvel "how did these guys come up with this?"

It's a pity because Merida is one of the best protagonists Pixar has been blessed with. She's likable and hate-able in all the right ways. She has quite a bit of bratty teenager in her - as evidenced by the lack of morality she displays in trying to change her mother's mind about her upcoming betrothal - and yet heaps of bravery - as she shows when confronted with what she's done to her Mother. The best part about Merida and the story is that she's the one continually driving it forward and making the choices. That proves vital as the film doesn't really have a villain. This isn't a good vs. evil battle like all their other movies not named Finding Nemo.

Brave falls somewhere in the middle for Pixar. It's great that it's original (especially with Pixar selling out and giving us Monster's Inc. 2 and Toy Story 4 shortly), it's great the protagonist is female and so well rounded, and it's great the animation is somewhat subdued for once. I can't help but feel that Brave lacks some of the magic and creativity that really separate the upper echelon of Pixar's best work from the rest of it. Of course, that'll still probably be enough to make it the best animated movie of the year.

For more reviews like this one as well as other movie musings, go to http://thethreeacts.wordpress.com/

A true best of both worlds for classic Disney and classic Pixar fans. It had already been many years since the acquisition, but for me this was the first time Disney's buyout felt like a positive direction for the animation pioneers. Filled with possibly Pixar's most attractive environments, character designs (Side note: Merida has my favorite character design of any animated human character. I mean seriously her hair alone is a thing of beauty.), and easily its best score, the studio does a deft send up of classic princess movies while instilling the pure feeling of magic they are known for though Scotland's rich Celtic lore and cryptic mysticism. Brave is a criminally underrated installment in the Pixar cannon that I hope grows in stature over the years. If Wreck It Ralph is Disney doing Pixar, Brave is Pixar doing Disney.