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Womb

  • 2010
  • Not Rated
  • 1h 51min
NOTE IMDb
6,3/10
16 k
MA NOTE
POPULARITÉ
1 913
4 242
Eva Green in Womb (2010)
A woman's consuming love forces her to bear the clone of her dead beloved. From his infancy to manhood, she faces the unavoidable complexities of her controversial decision.
Lire trailer1:43
1 Video
94 photos
DrameRomanceScience-fiction

Ajouter une intrigue dans votre langueA woman's consuming love forces her to bear the clone of her dead beloved. From his infancy to manhood, she faces the unavoidable complexities of her controversial decision.A woman's consuming love forces her to bear the clone of her dead beloved. From his infancy to manhood, she faces the unavoidable complexities of her controversial decision.A woman's consuming love forces her to bear the clone of her dead beloved. From his infancy to manhood, she faces the unavoidable complexities of her controversial decision.

  • Réalisation
    • Benedek Fliegauf
  • Scénario
    • Benedek Fliegauf
  • Casting principal
    • Eva Green
    • Matt Smith
    • Lesley Manville
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    16 k
    MA NOTE
    POPULARITÉ
    1 913
    4 242
    • Réalisation
      • Benedek Fliegauf
    • Scénario
      • Benedek Fliegauf
    • Casting principal
      • Eva Green
      • Matt Smith
      • Lesley Manville
    • 53avis d'utilisateurs
    • 96avis des critiques
    • 48Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 1 nomination au total

    Vidéos1

    U.S. Version
    Trailer 1:43
    U.S. Version

    Photos94

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 90
    Voir l'affiche

    Rôles principaux26

    Modifier
    Eva Green
    Eva Green
    • Rebecca
    Matt Smith
    Matt Smith
    • Thomas
    Lesley Manville
    Lesley Manville
    • Judith
    Peter Wight
    Peter Wight
    • Ralph
    István Lénárt
    • Henry
    Hannah Murray
    Hannah Murray
    • Monica
    Ruby O. Fee
    Ruby O. Fee
    • Rebecca - 9 Years
    Tristan Christopher
    • Thomas - 10 Years
    Jesse Hoffmann
    • Thomas - 5 Years
    Natalia Tena
    Natalia Tena
    • Rose
    Ella Smith
    Ella Smith
    • Molly
    Wunmi Mosaku
    Wunmi Mosaku
    • Erica
    Alexander Goeller
    • Marc
    Adrian Wahlen
    • Eric
    Gina Stiebitz
    Gina Stiebitz
    • Dima
    Amanda Lawrence
    Amanda Lawrence
    • Teacher
    Jennifer Lim
    Jennifer Lim
    • Mrs. Muju
    Tina Engel
    • Doctor
    • Réalisation
      • Benedek Fliegauf
    • Scénario
      • Benedek Fliegauf
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs53

    6,315.8K
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    10

    Avis à la une

    10leonthesleepy

    A Delicate portrait of loneliness and lost love.

    Womb is an excellent drama that is unfortunately marketed the wrong way.

    If your first impression of the film is that its an Erotic drama on incest, you couldn't be further from the truth.

    The premise itself should be a guideline for whether or not you should watch this film.

    "After a tragic accident, a woman decides to clone her lover, and raise him from infancy to adult." The less you know about Womb, the better the experience will be. Suffice to say, its an extremely well made, and honest drama about not being able to let go, and the consequences that follow.

    The story centers around Tommy and Rebecca. After the accident, Rebecca makes the controversial decision to clone Tommy to raise him as a child.

    Why? To get back her lover? To raise the child she never had? The film never spoon feeds us, and we're left with Eva Greens brilliant performance to see Rebecca unravel.

    We see her care about the Tommy's clone, and genuinely wants to be a good mother, but there's an underlying foreboding with the possibility of incest. Rebecca struggles to keep her feelings to being a mother, but there's obvious jealously when women come into Tommy's life, and thats the main conflict of the film.

    Certainly, this taboo possibility is the main drive of the second half of the film, but its much more than that.

    Womb is brilliant because of how well its crafted.

    There is an isolation to the film, landscapes and vistas are limited to long stretches of seas and beaches.

    Music is sparse too, there's a haunting recurring theme that plays during decades, and emphasizes the long time span of the story.

    Dialogue is minimum , and the film never lingers on a certain time period.

    Yet we miss nothing. Womb focuses not on the conversations and events, but rather the emotions the characters go through. What we are left with is a deep morality love story that transcends decades.

    Regardless of how you feel about the inevitable outcome, the struggles presented on screen is one of the more complex modern love stories. Its not about Lust, but of how blind we can get in our desires to get our loved ones back.

    Its not for everyone though, due to the slow paced nature of the film, the more you give yourself to the film, the more you will get.

    Its also not exactly the happiest film made. The depressive tone of the film may be too much for some, but it stays true to itself, and benefits greatly from it.

    This paired with the taboo subject material, led with questionable marketing, will probably scare off people, which is a shame, because this is far from the pretentious love story people seem to think it is.

    See it if you can, its definitely a hauntingly beautiful film that makes you think long after the credits roll.

    P.S, this is my first real review, let me know what you guys think! THANKS!
    9josephwiner

    Disturbing. Emotional. Brilliant.

    When first reading about this film, I thought to myself there is no way I shall be watching this; however, somehow I did end up watching it.

    Eva Green was absolutely incredible and gave true meaning to the character. The character's constant state of shock is beautifully performed and she manages to keep the character so real and uses naturalistic dexterity. As for Matt Smith, he brought a true sense of innocence to his character and really allowed himself to connect to the audience as a third-party character.

    Director, Benedek Fliegauf, did a superb job at keeping the realism of the piece. Often with these types of story lines, they lose meaning due to over acting and melodrama, however the director allowed everything to have a sense of stillness and time was a fantastic theme used throughout the story. The use of water that appeared a lot was very well crafted to represent the process of life to death; and this had good relation to the story itself.

    As I don't want to give away too much, I shall just say the final scene left me in tears. Whilst the concept is rather disturbing, as it contradicts morals and is extremely controversial, it was played out in such a way, it allows the viewer to actually connect with the characters and see the situation from their point of view. It's a great example of how the bad can be perceived as good and how viewers can emotionally connect with characters, who did seem ever so real.
    9natamity

    Engrossing, well-made film

    This movie delivers everything I seek in cinema: Entrancing cinematography, engaging direction, stirring of emotions and challenging themes. It's beautiful, intense and had me engrossed throughout. The cold, stark and stunning set locations are as much a part of the story telling as the dialogue is, serving to enrich the feelings and situations conveyed by the characters. It is a quiet film filled with visual beauty and soul. This is one of those rare movies that pulls you into another world, one which lingers and haunts you long after the movie has ended. I watched this film yesterday and am already wanting to revisit it.

    Certain scenes made me feel uneasy, but rightfully so, given the subject matter. The sensitive story-line is conveyed well by all involved, enabling the viewer to empathise with both of the main characters rather than feeling alienated from them, which was a possibility with such a story-line. I think it was a clever move to not linger upon or delve much into the complexities of the actual cloning process and instead focus on the lives and emotions of the characters before and after that event. The film would have benefited from further developing the love formed between the two main characters as children so as we can better appreciate the intensity of their feelings when they meet again as adults. The director has said that they spent the whole summer together as children, yet this is not evident in the film. Still, I don't believe the movie suffered from this lapse as the acting by Eva Green is strong enough to convey her character's intensity and give reason to the choices she made.

    The topic of human cloning is a controversial and complex one and in this day and age is not as much science-fiction as it is a genuine possibility in our future. A fictional, two hour film cannot hope to provide any real answer to any of the concerns posed by such a topic, but what this film manages to do is take on some emotional aspects of the topic and turn them into a haunting and thoughtful work of art. 9/10.
    9edumacated

    complex

    this is an emotionally and morally complex film.

    the setting is bare, the dialog minimal, and all to leave room for the context which is massive.

    the isolation serves to preserve the womb till the moment of all release, and therefore the moment of ultimate loss. there are many quiet metaphors in this film.

    and it is these quiet choices that show some brilliant forethought on the part of the film-makers. it is brilliant film-making. if you can get past the squirminess of it all. and no doubt some day soon, if science has its way -as it will- this story will come true. just over a hundred years ago most believed that man would never fly.
    8JimmyCollins

    Quiet, Cold, Stunning!

    Films with lingering shots of a beach or a face or a road to me can sometimes come off as pretentious dribble, not the case with Womb, I found this movie to be absolutely stunning. There's no other word for it, some people would easily find this movie to be boring due to the extremely slow pace and lack of dialogue, but in my opinion that all just adds to the atmosphere that the director was trying to create.

    There is no way at all to tell what year this film is set but I'm guessing it would be in the not too distant future, let's face it, the advances in science these days it's not too long before human cloning will be a part of our society. A lot of things I've heard about Womb quite often compare it to Birth, which is a pretty good comparison I think, both films have a lot of similarities. I couldn't help but pick up vibes from another film Never Let Me Go, the controversial subject matter is similar, the underlying sci-fi element, the moral question the viewer faces and the stillness of both films are very much the same.

    Eva Green is wonderful to watch, she gives such a wonderfully restrained performance that's it's surprising she didn't get noticed more for her role. Ever since I saw the terrific Cracks a few years ago I look forward to seeing what edgy role she decides to take on next, Matt Smith, who I'm not so familiar with also does a good job. The children at the beginning of the film deserve a mention too, it seems as though child actors are just getting better and better as time goes on.

    Certainly not a film for everyone, but for people who like a bit of a discussion after a film it's perfect.

    LOVED IT!!!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The theme of this film is closely related to Sigmund Freud's famous theory of the 'Oedipus Complex', which states that there is an unconscious wish for a son to have sex with his mother. He also described the 'Electra Complex' which was the equivalent for females. A similar theme was explored in the 1974 movie 'The Savage is Loose'.
    • Gaffes
      If Tommy's laptop had been in a box for 20 years or so, then he would have to use the plug in the box to get it to work as no battery could keep a charge that long.
    • Citations

      [first lines]

      Rebecca: It's over. I will always speak to you. And I don't mind if you don't say anything. Just because you went away, it doesn't mean you're not here anymore. Perhaps all I ever needed was this gift.

      [rubbing her belly]

      Rebecca: The one you gave to me at the end

    • Crédits fous
      The ending credits scroll from top to bottom instead of usually bottom to top.

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    FAQ

    • How long is Womb?Alimenté par Alexa
    • What was the poem that was recited by Tommy's clone during the course of the film?

    Détails

    Modifier
    • Date de sortie
      • 7 avril 2011 (Allemagne)
    • Pays d’origine
      • Allemagne
      • Hongrie
      • France
    • Sites officiels
      • Official site (Germany)
      • Official site (Hungary)
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Vientre
    • Lieux de tournage
      • Hallig Langeneß, Schleswig-Holstein, Allemagne
    • Sociétés de production
      • Razor Film Produktion GmbH
      • Inforg Stúdió
      • Asap Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 3 660 000 € (estimé)
    • Montant brut mondial
      • 36 257 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 51 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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