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6,3/10
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MA NOTE
Ajouter une intrigue dans votre langueA woman's consuming love forces her to bear the clone of her dead beloved. From his infancy to manhood, she faces the unavoidable complexities of her controversial decision.A woman's consuming love forces her to bear the clone of her dead beloved. From his infancy to manhood, she faces the unavoidable complexities of her controversial decision.A woman's consuming love forces her to bear the clone of her dead beloved. From his infancy to manhood, she faces the unavoidable complexities of her controversial decision.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
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This movie delivers everything I seek in cinema: Entrancing cinematography, engaging direction, stirring of emotions and challenging themes. It's beautiful, intense and had me engrossed throughout. The cold, stark and stunning set locations are as much a part of the story telling as the dialogue is, serving to enrich the feelings and situations conveyed by the characters. It is a quiet film filled with visual beauty and soul. This is one of those rare movies that pulls you into another world, one which lingers and haunts you long after the movie has ended. I watched this film yesterday and am already wanting to revisit it.
Certain scenes made me feel uneasy, but rightfully so, given the subject matter. The sensitive story-line is conveyed well by all involved, enabling the viewer to empathise with both of the main characters rather than feeling alienated from them, which was a possibility with such a story-line. I think it was a clever move to not linger upon or delve much into the complexities of the actual cloning process and instead focus on the lives and emotions of the characters before and after that event. The film would have benefited from further developing the love formed between the two main characters as children so as we can better appreciate the intensity of their feelings when they meet again as adults. The director has said that they spent the whole summer together as children, yet this is not evident in the film. Still, I don't believe the movie suffered from this lapse as the acting by Eva Green is strong enough to convey her character's intensity and give reason to the choices she made.
The topic of human cloning is a controversial and complex one and in this day and age is not as much science-fiction as it is a genuine possibility in our future. A fictional, two hour film cannot hope to provide any real answer to any of the concerns posed by such a topic, but what this film manages to do is take on some emotional aspects of the topic and turn them into a haunting and thoughtful work of art. 9/10.
Certain scenes made me feel uneasy, but rightfully so, given the subject matter. The sensitive story-line is conveyed well by all involved, enabling the viewer to empathise with both of the main characters rather than feeling alienated from them, which was a possibility with such a story-line. I think it was a clever move to not linger upon or delve much into the complexities of the actual cloning process and instead focus on the lives and emotions of the characters before and after that event. The film would have benefited from further developing the love formed between the two main characters as children so as we can better appreciate the intensity of their feelings when they meet again as adults. The director has said that they spent the whole summer together as children, yet this is not evident in the film. Still, I don't believe the movie suffered from this lapse as the acting by Eva Green is strong enough to convey her character's intensity and give reason to the choices she made.
The topic of human cloning is a controversial and complex one and in this day and age is not as much science-fiction as it is a genuine possibility in our future. A fictional, two hour film cannot hope to provide any real answer to any of the concerns posed by such a topic, but what this film manages to do is take on some emotional aspects of the topic and turn them into a haunting and thoughtful work of art. 9/10.
This film, along with Never Let Me Go, might be the start of a new genre. Mumblecore science fiction, anyone? Both of these movies take a shot at delivering Very Profound Questions to an audience struggling to not burst out crying at the emotive depth of the incredibly touching human drama unfolding at snail's pace on screen. Or so the directors like to think. In Womb, The Great Idea circumnavigates the plot holes admirably, and the wafer-thin characters are brimming over with Love and struggling to come to terms with their sheer Humanity in virtually every shot. Its all rather dull, and, in a low-key fashion, incredibly pompous. Please, all you directors who feel a sudden urge to regale the audience with Deep Truths about Life - stay away from science fiction (unless you're Terrence Malick). Although I have to admit that Eva Green has perfected the enigmatic Mona Lisa-smile. From what I hear she's become pretty much unbeatable in the ring - she will floor you with that smile, flooding your mind with capitalised abstract nouns.
this is an emotionally and morally complex film.
the setting is bare, the dialog minimal, and all to leave room for the context which is massive.
the isolation serves to preserve the womb till the moment of all release, and therefore the moment of ultimate loss. there are many quiet metaphors in this film.
and it is these quiet choices that show some brilliant forethought on the part of the film-makers. it is brilliant film-making. if you can get past the squirminess of it all. and no doubt some day soon, if science has its way -as it will- this story will come true. just over a hundred years ago most believed that man would never fly.
the setting is bare, the dialog minimal, and all to leave room for the context which is massive.
the isolation serves to preserve the womb till the moment of all release, and therefore the moment of ultimate loss. there are many quiet metaphors in this film.
and it is these quiet choices that show some brilliant forethought on the part of the film-makers. it is brilliant film-making. if you can get past the squirminess of it all. and no doubt some day soon, if science has its way -as it will- this story will come true. just over a hundred years ago most believed that man would never fly.
a delicate subject. and great performances. result - a kind of poem. bitter, strange, sinful, melancholic, full of cages and traps. for me, it is only a form of piece search. levels - love, hope, desire to stop time. and guilty as mirror - wall. its heart - profound loneliness. by the others, by yourself because not the multiplication of a human been is question but the fragile relation with your gesture. Eva Green goes a magnificent role. a huge embroidery with lines of silence and cold words, with the circle of a prison as home and , far from everybody, like an isle, recreating the past. a painful-wise movie. a meditation in skin of parable. because Rebecca is only part of many from us.
This movie is not for those who are looking for action or for a fast paced movie. The movie takes you to the very beginning and takes it's time to build the relationships that will eventually be the cause for the controversial decision made by the main character. There is one scene that happens so suddenly and it is this event that brings about the controversial issue in this film. The acting is done really well by the few characters that we see, they seem immersed in the situation, filled with as much emotion as you would expect. The second half of the movie will have you debating with others and yourself on what stance you would take. And perhaps as you're watching the movie you have an idea of what the outcome will be, but the movie engages you to keep watching to see how it all plays out in this unique situation that we're presented with.
Le saviez-vous
- AnecdotesThe theme of this film is closely related to Sigmund Freud's famous theory of the 'Oedipus Complex', which states that there is an unconscious wish for a son to have sex with his mother. He also described the 'Electra Complex' which was the equivalent for females. A similar theme was explored in the 1974 movie 'The Savage is Loose'.
- GaffesIf Tommy's laptop had been in a box for 20 years or so, then he would have to use the plug in the box to get it to work as no battery could keep a charge that long.
- Crédits fousThe ending credits scroll from top to bottom instead of usually bottom to top.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Vientre
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 660 000 € (estimé)
- Montant brut mondial
- 36 257 $US
- Durée1 heure 51 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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